Former U.S. soldier Jason March, one of the world's deadliest assassins and Ryan's former protégé, is now working with a powerful terror network whose goal is nothing less than the total annihilation of the United States. Ryan puts together the pieces of a terrifying puzzle. With the fate of the country resting on his shoulders, he finds himself caught in a desperate game of cat-and-mouse with the most cunning opponent he's ever faced, a man who won't be denied the ultimate act of evil and who is all the more deadly for being one of our own. "Well-written and exciting. . .perfect escape reading!" --Tampa Tribune "Absorbing. . .extraordinarily hard to put down." --Charlotte Observer "A gripping saga ripped out of the latest headlines." --News & Record (Greensboro, NC) "Like Tom Clancy, [Britton] has produced a thriller that makes current terrorist threats all too real. . .Highly recommended." --Library Journal (starred review) More Phenomenal Praise For The American "Britton has delivered a level of storytelling excellence most writers spend a lifetime trying to achieve. . .a sizzling page-turner!" --Brad Thor "A riveting and compelling debut. . .the surprise of the month and maybe the year." ---bookreporter.com New York Times Bestseller Andrew Britton delivers a taut, electrifying read in his new novel The Assassin. Maverick CIA agent Ryan Kealey must fight against his own agency while the clock is ticking on a devastating terrorist attack on U.S. soil. . . More than a year has passed since Ryan Kealey prevented the assassination of multiple world leaders in the nation's capital. While his work is brilliant, he's considered damaged goods. Now he's about to become a key player in a plot of unimaginable scale. For something big is about to go down in New York City. When a top Iranian source reveals that Iran is planning to bomb the United Nations, U.S. Intelligence begins counter-measures. Only Kealey sees it as a smokescreen for another, far more involved plot. But getting anyone to believe him isn't going to be easy. With only his ally, London's newest assistant chief, Naomi Kharmai, by his side, Ryan will have to operate outside the lines in order to prevent a terrible attack in a city on lockdown. A weapon of catastrophic power has been stolen from war-torn Iraq and has made its way to the U.S. The man who has it is Kealey's nemesis, William Vanderveen, an international criminal mastermind who has no objective other than pure terror and who will stop at nothing to achieve it. Making matters worse, Vanderveen's being helped by someone on the inside with high-ranking security clearance. Even the halls of the CIA are no longer safe from possible espionage and treason. Now, as Kealey and Kharmai race to put the pieces together, they will confront a ghost from the past and be forced to question the people they trust most in a desperate investigation where only this is for certain--time is running out. Like The American, The Assassin is a supercharged, fiercely intelligent, action-packed international thriller, where no one can be trusted--and the shocks are felt until the very last page. With searing narrative twists, The Invisible plunges us headlong into today's shadowy, fever-pitched battle between terrorism and intelligence, as a covert counterterrorism operative risks everything, including the woman he loves, to save the life of one person. . . For more than a decade, Ryan Kealey has been a key player in the war on terror. First, as a captain in the U.S. Army's third Special Forces Group, then as a contract operative with the CIA. His actions have saved thousands of lives, including that of the U.S. President. Now once again, Kealey receives the call of duty--only this time, the odds for success are slim to none. . . Tensions between Pakistan and India are at an all-time high. To complicate matters, twelve American climbers have disappeared in the snow-capped peaks of Pakistan's Hindu Kush range. The President is demanding answers, but neither government is supplying them. As the conflict escalates, Brynn Fitzgerald departs Washington D.C. on her first official trip as acting secretary of state. Her goal is to serve as an intermediary between the leaders of both nations as well as to ensure all efforts are being made in the search for the missing American climbers. But when Fitzgerald's motorcade is ambushed on the outskirts of Islamabad, her back-up team arrives to discover a disastrous scene: dozens are dead, including seven diplomatic security agents, and the secretary of state has vanished without a trace. In the wake of the unprecedented attack, Kealey's operation goes into high gear. Once again, he is joined by Naomi Kharmai, the British-born analyst who has taken on a daring new role with the Agency. But Kharmai is becoming as unpredictable as the man they're going after, and as they work their way toward the target, it becomes clear to Kealey that anyone is fair game--and no one can be trusted. Thundering to a stark and chilling climax, The Invisible raises the stakes on every page. Like Andrew Britton's The Assassin, it is a super-charged, fiercely intelligent international thriller filled with shocking betrayal and, ultimately, revenge. The shocks are felt until the very last page. Born in England, Andrew Britton moved with his family to the United States when he was seven, settling in Michigan, then North Carolina. After serving in the Army as a combat engineer, Andrew entered the University of North Carolina at Chapel Hill, where he is pursuing a double major in economics and psychology. For the President of the United States, the daily horror of life in West Darfur's killing fields just hit heartbreakingly close to home. His niece, Lily, has been targeted and savagely murdered by a corps of fearsome government-backed militiamen. With the situation too explosive for diplomatic or military solutions, yet with the President and the public thirsting for revenge, America is out of options. Except one: Ryan Kealey, ex-Special Forces, former CIA, and unrivaled counterterrorism expert.Kealey has been central to the war on terror for over a decade. But after the Agency hung him out to dry-and let his lover die-he turned his back. Until now. For the government has revealed its trump card, the one thing Kealey will risk everything for. Soon, from the lawless streets of Sudan to the highest levels of the American government, Kealey unearths secrets and betrayals that shock even his war-tempered sensibilities-and ignite a conflagration with unknowable global consequences. "In this age of terrorism, [Britton's] plots seem to jump straight out of the headlines...he may well give Tom Clancy a run for the money." -St. Louis Post-Dispatch on The Invisible "The Assassin is the 'best' of Tom Clancy, Michael Connelly, and Robert Ludlum all rolled into a single book." --armchairinterviews.com "Brilliantly well-written with plotting sharper than a fence full of razor wire, a sizzling page-turner." -Brad Thor, New York Times bestselling author on The American

