CONTENTS Gracieuse and Percinet Fair Goldilocks The Blue Bird Prince Ariel Princess Mayblossom Princess Rosette The Golden Branch The Bee and the Orange Tree The Good Little Mouse The Ram Finette Cendron Fortun?e Babiole The Yellow Dwarf Green Serpent Princess Carpillon The Benevolent Frog The Hind in the Wood The White Cat Belle-Belle The Pigeon and the Dove Princess Belle-Etoile Prince Marcassin The Dolphin

    It has been unoccupied for years but they are drawn to the charm and dignity lying under the grime and cobwebs. Even before the purchase goes through "les Anglais" are welcomed with genuine affection by their new neighbours. From their very first day at St Paradis, in the impoverished department of the Creuse, they begin to make close and lasting friendships in spite of the language barriers. But it is not only their neighbours who welcome them. Soon they are aware that the spirit of a former owner seems delighted to see her family home being restored to life. Indeed, it appears almost as if she has chosen the Loaders for this task..."A Bull by the Back Door" traces how the Loaders face what they describe as "A-Level Housebuying", complete with charts and copious documents, and how they nearly fail. It depicts life in the village of St Paradis and how the family are assimilated, as well as detailing what they do to bring their beautiful stone house back to life again. THE AUTHOR: Anne Loader started in journalism in 1965, with East Midland Allied Press in Lincolnshire and Norfolk. After her marriage she worked as a senior reporter on the Southern Evening Echo at Southampton. She was the feature writer on Northwich World from 1980-84 and was editor of the Crewe Guardian for ten years until 1995 when she was made redundant. She now runs Léonie Press, publishing short-run books on autobiography and local history. Anne originally wrote the book to amuse her elderly mother, who had lived in France in the 1920s and had instilled a passion for France in her daughter from her earliest years. Extracts were serialised in Living France magazine and the book was very well received, becoming Léonie Press's most successful title.SOME REVIEWS:Enchanting... Those who find Peter Mayle's books about life in Provence somewhat patronising of the locals will consider the francophile "A Bull by the Back Door" in refreshing contrast - Living FranceStunning illustrations - Northwich Guardian, Crewe Guardian Rival Peter Mayle - Evening Sentinel, Northwich Chronicle Simply takes you there - superb value for money - BBC Radio Stoke Couldn't put it down; I feel as if I've been there; Wonderfully readable; Just like our own experiences; Thank you for writing this book, I look forward to the next one! - Readers' comments A Bull by the Back Door starts with an account of 'A-level house buying' and many readers will recognise the false hopes and near-misses at the beginning of their search. The family's wholehearted acceptance by the villagers and their efforts to renovate the beautiful stone house will ring bells with anyone who has attempted the same thing and will act as encouragement to others just beginning. - French Property News

    As they discuss the merits of the piece and art in general, the father hears his children upstairs giggling. This childish mirth is barbaric and devastating to the father, for in their laughter he hears them mocking his "old-fashioned" viewpoint and the energy he wastes by collecting lifeless objects. In his mind, they have no respect for what has been of greatest importance in his life.

    The descent of the French Revolution from rapturous liberation into an orgy of apparently pointless bloodletting has been the focus of countless reflections on the often malignant nature of humanity and the folly of revolution.David Andress, a leading historian of the French Revolution, presents a radically different account of the Terror. In a remarkably vivid and page-turning work of history, he transports the reader from the pitched battles on the streets of Paris to the royal family's escape through secret passageways in the Tuileries palace, and across the landscape of the tragic last years of the Revolution. The violence, he shows, was a result of dogmatic and fundamentalist thinking: dreadful decisions were made by groups of people who believed they were still fighting for freedom but whose survival was threatened by famine, external war, and counter-revolutionaries within the fledging new state. Urgent questions emerge from Andress's trenchant reassessment: When is it right to arbitrarily detain those suspected of subversion? When does an earnest patriotism become the rationale for slaughter?Combining startling narrative power and bold insight, The Terror is written with verve and exceptional pace. It is a dramatic new interpretation of the French Revolution that draws troubling parallels with today's political and religious dundamentalism."A vivid and powerful narrative of the years 1789-95... The narrative is dense yet fast-moving, from the storming of the Bastille to the execution of King Louis XVI to the paranoid politics of the National Convention." --DAVID GILMOUR, THE New York Times Book Review"In such alarming times, it is important to understand what exactly terror is, how it works politically, and what, if anything, can be done to combat it. The historian David Andress has made a serious contribution to this central subject of our times with an accessible account of the way terror overtook the French Revolution at the end of the eighteenth century." --RUTH SCURR, The Times (London)DAVID ANDRESS, a leading historian of the French Revolution, is Reader in Modern European History at the University of Portsmouth and a Fellow of the Royal Historical Society.

