As she searches for answers, she is tormented by grief and doubt—until she starts receiving mysterious and inexplicable messages in Scrabble letters, messages that Nora believes could have been written only by Joe.Using a strength she didn’t know she had, Nora follows these strange clues to discover the truth about Joe and their life together—and navigates the danger inherent in her new, special gift.

    Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes - refreshingly unusual for Sicily. But Inspector Salvo Montalbano, as honest as he is streetwise and as scathing to fools and villains as he is compassionate to their victims, is not ready to close the case - even though he's being pressured by Vigàta's police chief, judge, and bishop. Picking his way through a labyrinth of high-comedy corruption, delicious meals, vendetta firepower, and carefully planted false clues, Montalbano can be relied on, whatever the cost, to get to the heart of the matter.The Shape of Water is followed by the second in this phenomenal series, The Terracotta Dog.

    Artie is handsome, athletic, and popular, but he possesses a hidden, powerful sadistic streak and a desire to dominate. Judd is a weedy introvert, a genius who longs for a companion whom he can idolize and worship. Obsessed with Nietzsche’s idea of the superhuman, both boys decide to prove that they are above the laws of man by arbitrarily picking and murdering a Jewish boy in their neighborhood.This new edition of Meyer Levin's classic literary thriller Compulsion reintroduces the fictionalized case of Leopold and Loeb – once considered the "crime of the century" – to a new generation. This incisive psychological portrait of two young murderers seized the imagination of an era and is generally recognized as paving the way for the first non-fiction novel. Compulsion forces us to ask what drives some further into darkness, and some to seek redemption.Heartbreaking as it is gripping, Compulsion is written with a tense and penetrating force that led the Los Angeles Times to call Levin, “the most significant Jewish writer of his times.”

    Frightened by her bizarre discovery, she is determined to discover the truth at any cost—until she finds herself at the center of a scandal that could ruin her career. To fight the charges, Jeannie plunges into a maze of hidden evidence. With growing horror, she uncovers a cynical, far-reaching conspiracy involving disturbing genetic experiments and some of the most powerful men in America—men who will kill to keep their secrets concealed.

    

    The leader of the Bureau justifys these murders - until the day he accepts a contract to kill himself. Truly in Jack London fashion, it is a thriller not to be outdone even in these modern days -enough said until one reads it. A Collector's Edition.

    The St. Louis Post-Dispatch calls Leonard, “the world’s greatest cops ‘n’ robbers novelist.” The Seattle Times says, “Leonard is more than just one of the all-time greats of crime fiction. He’s fast becoming an authentic American icon.” No matter where you wish to place the man who created the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified, in the pantheon of mystery and noir detective fiction demigods—John D. MacDonald, Dashiell Hammett, James M. Cain and the like—there is no denying that nobody does it better than the Grand Master Elmore Leonard!

    He was also a French translator of American hard-boiled crime novels. One of his discoveries was an African-American writer by the name of Vernon Sullivan. Vian translated Sullivan's I Spit on Your Graves. The book is about a 'white Negro' who acts out an act of revenge against a small Southern town, in repayment for the death of his brother, who was lynched by an all white mob. Upon its release, I Spit on Your Graves became a bestseller in France, as well as a instruction manual for a copycat killer whose copy of I Spit on Your Graves was found by the murdered body of a prostitute with certain violent passages underlined. A censorship trail also came up where Sullivan as the author was held responsible for the material. It was later disclosed that Vian himself wrote the book and made up the identity of Vernon Sullivan! This edition is a translation by Vian, that was never published in America. I Spit on Your Graves is an extremely violent sexy hard-boiled novel about racial and class prejudice, revenge, justice, and is itself a literary oddity due to the fact that it was written by a jazz-loving white Frenchman, who had never been to America.

    Before the final performance, $203,000 of the band’s money went missing from a safe deposit box at the Drake Hotel in what was called the single highest deposit box theft in the city’s history. The money was never recovered. Black Dogs might be the story behind the greatest rock ’n’ roll heist of all time. the last thing nineteen-year-old Patrick Sullivan needed was a new scam. Just months earlier, he had left a trail of broken friendships and new enemies in Baltimore for a fresh start in New York City after a botched robbery attempt landed one of his best friends in jail. But when he spies a briefcase full of cash backstage at a Led Zeppelin concert, Patrick makes plans for one last crazy mission–one that he hopes will redeem him in the eyes of everyone he left behind. To pull it off, Patrick will have to return to his hometown to round up his crew: Alex, the one who did time for Patrick’s last crime; Frenchy, the neurotic musician who still lives with Mom; and dim-witted but endearing Keith, the greasy-haired loner who excels at installing car stereos and then uninstalling them, all in the same day.When the unlikely team’s plan goes horribly wrong, the boys find themselves mixed up with Backwoods Billy, the psychotic leader of the Holy Ghosts Christian motorcycle gang. They need some help, and they find it in some unlikely places: by crossing paths and making deals with a pill-popping DA, a safe-cracking funk band called the New York Giants, and the Maryland chapter of the Misty Mountain Hoppers Led Zeppelin Fan Club. Sporting a rare 1958 Les Paul guitar and a complicated plan that could either go wonderfully right or horribly wrong, the guys, fueled by beer and egos, make a desperate attempt at robbing the world’s coolest rock band–to hilarious result.Black Dogs brings to life one of the infamously unsolved rock ’n’ roll mysteries and introduces us to a lovable bunch of knuckleheads who may have just pulled off the greatest heist in rock ’n’ roll history.

