New to the fourth edition are 67 Focus boxes that provide in-depth examples of folk genres, research methods, and theoretical approaches, and over 70 photographs that illustrate material and performative folk traditions

    Living in a special hostel for orphans from the camps, too old to be cared for parentally, too young to be fully adult, too soaked in reality to harbor many illusions, Dita struggles to reconcile struggles to reconcile her unfathomable past with her enigmatic future. First published in Czech in 1962, then in English in 1979, Dita Saxova confirms Arnost Lustig's place as one of the masterful storytellers of the Holocaust period.

    She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel. As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered.Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.From the Hardcover edition.

    

    Today, many children graduate without this essential knowledge. Most curricula today follow a haphazard sampling of topics with a focus on political correctness instead of teaching students how to study. Leigh Bortins, a leading figure in the homeschooling community, is having none of it. She believes that there are core areas of knowledge that are essential to master. Without knowing the multiplication tables, children can't advance to algebra. Without mastery of grammar, students will have difficulty expressing themselves. Without these essential building blocks of knowledge, students may remember information but they will never possess a broad and deep understanding of how the world works. In The Core, Bortins gives parents the tools and methodology to implement a rigorous, thorough, and broad curriculum based on the classical model, including:- Rote memorization to cement knowledge - Systematic learning of geography, historical facts, and timelines - Reading the great books and seminal historical documents instead of adaptations and abridged editions - Rigorous training in math and the natural sciences

    Desperate to return home, she learns that only a man named Professor Marselle can help her... but he's missing.While waiting for him to reappear, Alex attends Akarnae Academy, Medora's boarding school for teenagers with extraordinary gifts. She soon starts to enjoy her bizarre new world and the friends who embrace her as one of their own, but strange things are happening at Akarnae, and Alex can't ignore her fear that something unexpected... something sinister... is looming.An unwilling pawn in a deadly game, Alex's shoulders bear the crushing weight of an entire race's survival. Only she can save the Medorans, but what if doing so prevents her from ever returning home?Will Alex risk her entire world—and maybe even her life—to save Medora?

    She knows it’s unusual, but give her a break—she’s had a rough 10 days. In the past 10 days she: lost her boyfriend (#13 on the list), lost her best friend (Kim), lost all her other friends (Nora, Cricket), did something suspicious with a boy (#10), did something advanced with a boy (#15), had an argument with a boy (#14), drank her first beer (someone handed it to her), got caught by her mom (ag!), had a panic attack (scary), lost a lacrosse game (she’s the goalie), failed a math test (she’ll make it up), hurt Meghan’s feelings (even though they aren’t really friends), became a social outcast (no one to sit with at lunch) and had graffiti written about her in the girls’ bathroom (who knows what was in the boys’!?!). But don’t worry—Ruby lives to tell the tale. And make more lists.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    What do I set up as aims for my next lesson with this class and what kind of activities will help to achieve those aims? How do I deal with this reading text in class? What amount of out-of-class work can I reasonably expect my learners to do? How do I make best use of a textbook I am not entirely happy with? These are just a few examples of the many questions typically asked by teachers which she addresses in this book.Although insights from research can help, there are no 'right answers' provided. Instead, the aim is to give you a solid foundation of knowledge which you can use to evaluate and apply your own ideas about teaching and learning.The book is organized into four parts.- Part One ('A framework for teaching and learning') looks at insights from research into learners, learning, and language in use and discusses how these have influenced methodology and materials in ELT. Specific topics covered include: the use of communicative tasks in the classroom, the concept of learner strategies and how you can train your students to develop them, the growth of interactive methodology and its consequences in changing the roles of teacher and learner.- Part Two ('Teaching the language system') focuses on vocabulary and grammar, and Part Three ('Developing the language skills') on the traditional four language skills of listening, speaking, reading, and writing. There is also discussion of how these different areas fit together.- Part Four ('Planning and assessing learning') moves on to wider issues. Chapter 10 on course design refers back to topics covered earlier in the book. Chapter 11 deals with the relationship between teaching and different forms of assessment.There is an Introductory task at the start of each chapter (with supporting guidance notes), as well as a Discussion topics and projects section - which can be used for group discussion - at the end.The book also has a complete glossary, further reading suggestions at the end of each chapter, a bibliography, and a full index.

