Please don’t let it be the boy, Colomba thought. Her silent prayer didn’t go unanswered. The corpse belonged to the mother.'THE ONLY ONE WHO CAN STOP HIM IS THE ONE WHO GOT AWAY...Dante Torre spent eleven young years in captivity - held by a man known only as The Father - before outwitting his abductor. Now working for the police force, Torre's methods are unorthodox but his brilliance is clear. When a young child goes missing in similar circumstances in Rome, Torre must confront the demons of his past to attempt to solve the case.Paired with Deputy Captain Colomba Caselli, a fierce, warrior-like detective still reeling from having survived a bloody catastrophe, all evidence suggests The Father is active after being dormant for decades, and that he’s looking forward to a reunion with Dante...

    She took a job on this isolated island to hide from him, but now that he's out of prison, having served a term for murder, she knows he won’t give up until he finds her.But a doctor delving into the background of Felicity and Freddie's relationship, back in Cambridge, learns that Felicity has been on the edge for a long time. Heading to South Georgia himself to try and get to her first is the only way he can think of to help her.

    The woman introduces herself as Martha and soon confesses that she’s been stuck in an affair with her boss. Selena, in turn, confesses that she suspects her husband is sleeping with the nanny. When the train arrives at Selena’s station, the two women part ways, presumably never to meet again.Then the nanny disappears.As Selena is pulled into the mystery of what happened, and as the fractures in her marriage grow deeper, she begins to wonder, who was Martha really? But she is hardly prepared for what she’ll discover…

    A guilty indiscretion that Neve Connolly could have weathered. An escape from twenty years of routine marriage to her overworked husband, and from her increasingly distant children. But when Neve pays a morning-after visit to her lover, Saul, and finds him brutally murdered, their pied-à-terre still heady with her perfume, all the lies she has so painstakingly stitched together threaten to unravel.After scrubbing clean every trace of her existence from Saul’s life—and death—Neve believes she can return to normal, shaken but intact. But she can’t get out of her head the one tormenting question: what was she forgetting?An investigation into the slaying could provide the answer. It’s brought Detective Chief Inspector Alastair Hitching, and Neve’s worst fears, to her door. But with every new lie, every new misdirection to save herself, Neve descends further into the darkness of her betrayal—and into more danger than she ever imagined. Because Hitching isn’t the only one watching Neve. So is a determined killer who’s about to make the next terrifying move in a deadly affair….

    The narrative oscillates stylistically from chapter to chapter—at times a novel, fable, historical research, or a diary—locking and unlocking codes, culminating in a captivating, original reading experience.Michèle Audin is the author of several works of mathematical theory and history and also published a work on her anticolonialist father's torture, disappearance, and execution by the French during the Battle of Algiers.

    He and his mother are the only members of his family that survived the carnage of those years and the psychological scars remain.  Today, Neuman is chief of the homicide branch of the Cape Town police, a job in which he must do battle with South Africa’s two scourges: widespread violence and AIDS. When the mutilated corpse of a young white woman is found in the city’s botanical gardens, Neuman’s job gets even more difficult. He is chasing one false lead after another when a second corpse, again that of a white woman, is found. This time, the body bears signs of a Zulu ritual. A new evil has insinuated itself into this recently integrated city. And a new drug: traces of an unknown narcotic have been found in the blood of both victims. The investigation will take Neuman back to his homeland, where he will discover that the once bloody killing fields have become the ideal no-man’s land for unscrupulous multinationals, and that the apparatchiks of apartheid still lurk in the shadows and the back rooms of a society struggling toward reconciliation. Soon to be a major motion picture.

    Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories.But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace.Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself.The only problem is, the killer may still be on the loose. And he might not be finished.

    This is a novelization by Edgar Jepson based on the play by Maurice Leblanc and Francis de Croisset.Chapters:1. The Millionaire's Daughter2. The Coming of the Charolais3. Lupin's Way4. The Duke Intervenes5. A Letter from Lupin6. Again the Charolais7. The Theft of the Motor-Cars8. The Duke Arrives9. M. Formery Opens the Inquiry10. Guerchard Assist11. The Family Arrives12. The Theft of the Pendant13. Lupin Wires14. Guerchard Picks up the True Scent15. The Examination of Sonia16. Victoire's Slip17. Sonia's Escape18. The Duke Stays19. The Duke Goes20. Lupin Comes Home21. The Cutting of the Telephone Wires22. The Bargain23. The End of the Duel

    Now she’s the wife to a respected professor at an elite boarding school, where she also teaches. Her seventeen-year-old son, Rudy, whose dark moods and complicated behavior she’s long worried about, seems to be thriving: he has a lead role in the school play and a smart and ambitious girlfriend. Tess tries not to think about the mistakes she made eighteen years ago, and mostly, she succeeds.And then one more morning she gets a text at 2:50 AM: it’s Rudy, asking for help. When Tess picks him up she finds him drenched and shivering, with a dark stain on his sweatshirt. Four hours later, Tess gets a phone call from the Haywood school headmistress: Lila Zeller, Rudy’s girlfriend, has been found dead on the beach, not far from where Tess found Rudy just hours before.As the investigation into Lila’s death escalates, Tess finds her family attacked on all sides. What first seemed like a tragic accidental death is turning into something far more sinister, and not only is Tess’s son a suspect but her husband is a person of interest too. But Lila’s death isn’t the first blemish on Haywood’s record, and the more Tess learns about Haywood’s fabled history, the more she realizes that not all skeletons will stay safely locked in the closet.