. . .One of the most acclaimed novels of our time, Wally Lamb's I Know This Much Is True is a story of alienation and connection, devastation and renewal, at once joyous, heartbreaking, poignant, mystical, and powerfully, profoundly human.

    So fiercely that he almost loses her in his fury when he discovers she is pregnant by her boyfriend, Gavin. Wounded and confused, he begins an affair with his secretary and neglects his wife. Within this short summer, his whole family will be turned inside out, with secrets from the distant past returning to haunt them all.

    But a confrontation with an abusive troll has taken a horrifying turn, and now she’s at rock bottom: canceled and doxxed online, fired from her waitress job and fortressed in her apartment while men’s rights protestors rage outside. All that once glittered now condemns. Sasha confides in her oldest childhood friend, Dyson—a failed actor with a history of body issues—who hatches a plan for Sasha to restore her reputation by becoming the face of his new business venture, The Atmosphere: a rehabilitation community for men. Based in an abandoned summer camp and billed as a workshop for job training, it is actually a rigorous program designed to rid men of their toxic masculinity and heal them physically, emotionally, and socially. Sasha has little choice but to accept. But what horrors await her as the resident female leader of a crew of washed up, desperate men? And what exactly does Dyson want?

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    Jonathon Bender had something to tell the world, but the world wouldn't listen. However, he left behind him unsent letters addressed to relatives, friends, neighbors, coaches, teachers, classmates, professors, roommates, psychiatrists, employers, his younger self, former girlfriends, his ex-wife, a TV station, and God, among many others. This unsent correspondence forms the narrative of a remarkable life.

    Set into motion by a single act of abandonment-Catherine's lover of ten years has left her-she falls deeper and deeper into an irretrievable madness. With passionate abandon and detachment Catherine pursues her own destruction. Forcing the boundaries of identity and the limits of her eroticism, she enters a series of blinding sexual encounters with a poet, a fascist, a young Arlesian woman, a fireman, and three thieves. Eerily she splits herself in two so that she is both the one who watches and the one who is watched, creator and creation, author and character, as she observes herself from afar "And I would like to help her, " the one who watches says, "but I can't." Finally she meets Lucien, the solitary, cynical, beautiful man with long hair who looks as though he has "stepped out of an unmade film by the dead Truffaut, " and through this mysterious, doomed, bittersweet liaison Catherine makes one last attempt to halt her decline through the redemptive act of story-telling. She begins to invent the story of their lives, telling it to him half in English, half in French, joining their solitudes for a moment before losing forever her belief that the shapely, hopeful prospects of narrative make sense of expenence. "She notices how everything is given up or taken away" as she loses the power of the imagination or memory or the body to console, and finally of language to convey meaning. This mesmerizing drama of sex, betrayal, and dissolution with its shattering inevitable conclusion is played out against the dazzling backdrop of the beautiful, indifferent Cote d'Azur in summer. Written in a dwindling lexicon with a simple, warped musicality, The American Woman in the Chinese Hat is a dark, uncompromising, seductive work of art.

    

    Others are unspeakable . . .August 1939.Thirty-year-old Hetty Cartwright is tasked with the evacuation and safekeeping of the natural history museum’s collection of mammals. Once she and her exhibits arrive at Lockwood Manor, however, where they are to stay for the duration of the war, Hetty soon realizes that she’s taken on more than she’d bargained for.Protecting her charges from the irascible Lord Lockwood and resentful servants is work enough, but when some of the animals go missing, and worse, Hetty begins to suspect someone – or something – is stalking her through the darkened corridors of the house.As the disasters mount, Hetty finds herself falling under the spell of Lucy, Lord Lockwood’s beautiful but clearly haunted daughter. But why is Lucy so traumatized? Does she know something she’s not telling? And is there any truth to local rumours of ghosts and curses?Part love story, part mystery, The Animals at Lockwood Manor by Jane Healey is a gripping and atmospheric tale of family madness, long-buried secrets and hidden desires.