    When they find a home off the Frankish coast they begin to accumulate a vast fortune which earns them the enmity of other Vikings. The novel culminates in a bloody battle where Viking fights Viking but Hrolf begins to fulfill his destiny as Hrolf the Horseman!

    Self-discovery in a convent leads her to her confessor, Father Dirrag, and she is soon launched upon the path of reason that convinces her that passion and love of the Deity are equal gifts of God. With additional mentors, Therese learns that sensations are but a part of temperament, as natural as hunger and thirst, and all may be satisfied as long as it does not harm others.

    William Marshal is portrayed as being brave, intelligent - but flawed and human too.” Michael Arnold William Marshal was born in a time of civil war. In a time of bloodshed and honour. As a boy he is used as a pawn, during the conflict between Stephen and Matilda. But as a young man he trains as a knight. Marshal learns his trade in England and Normandy, fighting in tournaments and war-games, gaining friends and enemies alike. But the boy must become a man - and the squire must become a knight. Marshal soon finds himself embroiled in the campaigns of Henry II and the rivalry between French Kings. Where once he fought for fame and riches, the young knight finds himself fighting for his life. The Knight Banneret is the first book in an epic series chronicling the story of William Marshal, “the Greatest Knight”. For fans of Bernard Cornwell, Conn Iggulden and Michael Jecks. Praise for Richard Woodman: “This series could develop into something very special. Richard Woodman knows how to tell a story, but has a healthy respect for history... Compulsive reading.” Saul David “Brings medieval Europe to life. The well-crafted action and historical insights enthral and entertain.” Richard Foreman, author of Band of Brothers. ‘Richard Woodman reminds us of the importance of merchant ships and our debts to the seafarers – men and women – who manned.’ HRH Princess Anne ‘If Neptune’s Trident sets the standard for what is to follow - we can at least rest assured that there is a series that truly does justice to our proud merchant maritime past.’ Nautilus UK Telegraph ‘Richard Woodman tells many a good tale in this first volume and it is fascinating to read. I highly recommend this first volume in the Neptune s Trident for anyone with an interest in the early modern period. If the rest of the series is as good as this one, they should all be on the bookshelves of those studying the history of Britain, from the sixteenth to the twentieth centuries.’ Open History Captain Richard Martin Woodman LVO is an English novelist and naval historian. He is the author of the series ‘A History of the British Merchant Navy’ and the Sword of State trilogy, which recreates the true story of George Monck, a giant of the 17th Century.

    . . . If you’re passionate about eating well during your next trip to Paris, you couldn’t ask for a better travel companion than Alexander Lobrano’s charming, friendly, and authoritative Hungry for Paris, the first new comprehensive guide in many years to the city’s restaurant scene. Lobrano, Gourmet magazine’s European correspondent, has written for almost every major food and travel magazine since he became an American in Paris in 1986. Here he shares his personal selection of the city’s 102 best restaurants, each of which is portrayed in savvy, fun, lively descriptions that are not only indispensable for finding a superb meal but a pleasure to read. Lobrano reveals the hottest young chefs, the coziest bistros, the best buys–including those haute cuisine restaurants that are really worth the money–and the secret places Parisians love most, together with information on the most delicious dishes, ambience, clientele, and history of each restaurant. A series of delightful essays cover various aspects of dining in Paris, including “Table for One” (how to eat alone), “The Four Seasons” (the best of seasonal eating in Paris), and “Eating the Unspeakable” (learning to eat what you don’t think you like). All restaurants are keyed to helpful maps, and the book is seasoned with beautiful photographs by Life magazine photographer Bob Peterson that will only help whet your appetite for tasting Paris.