    N. Dyer, whose novel Ampersand stands as a classic of American teenage angst. But as Andrew Newbold Dyer delivers the eulogy for his oldest friend, he suffers a breakdown over the life he’s led and the people he’s hurt and the novel that will forever endure as his legacy. He must gather his three sons for the first time in many years—before it’s too late. So begins a wild, transformative, heartbreaking week, as witnessed by Philip Topping, who, like his late father, finds himself caught up in the swirl of the Dyer family. First there’s son Richard, a struggling screenwriter and father, returning from self-imposed exile in California. In the middle lingers Jamie, settled in Brooklyn after his twenty-year mission of making documentaries about human suffering. And last is Andy, the half brother whose mysterious birth tore the Dyers apart seventeen years ago, now in New York on spring break, determined to lose his virginity before returning to the prestigious New England boarding school that inspired Ampersand. But only when the real purpose of this reunion comes to light do these sons realize just how much is at stake, not only for their father but for themselves and three generations of their family.

    Taught to drive at the age of ten by his father, Luke can do more damage with a stick and a clutch than most men can do with a bottle of whiskey and a lousy mood. He counts down the days to his sixteenth birthday when he can finally get his license. Unfortunately, the first thing he does with it is "borrow" his neighbor's car. When Luke is pulled over and found in possession of an air pistol, a ski mask, a stolen TV, and a bag of pot, the unforgiving local magistrate takes scissors to his license and vows to lock him up if he ever stands in front of her again. As Luke's mother explores bad relationships and the lure of vodka, Luke moves in with his older brother, Nick, an easygoing ex-con who wants to steer Luke onto the straight and narrow. In the gnarled, muggy summer that follows, Luke contends with a lovely kleptomaniac girlfriend, a duffel bag full of cocaine, and the realization that he must save his family from themselves even as he plots to beat a path out of town. Dubbed the "Great American Redneck Novel" by Big Fish author Daniel Wallace, Drive Like Hell is a hilarious one-of-a-kind tale set in late '70s Georgia, complete with stock car racing, honky-tonk dancing, pro wrestling, drug dealing, and syndicated television. Dallas Hudgens brilliantly evokes Southern culture in this unforgettable debut that is raucous and wrenching, funny and wise.

