Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself - and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams...and maybe even change the world.

    But when the Katas’ idyllic lifestyle takes a turn for the worse, Abeo’s father, following his mother’s advice, places her in a religious shrine, hoping that the sacrifice of his daughter will serve as religious atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is enslaved within the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again.In the tradition of Chris Cleave’s Little Bee, Praise Song for the Butterflies is a contemporary story that offers an educational, eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies will break and heal your heart.

    Without running water or electricity, Warri is at first a nightmare for Blessing. Her mother is gone all day and works suspiciously late into the night to pay the children's school fees. Her brother, once a promising student, seems to be falling increasingly under the influence of the local group of violent teenage boys calling themselves Freedom Fighters. Her grandfather, a kind if misguided man, is trying on Islam as his new religion of choice, and is even considering the possibility of bringing in a second wife.But Blessing's grandmother, wise and practical, soon becomes a beloved mentor, teaching Blessing the ways of the midwife in rural Nigeria. Blessing is exposed to the horrors of genital mutilation and the devastation wrought on the environment by British and American oil companies. As Warri comes to feel like home, Blessing becomes increasingly aware of the threats to its safety, both from its unshakable but dangerous traditions and the relentless carelessness of the modern world.

    On the cusp of seventy-five, she is in good health and makes the most of it, enjoying road trips in her vintage Porsche, chatting to strangers, and recollecting characters from her favourite novels. Then she has a fall and her independence crumbles. Without the support of family, she relies on friends and chance encounters. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband. A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman. “Dr. Morayo Da Silva is one of the most memorable characters you are likely to encounter on the page – intelligent, indomitable, author and survivor of a large life. In dreamlike prose, Manyika dips in and out of her present, her past, in a story that argues always for generosity, for connection, for a vigorous and joyful endurance." - Karen Joy Fowler, author of We Are All Completely Beside Ourselves“Manyika's story about an elderly Nigerian woman is quiet, sophisticated and it expands the canon of contemporary African literature into welcome new territory.” - Bernardine Evaristo, author of Mr Loverman“If aging be a lamp, then Morayo, the protagonist in Like a Mule Bringing Ice Cream to the Sun is a mesmerizing glow. Astute, sensual, funny, and moving.” - NoViolet Bulawayo, author of We Need New Names “A wonderfully constructed novel, always surprising and wrong-footing the reader at every turn and challenging one's assumptions about the Other. Like a Mule Bringing Ice Cream to the Sun is a delightful multi-helical reading experience that speaks to our times in insightful and pleasantly understated ways." - Brian Chikwava, author of Harare North

    Before she gets the reunion her father promised her, war breaks out in Liberia. The family is forced to flee their home on foot, walking and hiding for three weeks until they arrive in the village of Lai. Finally, a rebel soldier smuggles them across the border to Sierra Leone, reuniting the family and setting them off on yet another journey, this time to the United States.Spanning this harrowing journey in Moore’s early childhood, her years adjusting to life in Texas as a black woman and an immigrant, and her eventual return to Liberia, The Dragons, the Giant, the Women is a deeply moving story of the search for home in the midst of upheaval. Moore has a novelist’s eye for suspense and emotional depth, and this unforgettable memoir is full of imaginative, lyrical flights and lush prose. In capturing both the hazy magic and the stark realities of what is becoming an increasingly pervasive experience, Moore shines a light on the great political and personal forces that continue to affect many migrants around the world, and calls us all to acknowledge the tenacious power of love and family.

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

    Some are personal, most are enlightening, but all connect. Connect on a higher Level. A spiritual level.” —Kendrick Lamar, Grammy Award-winning artist, and winner of the 2018 Pulitzer Prize for Music A Lit Hub Favorite Book of 2018  The speaker in Cape Verdean Blues is an oracle walking down the street. Shauna Barbosa interrogates encounters and the weight of their space. Grounded in bodily experience and the phenomenology of femininity, this collection provides a sense of Cape Verdean identity. It uniquely captures the essence of “Sodade,” as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined. And its layers of unusual imagery and sound hold the reader in their grip.

