Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

    "Astonish Me" is the irresistible story of Joan, a ballerina whose life has been shaped by her relationship with the world-famous dancer Arslan Ruskov, whom she helps defect from the Soviet Union to the United States. While Arslan's career takes off in New York, Joan's slowly declines, ending when she becomes pregnant and decides to marry her longtime admirer, a PhD student named Jacob. As the years pass, Joan settles into her new life in California, teaching dance and watching her son, Harry, become a ballet prodigy himself. But when Harry's success brings him into close contact with Arslan, explosive secrets are revealed that shatter the delicate balance Joan has struck between her past and present. In graceful, inimitable prose, Shipstead draws us into an extraordinary world, and the lives of her vivid and tempestuous characters. Filled with intrigue, brilliant satire, and emotional nuance, "Astonish Me" is a superlative follow-up to Shipstead's superb debut.

    Mimi Miller tells about her life with intimacy and honesty. As Mimi eavesdrops on her parents and quietly observes the people around her, she discovers more and more about the toxicity of family secrets, the dangers of gossip, the flaws of marriage, the inequalities of friendship and the risks of passion, loyalty, and love. Home, as Mimi begins to realize, can be “a place where it’s just as easy to feel lost as it is to feel content.” Miller’s Valley is a masterly study of family, memory, loss, and, ultimately, discovery, of finding true identity and a new vision of home. As Mimi says, “No one ever leaves the town where they grew up, even if they go.” Miller’s Valley reminds us that the place where you grew up can disappear, and the people in it too, but all will live on in your heart forever.'

    It begins with a secret."All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

    Instructions for a Heatwave finds her at the top of her game, with a novel about a family crisis set during the legendary British heatwave of 1976. Gretta Riordan wakes on a stultifying July morning to find that her husband of forty years has gone to get the paper and vanished, cleaning out his bank account along the way. Gretta's three grown children converge on their parents' home for the first time in years: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and a blighted past that has driven away the younger sister she once adored; and Aoife, the youngest, now living in Manhattan, a smart, immensely resourceful young woman who has arranged her entire life to conceal a devastating secret. Maggie O'Farrell writes with exceptional grace and sensitivity about marriage, about the mysteries that inhere within families, and the fault lines over which we build our lives—the secrets we hide from the people who know and love us best. In a novel that stretches from the heart of London to New York City's Upper West Side to a remote village on the coast of Ireland, O'Farrell paints a bracing portrait of a family falling apart and coming together with hard-won, life-changing truths about who they really are.

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    A devoted husband, proud father of four children in their twenties, and respected officer, Joe begins experiencing bouts of disorganized thinking, uncharacteristic temper outbursts, and strange, involuntary movements. He initially attributes these episodes to the stress of his job, but as these symptoms worsen, he agrees to see a neurologist and is handed a diagnosis that will change his and his family’s lives forever: Huntington’s Disease.Huntington’s is a lethal neurodegenerative disease with no treatment and no cure. Each of Joe’s four children has a 50 percent chance of inheriting their father’s disease, and a simple blood test can reveal their genetic fate. While watching her potential future in her father’s escalating symptoms, twenty-one-year-old daughter Katie struggles with the questions this test imposes on her young adult life. Does she want to know? What if she’s gene positive? Can she live with the constant anxiety of not knowing?As Joe’s symptoms worsen and he’s eventually stripped of his badge and more, Joe struggles to maintain hope and a sense of purpose, while Katie and her siblings must find the courage to either live a life “at risk” or learn their fate.

    But a tragic accident when she was seventeen shattered her identity and made her understand the fragility of life and the tenuousness of luck. So more than a decade later, when she met boisterous, charismatic Charlie Blackwell, she hardly gave him a second look: She was serious and thoughtful, and he would rather crack a joke than offer a real insight; he was the wealthy son of a bastion family of the Republican party, and she was a school librarian and registered Democrat. Comfortable in her quiet and unassuming life, she felt inured to his charms. And then, much to her surprise, Alice fell for Charlie. As Alice learns to make her way amid the clannish energy and smug confidence of the Blackwell family, navigating the strange rituals of their country club and summer estate, she remains uneasy with her newfound good fortune. And when Charlie eventually becomes President, Alice is thrust into a position she did not seek–one of power and influence, privilege and responsibility. As Charlie’s tumultuous and controversial second term in the White House wears on, Alice must face contradictions years in the making: How can she both love and fundamentally disagree with her husband? How complicit has she been in the trajectory of her own life? What should she do when her private beliefs run against her public persona? In Alice Blackwell, New York Times bestselling author Curtis Sittenfeld has created her most dynamic and complex heroine yet. American Wife is a gorgeously written novel that weaves class, wealth, race, and the exigencies of fate into a brilliant tapestry–a novel in which the unexpected becomes inevitable, and the pleasures and pain of intimacy and love are laid bare.BONUS: This edition includes an excerpt from Curtis Sittenfeld's Sisterland. Praise for American Wife “Curtis Sittenfeld is an amazing writer, and American Wife is a brave and moving novel about the intersection of private and public life in America. Ambitious and humble at the same time, Sittenfeld refuses to trivialize or simplify people, whether real or imagined.” –Richard Russo “What a remarkable (and brave) thing: a compassionate, illuminating, and beautifully rendered portrait of a fictional Republican first lady with a life and husband very much like our actual Republican first lady’s. Curtis Sittenfeld has written a novel as impressive as it is improbable.” –Kurt Andersen

