From vantage points on both sides of the Atlantic, Chatti investigates the perpetual exile that comes from always being separated from some essential part of oneself.“Tunsiya is Arabic for Tunisian/female, and Amrikiya is Arabic for American/female. This naming makes a cross of empowerment even as it is it requires great effort to bear it. Muslim female power is real and undeniable in thesecoming of age poems. In this collection, arcs spark between Tunisian and American citizenship, male and female duality, sky and earth, and yes and no. This is one of the punchiest and powerful chapbooks to appear in recent years. Leila Chatti is someone to watch.” —JOY HARJO“I marvel at Leila Chatti’s poems, their deceptive ease, their ‘calligraphy of smoke,’ their luminous concern with identity and self, love and family, her aesthetic command. ‘I orbited the town of my origin.’ She writes an America that belongs to the world, not the other way around. ‘What kind of world will we leave/ for our mothers?’ In poems filled with vision, desire, tenderness, she disarms our most guarded partialities, those we hide in our slumber, or deep under our tongues: ‘a Muslim girl who loved her father’; ‘ghost of a word mixed up with our bodies.’ Leila Chatti is a remarkable poet. Take notice.” —FADY JOUDAH“Leila Chatti is a major star. She writes exquisite, indelible, necessary poems, from two worlds mixing, rich as the threads of finest tapestries— glistening, warm. I’m struck by her vibrant sense of detail and perfect pacing. We need her honest, compassionate voice so much, at this moment, and everywhere.”—NAOMI SHIHAB NYE

    Beginning with "Riot Act," a monologue about the Los Angeles uprising in April 1992, Ai explored racial and sexual politics through the voices of diverse characters.

    Set in an apocalyptic and post-apocalyptic world that is disturbing because it is uncannily familiar, National Anthem chronicles the aftermath of the failure of imperial vision. Allowing Rome and America to bleed into one another, Prufer masterfully weaves the threads of history into an anthem that is as intimate as it is far-reaching.

    She has a guardian angel in the form of Sir William Dartmouth, but even when he engineers her release, Phoebe must struggle to make a living for herself. And Annie has not given up her own perverse quest for revenge . . .

    But when a quiet tragedy and an unwelcome letter interrupt Toby's sedate existence, he needs his housemates to find some direction in their lives. Leah Pilgrim has watched the tenants of the house over the road for several years, and when the owner of 31 Silversmith Road asks her for advice, he opens the door not only to the eccentric building across the street - but to five lives in various stages of turmoil. Can Toby and Leah help these misfits to grow up, move on and move out? And in doing so, can they make their own dreams come true? Hidden : A trail of blood winding through a squalid flat in Margate leads DCI Dave Gosworth to the body of Jacqui Jennings, her skull smashed with a chisel. For Dave it is just the start of a long and puzzling case...Forty miles away in South London a young single mother named Melanie Stenning is blissfully unaware of Jacqui's life and death. But that trail of blood will one day lead straight to her door - with terrifying repercussions. For Melanie is about to fall in love with a stranger...Fourteen months later, Melanie has a new husband, a new baby and a new home on the isolated Kent coast. But when her seven-year-old daughter Poppy disappears, she is forced to question everything in her new life, including the man she loves. Because DCI Dave Goswrth has come knocking - with some chilling questions... The Two Mrs Robinsons: Anna lives with Oliver Robinson and their 3-year-old son Charlie. They met when she worked as a waitress at his restaurant; he had recently separated and she was a shoulder to cry on. But friendship turned to love. Now she juggles motherhood with part-time work and she couldn't be happier. Or perhaps she could? Oliver has never divorced his first wife Eve who is everything Anna is not. Eve insists on making herself part of their lives and her demands soak up much of their time and income. Anna understands that Oliver needs to support his two teenage children, but why should they keep Eve too? The situation looks set to grumble on indefinitely unless someone or something shakes it up. And something does - it's called Fate. Oliver is killed in a car crash, leaving both women shattered. How will they react to this appalling tragedy? Will it drive them further apart, or force them to cut their losses and pull together for the sake of their children and their futures?

    From a kindergarten crush to a failed marriage and beyond, Duhamel explores the nature of romantic love and her own limitations. She also examines love through music, film, and history—Michelle and Barak Obama's inauguration and Cleopatra's ancient sex toy. Duhamel chronicles the perilous cruelties of love gone awry, but also reminds us of the compassion and transcendence in the aftermath. In "Having a Diet Coke with You," she asserts that "love poems are the most difficult poems to write / because each poem contains its opposite its loss / and that no matter how fierce the love of a couple / one of them will leave the other / if not through betrayal / then through death." Yet, in Blowout, Duhamel fiercely and foolishly embraces the poetry of love.

    Informed in part by Gnostic concepts of the separate soul in search of its divine origins ("spirit held by matter"). This dualistic vision is cast in contemporary terms and seeks resolution of these tensions through acceptance.

    Exploring how the mind orders experience—and how disorder, or different orders, affect that experience—Szporluk has produced a poetry of alien beauty, limning worlds where the inability to exert control results in a disturbing, overwhelming immediacy.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and a circus made of meat vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!--D.A. Powell.

    In this poetical fantasy, Marie becomes the ultimate artist/poet, composing a codex-calligraphy, writings, paintings, collage-from materials left at the dump. She is a "culture of one." The story is told in long-lined, clear-edged poems deliberately stacked so the reader can keep plunging headlong into the events of the book. Culture of One offers further proof of how Notley "has freed herself from any single notion of what poetry should be so that she can go ahead and write what poetry can be" (The Boston Review).

    The story revolves around a computer engineer living in Bangalore who is mentally affected by stress which pushes him to a greater extend.

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    In a world of machinists, loggers, mill workers, and hairdressers, the poems collected here bear witness to a landscape, an industry, and a people teetering on the edge of ruin. From tightly constructed narratives to expansive and surreal meditations, the various styles in this book not only reflect the poet's range, but his willingness to delve into his obsessions from countless angles Full of despair yet never self-loathing, full of praise yet never nostalgic, Dismantling the Hills is both ode and elegy. McGriff's vision of blue-collar life is one of complication and contradiction, and the poems he makes are authentic, unwavering, and unapologetically American.

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.