    She's drawn up a shortlist: Reuben, the fail safe; a long-admired school friend; abd Frederick Adams, the 42-year-old, soon-to-be-pot-bellied father of her best friend. What she doesn't know is that her choice of suitor will have a drastic effect on the rest of her life. Three men. Three paths. One will send Ayodele to Europe, to university and to a very different life - but it will be a voyage strewn with heartache. Another will send her around the globe on an epic journey, transforming her beyond recognition but at the cost of an almost unbearable loss. And another will see her remain in Africa, a wife and mother caught in a polygamous marriage. Each will change her irrevocably - but which will she choose?

    But when the tourists have gone home, the whale caller lingers at the shoreline, wooing a whale he has named Sharisha with cries from a kelp horn. When Sharisha fails to appear for weeks on end, the whale caller frets like a jealous lover--oblivious to the fact that the town drunk, Saluni, a woman who wears a silk dress and red stiletto heels, is infatuated with him.The two misfits eventually fall in love. But each of them is ill equipped for romance, and their relationship suggests, in the words of The Washington Post, that "the deeper, darker concern here is not so much the fragility of love, but the fragility of life itself when one surrenders wholly to the foolish heart."

    The story that he tells, nearly 40 years later, is of his early days at home and in school, brought up in a strict mission household and conflicting with his father.

    While Sahil is careless, carefree, 'new money' and 'the brat', Ayra is sensitive, reserved, shy and not easy to talk to. And that is probably what attracts Sahil to her. Their story progresses slowly and delicately, and things gradually take on a love-tinged hue.However, their lives soon begin to unravel. Sahil learns why Ayra is so private when the most damning truth about her life is revealed. Just as they overcome that challenge, another cruel blow threatens to tear them apart. It's now about a life beyond life, and a love somewhere among the stars . . .

    Their enigmatic lodger, Zamani, seems to be their last, best hope for finding him. Since Bukhosi's disappearance, Zamani has been preternaturally helpful: hanging missing posters in downtown Bulawayo, handing out fliers to passersby, and joining in family prayer vigils with the flamboyant Reverend Pastor from Agnes's Blessed Anointings church. It's almost like Zamani is part of the family....But almost isn't nearly enough for Zamani. He ingratiates himself with Agnes and feeds alcoholic Abednego's addiction, desperate to extract their life stories and steep himself in borrowed family history, as keenly aware as any colonialist or power-mad despot that the one who controls the narrative inherits the future. As Abednego wrestles with the ghosts of his past and Agnes seeks solace in a deep-rooted love, their histories converge and each must confront the past to find their place in a new Zimbabwe. Pulsing with wit, seduction, and dark humor, House of Stone is a sweeping epic that spans the fall of Rhodesia through Zimbabwe's turbulent beginnings, exploring the persistence of the oppressed in a young nation seeking an identity, but built on forgetting.

    In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty—and Jende is eager to please. Clark’s wife, Cindy, even offers Neni temporary work at the Edwardses’ summer home in the Hamptons. With these opportunities, Jende and Neni can at last gain a foothold in America and imagine a brighter future. However, the world of great power and privilege conceals troubling secrets, and soon Jende and Neni notice cracks in their employers’ façades. When the financial world is rocked by the collapse of Lehman Brothers, the Jongas are desperate to keep Jende’s job—even as their marriage threatens to fall apart. As all four lives are dramatically upended, Jende and Neni are forced to make an impossible choice.

    Spoiled Rachel struggles to establish her independence and learns to love across the cultural divide; conservative Seema attempts to end a relationship that has become increasingly abusive; and street-savvy Nomsa finally accepts a past that she has spent a lifetime denying. Coping with rogue snakes, gang assassinations, and the public's denial of AIDS, these women demonstrate what it takes to be a doctor in South Africa.

    Cape Town, between the postcard mountain and sea, has its own shadow-side lurking in its lap: a place of dislocation and uncertainty, dependence and desperation, destruction and survival, gangsters, pimps, pedophiles, hunger, hope and moments of happiness. This book therefore is an extraordinary and unsparing account of the coming of age on the street in Cape Town - a place of dislocation and uncertainty, desperation with glimpses of happiness.This novel won the coveted Commonwealth Writer's Prize.