    These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.

    Poison Flowers and Pandemonium collects all four of these original graphic novellas in one beautiful hardcover worthy of Sala's legacy.First up in Poison Flowers is "House of the Blue Dwarf," a 125-page thriller featuring master criminal the Bloody Cardinal, who leaves a wake of mayhem and madness everywhere he goes. "Monsters Illustrated" is a fun, 64-page monster movie riff that showcases Sala's visual imagination. A young woman in a dusty bookstore reads a strange bestiary — the "book within a book" showcases a series of Sala's gorgeous watercolor and ink drawings. But when she gets to the end, she finds the bookseller drives a hard bargain. "Cave Girls Of The Lost World" is a campy, 60-page romp about a team of young women whose plane crashes in a land forgotten by time and rife with dinosaurs, carnivorous plants, and apemen — but these intelligent, brave, and resourceful women are ready to rumble! Rounding out the book is "The Amazing Adventures of Fantomina Fantomella," a 45-page graphic novella of violence and non-stop action. Priest and his mob thought Fantomina was dead. So how is it that she's come back with a vengeance? Poison Flowers & Pandemonium is a perfect showcase of Sala's gorgeous watercolor artwork and his love of B-movie horror, silent film-era archetypes, and femmes fatale.

    Each volume offers an inviting mix of classics and less familiar pieces, complemented by concise genre introductions, short headnotes and annotations, brief author biographies, and a glossary of terms.The Readers also include access to innovative writing tips, study and review material, and much more at LitWeb and Norton Literature Online.

    This is his fascinating account of the journey by bike, canoe, and raft along one of North America's most overlooked resources. From illegal immigrants and drug runners trying to make it into America to the border patrol working to stop them; from human coyotes -- smugglers who help people navigate their way into the United States -- to encounters with real coyotes, mountain lions, and other flora and fauna, Bowden reveals a side of America that few of us ever see. The border between the U.S. and Mexico is, in many ways, a country unto itself, where inhabitants share more in common with fellow riverside dwellers than they do with the rest of their countrymen. With this isolated and colorful micro-world as his backdrop, Bowden not only explores his surroundings, but also tests his inner mettle along some of the most dangerous and remote riparian wilderness in North America.

    This collection presents a cross-section of Shaw's most important theater workâ��Mrs. Warren's Profession, Man and Superman, Major Barbara, and Pygmalion. Each play is fully annotated. "Contexts and Criticism" features all-new material on the author and his work, from traditional critical readings to more theorized approaches, among them essays on Shaw's Fabianism and his alleged feminism. Contributors include Leon Hugo, Sally Peters, Tracy C. Davis, John A. Bertolini, Stanley Weintraub, and J. Ellen Gainor. A Chronology and a Selected Bibliography are included.

    and secrets so dark they’re almost invisibleFifteen-year-old Reed Brennan wins a scholarship to Easton Academy—the golden ticket away from her pill-popping mother and run-of-the-mill suburban life. But when she arrives on the beautiful, tradition-steeped campus of Easton, everyone is just a bit more sophisticated, a bit more gorgeous, and a lot wealthier than she ever thought possible. Reed realizes that even though she has been accepted to Easton, Easton has not accepted her. She feels like she’s on the outside, looking in.Until she meets the Billings Girls.They are the most beautiful, intelligent, and intensely confident girls on campus. And they know it. They hold all the power in a world where power is fleeting but means everything. Reed vows to do whatever it takes to be accepted into their inner circle.Reed uses every part of herself—the good, the bad, the beautiful—to get closer to the Billings Girls. She quickly discovers that inside their secret parties and mountains of attitude, hanging in their designer clothing-packed closets the Billings Girls have skeletons. And they’ll do anything to keep their secrets private.