    And every year, Samuel Lake, a vibrant and committed young preacher, brings his beloved wife, Willadee Moses, and their three children back for the festivities. The children embrace the reunion as a welcome escape from the prying eyes of their father’s congregation; for Willadee it’s a precious opportunity to spend time with her mother and father, Calla and John. But just as the reunion is getting under way, tragedy strikes, jolting the family to their core: John’s untimely death and, soon after, the loss of Samuel’s parish, which set the stage for a summer of crisis and profound change.In the midst of it all, Samuel and Willadee’s outspoken eleven-year-old daughter, Swan, is a bright light. Her high spirits and fearlessness have alternately seduced and bedeviled three generations of the family. But it is Blade Ballenger, a traumatized eight-year-old neighbor, who soon captures Swan’s undivided attention. Full of righteous anger, and innocent of the peril facing her and those she loves, Swan makes it her mission to keep the boy safe from his terrifying father.With characters who spring to life as vividly as if they were members of one’s own family, and with the clear-eyed wisdom that illuminates the most tragic—and triumphant—aspects of human nature, Jenny Wingfield emerges as one of the most vital, engaging storytellers writing today. In The Homecoming of Samuel Lake she has created a memorable and lasting work of fiction.

    Reviled and brought up in poverty, Truly finds her calling and a future that none expected.When Truly Plaice's mother was pregnant, the town of Aberdeen joined together in betting how record-breakingly huge the baby boy would ultimately be. The girl who proved to be Truly paid the price of her enormity; her father blamed her for her mother's death in childbirth and was totally ill equipped to raise either this giant child or her polar opposite sister Serena Jane, the epitome of feminine perfection. When he, too, relinquished his increasingly tenuous grip on life, Truly and Serena Jane are separated--Serena Jane to live a life of privilege as the future May Queen and Truly to live on the outskirts of town on the farm of the town sadsack, the subject of constant abuse and humiliation at the hands of her peers. Serena Jane's beauty proves to be her greatest blessing and her biggest curse, for it makes her the obsession of classmate Bob Bob Morgan, the youngest in a line of Robert Morgans who have been doctors in Aberdeen for generations. Though they have long been the pillars of the community, the earliest Robert Morgan married the town witch, Tabitha Dyerson, and the location of her fabled shadow book--containing mysterious secrets for healing and darker powers--has been the subject of town gossip ever since. Bob Bob Morgan, one of Truly's biggest tormentors, does the unthinkable to claim the prize of Serena Jane and changes the destiny of all Aberdeen from there on. When Serena Jane flees town and a loveless marriage to Bob Bob, it is Truly who must become the woman of a house that she did not choose and mother to her eight-year-old nephew Bobbie. Truly's brother-in-law is relentless and brutal; he criticizes her physique and the limitations of her health as a result and degrades her more than any one human could bear. It is only when Truly finds her calling--the ability to heal illness with herbs and naturopathic techniques--hidden within the folds of Robert Morgan's family quilt, that she begins to regain control over her life and herself. Unearthed family secrets, however, will lead to the kind of betrayal that eventually break the Morgan family apart forever, but Truly's reckoning with her own demons allows for both an uprooting of Aberdeen County, and the possibility of love in unexpected places.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    David Henry is forced by a blizzard to deliver his own twins. His son, born first, is perfectly healthy. Yet when his daughter is born, he sees immediately that she has Down's Syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split-second decision that will alter all of their lives forever. He asks his nurse to take the baby away to an institution and never to reveal the secret. But Caroline, the nurse, cannot leave the infant. Instead, she disappears into another city to raise the child herself. So begins this story that unfolds over a quarter of a century - in which these two families, ignorant of each other, are yet bound by the fateful decision made that long-ago winter night. Norah Henry, who knows only that her daughter died at birth, remains inconsolable; her grief weighs heavily on their marriage. And Paul, their son, raises himself as best he can, in a house grown cold with mourning. Meanwhile, Phoebe, the lost daughter, grows from a sunny child to a vibrant young woman whose mother loves her as fiercely as if she were her own.