He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Armed with beauty, virtue and a benevolent godmother, the impetuous but impoverished Arabella embarked on her first London season with her mother's wish in mind: snare a rich husband. On her way to London Arabella's carriage breaks down outside the hunting lodge of the wealthy and socially prominent Robert Beaumaris, fate cast her in his path. Arabella's only fault is impetuosity, and her pride stung when she overhears a remark of her path of arrogant host, who accused her of being another petty female after his wealth, the proud, headstrong ingenue made a most startling claim -- she was an heiress! A pretense that deeply amuses the jaded Beau. To counter her white lie, Beaumaris launches her into high society and thereby subjects her to all kinds of amorous fortune hunters in London and other embarrassments.Suddenly Arabella found herself the talk of the ton and pursued by some of the most eligible young men of the day. But only one caught Arabella's fancy: Beaumaris, the handsome and dedicated bachelor. She should know better than to allow herself to be provoked by nonpareil Beau. But would her deceitful charade destroy her one chance for true love...?Beaumaris, however, although a most artful matrimonial dodger, badly underestimated his seemingly naive adversary... When compassionate Arabella rescues such unfortunate creatures as a mistreated chimney sweep and a mixed-breed mongrel, she foists them upon Beaumaris, who finds he rather enjoys the role of rescuer and is soon given the opportunity to prove his worth in the person of Bertram Tallant, the also impetuous young brother of Arabella....

    Prior is a man living with AIDS whose lover Louis has left him and become involved with Joe, an ex-Mormon and political conservative whose wife, Harper, is slowly having a nervous breakdown. These stories are contrasted with that of Roy Cohn (a fictional re-creation of the infamous American conservative ideologue who died of AIDS in 1986) and his attempts to remain in the closet while trying to find some sort of personal salvation in his beliefs.

    Led by the title character, the women of the warring city-states of Greece agree to withhold sexual favours with their husbands until they agree to cease fighting. The war of the sexes that ensues makes Lysistrata a bawdy comedy without peer in the history of theatre.

    

    The notebook containing the novel was rediscovered by her in adult life and sent by a friend to Frank Swinnerton, the English novelist, critic, editor and essayist. Published in 1919 by Chatto and Windus, with its original misspellings and an arch introduction by “Peter Pan” author J. M. Barrie, it was an immediate bestseller. Its child's view of high society (dukes and earls having ‘levies’ and residing in the ‘Crystall Pallace’) and its heavily romantic plot make it an engaging and enduring popular work. Source: jrank.org

    He has taken the ordinary West End drawing room comedy convention - understatement, upper-class accents and all - and used it as a vehicle for utterly serious ideas.' Observer

    The classic play about Sir Thomas More, the Lord chancellor who refused to compromise and was executed by Henry VIII.

    While there, they are willing slaves to their former butler, but on return to civilization, the positions are shifted.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    Formerly a governess, she has landed on the occupation of prestidigitator, and thanks to her overwhelming beauty—and to a lesser extent her professional talents—she takes the town by storm, gaining admittance to her grandfather's college. It is there, at the institution inspired by Beerbohm's own alma mater, that she falls in love with the Duke of Dorset, who duly adores her in return. Ever aware of appearances, however, Zuleika breaks the Duke's heart when she decides that she must abandon the match. The epidemic of heartache that proceeds to overcome the academic town makes for some of the best comic writing in the history of English literature.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

    The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater.

    This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”