    Among the first statesmen to clearly understand the necessity of a balance of powers, he was one of the early realist politicians, practicing in the wake of Niccolò Machiavelli. Truly larger than life, he has captured the imagination of generations, both through his own story and through his portrayal as a ruthless political mastermind in Alexandre Dumas's classic The Three Musketeers.Forging a nation-state amid the swirl of unruly, grasping nobles, widespread corruption, wars of religion, and an ambitious Habsburg empire, Richelieu's hands were always full. Serving his fickle monarch, he mastered the politics of absolute power. Jean-Vincent Blanchard's rich and insightful new biography brings Richelieu fully to life in all his complexity. At times cruel and ruthless, Richelieu was always devoted to creating a lasting central authority vested in the power of monarchy, a power essential to France's position on the European stage for the next two centuries. Richelieu's careful understanding of politics as spectacle speaks to contemporary readers; much of what he accomplished was promoted strategically through his great passion for theater and literature, and through the romance of power. Éminence offers a rich portrait of a fascinating man and his era, and gives us a keener understanding of the dark arts of politics.

    A legendary figure in history, Vidocq is known as the first detective and an inspiration to great writers such as Honore de Balzac, Victor Hugo and Edgar Allen Poe. As a player in the criminal underworld, Vidocq is a master of disguises and an accomplished thief, eventually turning his unlawful talents toward catching criminals as the first French chief of secret police. Playing both sides of the law, Vidocq’s life highlights the blurry line between law enforcement and the criminals they pursue. Vidocq has a knack for finding trouble throughout his topsy-turvy life, getting into one hot situation after another, often finding himself behind bars, only to escape the first chance he gets. This book will take you on a whirlwind tour of 1830s France, including the circus stage, pirate ships, prison cells and beautiful women’s boudoirs. Vidocq’s life story is unforgettable and includes some of the best crime stories and juicy tales ever written. Last year, Gerard Depardieu starred in the French film adaptation of the memoirs, -titled Vidocq."He preferred the tumultuous life of danger to the contentment of security. His story is one long swashbuckling adventure as he breaks out of jails, pursues actresses, duels to the death, raids the hells of criminals and stalks the Paris night in a thousand disguises."—Philip John Stead, Vidocq, Picaroon of Crime

    The daughter of the second most important man in France, Louis XVI's Minister of Finances, Jacques Necker, Madame de Stael was born into a world of political and intellectual prominence. Later, she married Sweden's ambassador to the French court, and for a span of twenty years, she held the limelight as a political figure and prolific writer. Despite a plain appearance, she was notoriously seductive and enjoyed whirlwind affairs with some of the most influential men of her time. She always attracted controversy, and was demonized by Napoleon for her forthrightness, the sheer power of her intellect, and the progressiveness of her salon, which was a hotbed for the expression of liberal ideals. The emperor exiled her, on and off, for the last fifteen years of her life. Madame de Stael--force of nature, exuberant idealist, and ultimate enthusiast--waged a lifelong struggle against all that was tyrannical, cynical, or passionless in her time, and left Europe a legacy of enlightened liberalism that radiated throughout the continent during the nineteenth century.

    Eventually sundered from every human attachment, Samya lapses into despair and despondence, and finally an emotionally caused paralysis. But when she shakes off the torpor of sleep, the sleep of avoidance, she awakens to action with the explosive energy of one who has been reborn.

    The door had opened, and under the lintel stood the thick-set figure of the Comte de Chatellerault. Before him a lacquey in my escutcheoned livery of red-and-gold was receiving, with back obsequiously bent, his hat and cloak...

    Bug-Jargal is one of the most important works of nineteenth-century colonial fiction, and quite possibly the most sustained novelistic treatment of the Haitian Revolution by a major European author.

    In this one document, more American territory changed hands than in any treaty before or since. As the great historian Francis Parkman wrote, half a continent changed hands at the scratch of a pen. As Colin Calloway reveals in this superb history, the Treaty set in motion a cascade of unexpected consequences. Indians and Europeans, settlers and frontiersmen, all struggled to adapt to new boundaries, new alignments, and new relationships. Britain now possessed a vast American empire stretching from Canada to the Florida Keys, yet the crushing costs of maintaining it would push its colonies toward rebellion. White settlers, free to pour into the West, clashed as never before with Indian tribes struggling to defend their way of life.