    Besides, Debu has only recently escaped a bunch of local ruffians who wanted him to ‘go back home to Bangladesh’.But Debu is unable to resist being friends with Clint. For, in return for doing his maths homework, Clint introduces him to a completely new life: the heady charms of Kalsang, the Chinese restaurant forbidden by Debu’s mother; the revolutionary sounds of Pink Floyd; and most importantly, the coolest, prettiest girl in town—Audrey Pariat. Audrey loves maths and detective stories, just like Debu, and does not make him feel awkward or exotic. Together, the three of them look set to embark on many adventures. But when tensions between the Khasi and Bengali communities boil over, Shillong becomes a battlefield—old neighbours become outsiders and the limits of friendship are challenged.With crackling energy, Nilanjan P. Choudhury immerses us in the tumultuous lives of Debu, his friends and his family, and their attempts to find love and belonging. Written with uncommon warmth, humour and a delightful evocation of place, Shillong Times is an exhilarating coming-of-age story—showing us how friendship can eclipse the hardened enmities of adulthood.

    John Sheppard gets that Reagan-era rage and humor just right. This novel is an ode to those kids at the dead-end jobs who knew that the Morning in America was really dusk at best, but had each other, a little weed, some beer, and gas.--Sam LipsyteTrapped in dreary Sarasota, Florida in the early 1980s—during Reagan’s “Morning in America,”—going to high school with junior fascists by day, working at Pizza Hut by night, his family a dysfunctional nightmare, 17-year old Buzz Pepper feels that nothing matters in life beyond drinking, drugs and punk rock.As the country around him is becoming more conservative and corporate, and adulthood seems like the ultimate corrupt existence, Buzz can only find solace within a close-knit group of fellow disillusioned teens, which includes his devoted younger sister, Sissy. As they drive around in Buzz’s beat-up van, encountering redneck cops, mocking the local “geezers,” and wondering if there is any meaning in what seems to be a meaningless world, Small Town Punk perfectly captures how it is to be young, yet feel that you have no future.In the tradition of Hairstyles of the Dammed and Perks of Being A Wallflower, Small Town Punk is a brutally funny and poignant coming of age story that brilliantly evokes the surging joy, confusion and rage of youth.

    At every turn she is haunted by her close relationship with her younger sister, Gwen, a fellow company dancer whose career quickly surpassed Kate’s, but who has recently suffered a breakdown and returned home.Alone for the first time in her life, Kate is anxious and full of guilt about the role she may have played in her sister’s collapse.  As we follow her on an insider tour of rehearsals, performances, and partners onstage and off, she confronts the tangle of love, jealousy, pride, and obsession that are beginning to fracture her own sanity. Funny, dark, intimate, and unflinchingly honest, The Cranes Dance is a book that pulls back the curtains to reveal the private lives of dancers and explores the complicated bond between sisters.

    In the days following the end of the Second World War, the world seems to offer itself up, and the two women are on the cusp of their 'real lives': Helena is off to Hollywood and a new marriage, while Nick is heading for a reunion with her own young husband, Hughes, about to return from the war. Soon the gilt begins to crack. Helena's husband is not the man he seemed to be, and Hughes has returned from the war distant, his inner light curtained over. On the brink of the 1960s, back at Tiger House, Nick and Helena—with their children, Daisy and Ed—try to recapture that sense of possibility. But when Daisy and Ed discover the victim of a brutal murder, the intrusion of violence causes everything to unravel. The members of the family spin out of their prescribed orbits, secrets come to light, and nothing about their lives will ever be the same.Brilliantly told from five points of view, with a magical elegance and suspenseful dark longing, Tigers in Red Weather is an unforgettable debut novel from a writer of extraordinary insight and accomplishment.