    Who he really is, and the events that led him to break with reality, lie at the center of this captivating, romantic, and stunningly written novel.Found in the treacherous Strait of Gibraltar, the mysterious man who calls himself Columbus appears to be just another delirious mental patient, until he begins to tell the “true” story of how he famously obtained three ships from Spanish royalty.It's Nurse Consuela who listens to these fantastical tales of adventure and romance, and tries desperately to make sense of why this seemingly intelligent man has been locked up, and why no one has come to visit. As splintered fragments of the man beneath the façade reveal a charming yet guarded individual, Nurse Consuela can't avoid the inappropriate longings she begins to feel. Something terrible caused his break with reality and she can only listen and wait as Columbus spins his tale to the very end. In the tradition of The Story of Edgar Sawtelle and The Dogs of Babel, this unforgettable novel mines the darkest recesses of loss and the extraordinary capacity of the human spirit. It is an immensely satisfying novel that will introduce Thomas Trofimuk to readers who will want to hear his voice again and again.

    They are his passion and his obsession, even after his recent falls—and despite the state’s threat to take him away from his mother if she can’t keep him from getting hurt. But the young autistic boy cannot resist the captivating pull of the Pacific Northwest’s lush forests just outside his back door.One day, March is devastated to learn that the Eagle Tree—a monolithic Ponderosa Pine near his home in Olympia—is slated to be cut down by developers. Now, he will do anything in his power to save this beloved tree, including enlisting unlikely support from relatives, classmates, and even his bitter neighbor. In taking a stand, March will come face-to-face with some frightening possibilities: Even if he manages to save the Eagle Tree, is he risking himself and his mother to do it?Intertwining themes of humanity and ecology, The Eagle Tree eloquently explores what it means to be part of a family, a society, and the natural world that surrounds and connects us.

    When tragedy strikes, she and her mother must seek safety by immigrating to America. There the girl reinvents herself as an American teenager to survive, with the help of her cousin; but even as she assimilates and thrives, the secrets and scars of her past follow her into adulthood. In this new country of freedom, everything she has built begins to crumble around her, and her hold on reality becomes more and more tenuous. When the past and the present collide, she sees only one terrible choice.

    Jennifer White's best friend, Amanda, is found dead with four of her fingers surgically removed, Dr. White is the prime suspect. But she herself doesn't know whether she did it. Told in White's own voice, fractured and eloquent, a picture emerges of the surprisingly intimate, complex alliance between these life-long friends—two proud, forceful women who were at times each other's most formidable adversary. As the investigation into the murder deepens and White's relationships with her live-in caretaker and two grown children intensify, a chilling question lingers: is White's shattered memory preventing her from revealing the truth or helping her to hide it? A startling portrait of a disintegrating mind clinging to bits of reality through anger, frustration, shame, and unspeakable loss, Turn of Mind is a remarkable debut that examines the deception and frailty of memory and how it defines our very existence.

    The consequences will be profound, not only for Mary-Margaret but for others too-Father Diamond, the parish priest, who is in the midst of his own crisis of faith, and Stella Morrison, adrift in her marriage and aching for her ten-year old son, away at boarding school. In the same parish Alice Armitage counts the days until her soldier son comes home from Afghanistan, and Mary-Margaret's mother, Fidelma, imprisoned in a tower block, stares out over London with nothing but her thoughts for company. Remembering her early childhood by the sea in Ireland, the bleak institution she was sent to and the boy she loved, she hungers for consoling touch. In the meantime Mary-Margaret's quest grows increasingly desperate. But no one is prepared for the shocking outcome that ensues. The Translation of the Bones is a searingly powerful novel about passion and isolation, about the nature of belief, about love and motherhood and a search for truth.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    One day she walks out of her office, acquires a gaudy new outfit, adopts a girlier tone of voice, and heads to the airport to fly south. On the plane she takes a seat between two men. One is delighted with her company, the other is deeply perturbed. So begins an unnerving journey into the darker recesses of human nature.