But what happens when that company is eight of your coworkers…and you can’t trust any of them?When an off-site company retreat meant to promote mindfulness and collaboration goes utterly wrong when an avalanche hits, the corporate food chain becomes irrelevant and survival trumps togetherness. Come Monday morning, how many members short will the team be?The #1 New York Times bestselling author of The Turn of the Key and In a Dark Dark Wood returns with another suspenseful thriller set on a snow-covered mountain.

    American genealogist Jefferson Tayte is hired to find out what happened, but it soon becomes apparent that a calculated killer is out to stop him.In the Blood combines a centuries-old mystery with a present-day thriller that brings two people from opposite sides of the Atlantic together to uncover a series of carefully hidden crimes. Tayte's research centres around the tragic life of a young Cornish girl, a writing box, and the discovery of a dark secret that he believes will lead him to the family he is looking for. Trouble is, someone else is looking for the same answers and will stop at nothing to find them.In the Blood is the first in the Jefferson Tayte mystery series.

    . . and betrayal.

    So the murderer has killed himself; that just saves the time and cost of a trial. But a second murder days later bears haunting similarities to the first, even though once more the murderer swiftly confesses and kills himself.Detective Inspector Anthony McLean is investigating the discovery of a dead girl, walled up in the basement of an old Edinburgh mansion. She has been brutally murdered, her internal organs removed and placed around her in six preserving jars. The evidence suggests this all happened over sixty years ago, an attempt to re-enact an ancient ceremony that by trapping a demon in the dead girl’s body would supposedly confer immortality on the six men who took one of her organs each.McLean’s grandmother – the woman who raised him after his parents were killed when he was a young boy – dies after months in a coma following a stroke. On top of this he has to investigate a series of unusual, violent suicides and a cat-burglar who targets the homes of the recently dead. But as another prominent Edinburgh businessman is killed, he begins to suspect that there may be a connection between the murders, the suicides and the ritual killing of the girl found in the basement. The same names keep cropping up. He just can’t find a rational explanation as to how that connection works.As he digs deeper, and as the coincidences stack up, McLean is forced to consider an irrational explanation. Could there really be something evil stalking the city he has sworn to protect? And if so, how on earth can he hope to stop it?

    Now, in 1979, she returns to the past with the story of Allie Burns, an investigative journalist whose stories lead her into world a corruption, terror, and murder.She's on the hunt for a killer story . . .1979. It's the winter of discontent, and Allie Burns is chasing her first big scoop. One of few women in the newsroom, she needs something explosive for the boys' club to take her seriously.Soon Allie and fellow reporter Danny Sullivan are making powerful enemies with their investigations - and Allie won't stop there. When she discovers a terrorist threat close to home, she devises a dangerous plan to make her name.But Allie is a woman in a man's world . . . and putting a foot wrong could be fatal.The first novel in McDermid's newest series, 1979 is an atmospheric journey into the past with intriguing insight into the present, and the latest addition to McDermid's crime pantheon.

    As Dee looks back over her time in the Master's Lodging—an eerie and ancient house—a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why was Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family—and what it is to be denied one.

    Then in a terrible irony her own son, Simon, is arrested and charged with a series of brutal rapes and murders. The evidence against him appears so strong that his QC advises a guilty plea, but Simon swears he is innocent and begs his mother take on his defence. There is no law against a mother representing her son, so Sarah agrees. The only other obvious suspect for the murders, however, is a man who has already been acquitted once - with Sarah acting as his defence lawyer ...Has Sarah, in her single-minded determination to create a career for herself, neglected her son so much that she no longer knows him? Since he has often lied to her in the past, how can she trust him when he says he is innocent this time? And what should she do when she herself uncovers evidence that seems to suggest his guilt?It seems that telling the whole truth must be weighed in the balance against keeping certain information well hidden ...