They maybe two of the biggest mega movie stars in the world, but they're also great parents, philanthropists and just all-around good people.When they disappear without a word from their ranch, facts are hard to find. They live behind such a high wall of security and image control that even world-renowned Private Investigator Jack Morgan can't get to the truth. But as Jack keeps probing, secrets sprout thick and fast--and the world's golden couple may emerge as hiding behind a world of desperation and deception that the wildest reality show couldn't begin to unveil. Murder is only the opening scene.

    Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.

    Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips--herself an award-winning composer of video game music--provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business.A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.

    In "Musimathics," Loy teaches us the tune, providing a friendly and spirited tour of the mathematics of music -- a commonsense, self-contained introduction for the nonspecialist reader. It is designed for musicians who find their art increasingly mediated by technology, and for anyone who is interested in the intersection of art and science.In Volume 1, Loy presents the materials of music (notes, intervals, and scales); the physical properties of music (frequency, amplitude, duration, and timbre); the perception of music and sound (how we hear); and music composition. Calling himself "a composer seduced into mathematics," Loy provides answers to foundational questions about the mathematics of music accessibly yet rigorously. The examples given are all practical problems in music and audio.Additional material can be found at http: //www.musimathics.com.

    Before the Big Bang, there was a tiny fraction of a second during which a process called inflation expanded a seed much smaller than the nucleus of an atom into a fireball the size of a basketball -- the Big Bang itself. From this fireball, the Universe as we know it developed. The origin of the seed from which the Universe began is not known with certainty, but as John Gribbin explains the most likely explanation is that it was a fluctuation of quantum energy in an eternal sea of cosmic energy. And that means that other seeds must surely have inflated to become other universes, bubbles in the cosmic sea. It is even possible that a collision between our universe and another bubble on the sea of eternity may have left an imprint on the cosmic background radiation, the echo of the Big Bang itself. John Gribbin is an award winning science writer best known for his book In Search of Schrodinger's Cat. He studied astrophysics under Fred Hoyle in Cambridge, and is now a Visiting Fellow in Astronomy at the University of Sussex.

    Mixerman lays out the many organizational and creative roles of an effective producer as budget manager, time manager, personnel manager, product manager, arranger, visionary, and leader, and without ever foregoing the politics involved in the process. As Mixerman points out, "Producing is an art in which reading and understanding people nearly always trumps any theoretical knowledge - whether musical or technical in nature." Whether you're currently positioned as musician, engineer, songwriter, DJ, studio owner, or just avid music fan, Mixerman delivers you a seemingly one-on-one, personal lesson on effective producing.

    The Monkees' immensely popular television series began in 1966. It was immediately followed by a remarkable four consecutive Number 1 albums and six Top 10 singles. In the 1980s the Monkees reached an entirely new audience when MTV began re-running the TV show. Their cult status remains solid today as critics reassess their music and new fans discover the show. Follow the band's short but explosive career in this examination that includes exclusive interviews with each member of the group, details of recording sessions, filming commitments, concert performances, other public appearances, and over 100 photographs and illustrations.

    Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.

    Once you take storytelling into the more formal contexts of performance or occupational uses, however, you may be faced with challenges you hadn't anticipated. You need information that goes beyond the basics. And you need it in a form that does not just tell you what to do but helps you make your own informed decisions. This book is meant for the reader who has already begun to tell stories and is ready to learn more about the art. Instead of rules to follow, it gives you a series of frameworks that encourage you to think on your feet. Doug Lipman has written and taught extensively on the art of storytelling. With the same generosity and warmth that characterize his workshops, he considers the teller's relationship to the story, the teller's relationship to the audience, and the transfer of imagery in a medium that is simultaneously visual, auditory, and kinesthetic.

    In a new Afterword, Evan Eisenberg shows how digital technology, file trading, and other recent developments are accelerating—or reversing—these trends. Influential and provocative, The Recording Angel is required reading for anyone who cares about the effect recording has had—and will have—on our experience of music.

    The author aims to make these complicated musical advances both clear to the layman and interesting, as well as offering a sense of culture of trial and error and competition, be it in 11th century Italy or 19th century America, in which all progress takes place.

    It was the first Brian Eno album tobe composed almost completely in the confines of a recording studio, over a scant few months in the summer of 1975. The album was a proofof concept for Eno's budding ideas of "the studio as musicalinstrument," and a signpost for a bold new way of thinking aboutmusic. In this book, Geeta Dayal unravels Another Green World's abundantmysteries, venturing into its dense thickets of sound. How was analbum this cohesive and refined formed in such a seemingly ad hoc way?How were electronics and layers of synthetic treatments used to createan album so redolent of the natural world? How did a deck of cardsfigure into all of this? Here, through interviews and archivalresearch, she unearths the strange story of how Another Green Worldformed the link to Eno's future foreshadowing his metamorphosisfrom unlikely glam rocker to sonic painter and producer.

    This Bible for addiction points to God himself as the primary source of recovery with essential tools and features that help free people from the grip of addiction. It is widely used in tangent with the 12 Step recovery programs, in correctional facilities, and by individuals seeking help taking their life back from behaviors and substances that have held them captive.This Second Edition of The Life Recovery Bible is updated with new articles on addiction recovery as well as a step-by-step life recovery meeting guide for leaders. This NLT Bible is essential to anyone starting or running recovery groups at church or in the community. The Second Edition works seamlessly with the original version. This allows users of both editions to communicate easily with each other regarding the location of notes and other features.Features:Life Recovery Facilitator's GuideStep-by-Step Life Recovery Meeting GuideArticle: Thriving in a Secular Recovery GroupArticle: Life-Giving Recovery Groups in the ChurchResources page directing readers to helpful books and online resourcesThe 12 Christian Foundations of Life RecoveryThe 12 Self-Evident Truths of Life RecoveryArticle: A Word about AddictionsArticle: An Early History of Life RecoveryMakes an excellent addiction recovery gift for loved ones

    Together they are helping young people fall in love with the Scriptures. Instead of confining God's Word in the framework of biblical criticism, The Voice™ highlights the beauty of God's communication to His people. In The Voice™, the voice of God is heard as clearly as when He first revealed His truth. This is the first-ever complete New Testament in The Voice™ translation. Writers include Chris Seay, Lauren Winner, Brian McLaren, Greg Garrett, David B. Capes, and others. Features include: Bronze, highlighted text Screenplay-like format, ideal for public readings and group studies Devotional commentary Book introductions

    It covers all the words you need for everyday use, carefully selected from the evidence of the Oxford English Corpus, a databank of 21st century English, containing over 2 billion words.The Factfinder centresection gives quick-reference entries on topics including famous people, countries, and science.Discover more on oxforddictionaries.com, Oxford's hub for dictionaries and language reference.