    Award-winning author James Dashner’s The Maze Runner shows the influences of the author’s broad reading. It relates the story of the amnesiac Thomas as he is forced into the near-bucolic setting of the Glade, learns to navigate it and the labyrinthine Maze surrounding it and leads the people of the Glade from their bounded world into a broader outside world. It also presents a perspective on adolescence well worth discussing which this Analysis covers every detail that you would otherwise miss. The Maze Runner has features that recommend it for both adolescent readers and those who teach them which this Summary & Analysis helps to decipher increasing your understanding of the book more than ever. The former will find the dialogue and action engaging without neglect of character development. The latter will find a text that manages to play with the tropes of Golding’s Lord of the Flies (which Dashner reports as a direct influence on the book), offering a way to introduce that text and a venue for discussion of it. They present opportunities for readers to engage with underlying assumptions and attitudes, offering the chance for readers to understand themselves, the culture in which they live and the culture in which the writer writes which this Analysis covers. Each is a chance to better understand the world, and The Maze Runner does well to make such chances available. The book is well worth reading, both for its intended audience of young adults (inside and outside the classroom) and for a more general reading public. This Analysis of The Maze Runner fills the gap, making you understand more while enhancing your reading experience.

    In the cut-throat world of weekly trash mags, Nina thrives on the adrenalin of out-bidding her rivals for scandalous photo sets, scoring exclusive rights to Australia's A-list weddings and having the most influential celebrity managers on speed-dial. But in her personal life, things aren't quite as glossy. Just as she's back on the single scene, all her friends start getting up the duff faster than you can say, 'Welcome to Nappy Valley'. While Nina spends her days managing her magazine's multi-million-dollar budget and stalking Kim Kardashian's every move, they're managing their minuscule maternity leave allowance and stalking their local daycare waiting list. Suddenly she feels like she's being rejected from a club she doesn't even want to join. With a reality TV show in the works and a Facebook feed overflowing with endless baby updates, Nina heads to New York on an impromptu girls' trip to get away from it all - but little does she know that things are about to get a whole lot more complicated...

    The death of Captain Jack Ryder’s father, the Duke of Stamford, leaves Jack restless. The Duchess’ spiteful relatives have made his life a misery, and he wants nothing more than to escape London for a time. Dressed in buckskin breeches, he takes to the road on his horse, Arion, with the intention of visiting his mother’s grave in Ireland. But after one day, events conspire to interrupt his plans. Jack finds himself not only caught up in a conspiracy of immense proportions, but also in a passionate love affair with a lady he cannot marry. Lady Ashley Lambourne’s father, the Marquess of Butterstone has been murdered, and Jack promises to find his killer. A close friend of Jack’s from his army days, Harry Feather, heir to one of the largest fortunes in England, faces an arranged marriage to Lady Erina Roundtree. A tall half-Irish beauty, Erina is a spirited lady, who makes it plain she doesn’t wish to marry Harry, either. Determined to enjoy a quiet existence after his years fighting Bonaparte, Harry fears Erina will run him ragged. Why he is indulging Erina in one of her harebrained schemes is beyond him, when he should marry a quiet woman like Florence Beckworth.

    Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

    Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.

    They meet as children in an ESL class in Brighton Beach, Brooklyn. Vaclav is precocious and verbal. Lena, struggling with English, takes comfort in the safety of his adoration, his noisy, loving home, and the care of Rasia, his big-hearted mother. Vaclav imagines their story unfolding like a fairy tale or the perfect illusion from his treasured Magician's Almanac, but among the many truths to be discovered in Haley Tanner's wondrous debut is that happily-ever-after is never a foregone conclusion.One day, Lena does not show up for school. She has disappeared from Vaclav's and his family's lives as if by a cruel magic trick. For the next seven years, Vaclav says goodnight to Lena without fail, wondering if she is doing the same somewhere. On the eve of Lena's seventeenth birthday he finds out.Haley Tanner has the originality and verve of a born storyteller and the boldness to imagine a world in which love can overcome the most difficult circumstances. In Vaclav & Lena she has created two unforgettable young protagonists who evoke the joy, the confusion, and the passion of having a profound, everlasting connection with someone else.

    In the cafés on College Hill, the wised-up kids are inhaling Derrida and listening to the Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead - charismatic loner, college Darwinist, and lost Portland boy - suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus - who's been reading Christian mysticism and generally acting strange - resurfaces, obsessed with the idea that Madeleine is destined to be his mate. Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love. Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.