    The job: find God Almighty and destroy Him. The payment: eternal life. With the aid of a mysterious trio of women -- a beautiful lady gambler, an ancient Hollywood witch, and a telepathic hooker -- Dell Ammo breaches the gates of Heaven and Hell to pull the Cosmic Trigger.Before The DaVinci Code, before the Left Behind series, The Jehovah Contract set the standard for adventurous, over-the-edge religious fiction. Hard-boiled assassin Dell Ammo must become a harder-boiled detective in order to track down a God he doesn't even think exists. He enlists the reluctant assistance of blond bombshell Anne Perrine -- a woman with the uncanny ability to beat the gaming tables of the underworld metropolis Auberge. In that crime-ridden realm buried beneath the streets of Los Angeles, Dell discovers an even greater danger -- the religious conspiracy known only as the Ecclesia, dedicated to protecting God at any cost.In a climactic final battle worthy of Philip K. Dick at his most imaginatively paranoid, Dell Ammo clashes with the Almighty in all His varied forms, leading to a confrontation that rocks the universe."A fascinating concept, imaginatively delivered." -- Ray Bradbury"A most unusual and entertaining work of satirical SF." -- Publishers Weekly"A novel of cosmic -- and comic -- proportions." -- Library Journal"Explodes like a string of firecrackers ... The suspense never lets up ... I highly recommend it." -- Robert Anton Wilson"THE JEHOVAH CONTRACT will surely be excoriated in religious and literary circles, but this damnation of God should be pondered objectively by both believers and nonbelievers. It is a good, thought-provoking effort that is that rarity in fiction: philosophy that entertains." -- Piers Anthony"A parody of a Chandleresque detective novel that can hold its own with Chandler and the best of his followers." -- San Jose Mercury-News"Crammed with elements calculated to outrage nearly everyone...." -- The Denver Post"THE JEHOVAH CONTRACT... is conceptually audacious to the max." -- Norman Spinrad"Audacious ... a fine combination of logic and madness." -- Robert Shea"I wholeheartedly recommend this Mission Impossible/Phillip Marlowe/Mike Hammer/John Milton Faith Opera." -- Philip Jose FarmerVictor Koman's screenplay of The Jehovah Contract has been optioned for film. Ray Bradbury says of him, "Would that there were a dozen more writers like him in the field." Koman's short stories have appeared in publications such as The Magazine of Fantasy & Science Fiction, Galaxy, and the anthologies Weird Menace, The King is Dead: Tales of Elvis Post-Mortem, the Dark Destiny collections, and Free Space.He lives in southern California with his wife, Veronica, and daughter, Vanessa, as well as their cat, Kali. Koman graduated summa cum laude from Redlands University in 2001 as a Bachelor of Science in Information Systems. In 2004, he received his MBA from Pepperdine University.His weblog and bookstore are accessible via http://www.komansense.com/

    Published in 1838, this rousing sea adventure follows New England boy, Pym, who stows away on a whaling ship with its captain's son, Augustus. The two boys repeatedly find themselves on the brink of death or discovery and witness many terrifying events, including mutiny, cannibalism, and frantic pursuits. Poe imbued this deliberately popular tale with such allegorical richness, biblical imagery, and psychological insights that the tale has come to influence writers as various as Melville, James, Verne and Nabokov.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    A COP HAD KILLED HIMSELF, AND EVERY CROOK IN TOWN KNEW THAT WOULD BE SURE TO BRING ON THE BIG HEAT. Why did they fear a dead man? Dave Bannion, homicide sergeant, fought for the answer to that question. The dead man was a police clerk who shot himself for no obvious reason. That was Bannion's first judgment, until a girl named Lucy presented a quite different picture of the dead man from the one he had shown to the world and to his fastidious, glacial wife. Bannion's chief, Lieutenant Wilks, wanted the case closed and speculation ended quickly and tightly. So did Max Stone and Lagana, who held the city in a sinister, underworld grip. But why? Why did they all fear a dead man . . . ?

    She is hurt and frightened. The man and woman who live there take her in. But their decency is utterly unequipped to deal with the Woman in the Dark, or with the designs of the men who want her.First published in installments in Liberty magazine [in 1933] and now rediscovered after many years, Woman in the Dark shows Dashiell Hammett at the peak of his narrative powers. With an introduction by Robert B. Parker, the author of the celebrated Spenser novels.A one-time detective and a maser of deft understatement, Dashiell Hammett virtually invented the hard-boiled crime novel.

    One found dazed and mute, but alive. The other one wasn't so lucky. She's dead.THE DETECTIVEOut of the army, out of a job and out of sorts. Can Crane climb out of his pit of misery and be useful again?THE POLICEMANWell, you can trust a policeman. Can't you?

    On the case is Stefania Valenti, forty-five, divorced with a young daughter, and a brilliant, determined police inspector.Her investigation takes her back to World War II and deep into the history of the region, a place that during the war attracted smugglers, deserters, secret agents, and fleeing Jews. Steeped in the beautiful atmosphere of Northern Italy, Valenti's investigation brings to light a family's secret, a tragic romance, and reveals a fascinating piece of Italian history.