His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton’s uncle is old, blind, very sick, and very rich. But Alton’s parents aren’t the only ones trying to worm their way into Lester Trapp’s good graces. They’re in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life. Through Alton’s wry observations, Louis Sachar explores the disparity between what you know and what you think you know. With his incomparable flair and inventiveness, he examines the elusive differences between perception and reality—and inspires readers to think and think again.

    In a quest for independence, her neglected art, and no-strings-attached hookups, she signs up for a guided tour of Central America—the wrong one. Middle-aged tourists with fanny packs are hardly the key to self-rediscovery. When Bria meets Rowan, devoted backpacker and dive instructor, and his outspokenly humanitarian sister Starling, she seizes the chance to ditch her group and join them off the beaten path.Bria's a good girl trying to go bad. Rowan's a bad boy trying to stay good. As they travel across a panorama of Mayan villages, remote Belizean islands, and hostels plagued with jungle beasties, they discover what they've got in common: both seek to leave behind the old versions of themselves. And the secret to escaping the past, Rowan’s found, is to keep moving forward.But Bria comes to realize she can't run forever, no matter what Rowan says. If she ever wants the courage to fall for someone worthwhile, she has to start looking back.Kirsten Hubbard lends her artistry to this ultimate backpacker novel, weaving her drawings into the text. Her career as a travel writer and her experiences as a real-life vagabond backpacking Central America are deeply seeded in this inspiring story.

    When Hollis is sent to Josie, an elderly artist who is quirky and affectionate, she wants to stay. But Josie is growing more forgetful every day. If Social Services finds out, they'll take Hollis away and move Josie into a home. Well, Hollis Woods won't let anyone separate them. She's escaped the system before; this time, she's taking Josie with her. Still, even as she plans her future with Josie, Hollis dreams of the past summer with the Regans, fixing each special moment of her days with them in pictures she'll never forget. Patricia Reilly Giff captures the yearning for a place to belong in this warmhearted story, which stresses the importance of artistic vision, creativity, and above all, family.

    He said he would always find Portia, that she could never leave. Free at last, Portia begins a new life on the bally, seeking answers about her father’s disappearance. Will she find him before Mister finds her? It’s a story for the ages, and like everyone who enters the Wonder Show, Portia will never be the same.

    Fifteen-year-old orphan Ana Cortez has just blown her last chance with a foster family. It’s a group home next—unless she agrees to leave East Los Angeles for a farm trainee program in Northern California. When she first arrives, Ana can’t tell a tomato plant from a blackberry bush, and Emmett Garber is skeptical that this slight city girl can be any help on his farm. His sister Abbie, however, thinks Ana might be just what they need. Ana comes to love Garber Farm, and even Emmett has to admit that her hard work is an asset. But when she inadvertently stirs up trouble in town, Ana is afraid she might have ruined her last chance at finding a place to belong.

    A prostitute. A serial killer.Anywhere else, they’d be vermin. At the Mandel Academy, they’re called prodigies. The most exclusive school in New York City has been training young criminals for over a century. Only the most ruthless students are allowed to graduate. The rest disappear.Flick, a teenage pickpocket, has risen to the top of his class. But then Mandel recruits a fierce new competitor who also happens to be Flick’s old flame. They’ve been told only one of them will make it out of the Mandel Academy. Will they find a way to save each other—or will the school destroy them both?

    They agree to get together one last time, but, twisted by personal histories and fueled by pharmaceuticals, old jealousies surface. The party's soon over, and the group splinters off into the night. Into the noise and heat and chaos of the carnival. Days later, a girl goes missing. The prime suspect in her disappearance? One of their own, one of the old gang. Pete doesn't know what to believe: Could one of his childhood friends really be a cold-blooded killer?

    We all know the stories of Cinderella, Snow White, and Rapunzel.  But have you ever heard of Alice Bingley-Beckerman, Reena Paruchuri, or Molly Miller?  Of course you haven’t.  Not yet.  What these girls have in common with their fairy tale sisters is this:  they are the stepdaughters of three very evil stepmothers.  And they’re not happy about it.  They think they are alone in their unhappiness until they arrive at Putnam Mount McKinsey, a posh boarding school located in lovely rural Massachusetts.  Here is where they will plot their revenge.  But first they have to meet. In her first novel, Lily Archer tells a knowing, wickedly funny story about how friendship just may turn out to be more happily-ever-after than family.

    The sooner she and her best friends Enzo and Kit can get out of Houston and get into art school in New York City, the better. It’s been Piper’s dream her whole life, and now that senior year is halfway over, she’s never felt more ready.Who will you become?But in the final months before graduation, life’s got Piper a little more breathless. Things are weird with Kit and awful with Enzo; art school is looking increasingly impossible; three different guys have each claimed a different piece of Piper’s heart; and Piper’s sister’s tyrannical mental state seems to thwart every attempt at happiness for the Perish family. Piper’s art just might be enough to get her out. But is she strong enough—and brave enough—to seize that power, even if it means giving up what she’s always known?Be now. Then be bow. Be now, now, now.

    Tracey answers the ad. The two girls write to each other about their families, their lives, their ambitions and their fears. But there are dark secrets surrounding Mandy and Tracey - secrets they can hardly bear to confront, let alone share.

    Now, after years in a juvenile ward, he is ready for a fresh start. But the ghosts of his past soon demand justice, and he must reveal his painful secret. How can Kip tell anyone that he really is--or was--a murderer?

    . . . In the summer before Cullen's senior year, a nominally-depressed birdwatcher named John Barling thinks he spots a species of woodpecker thought to be extinct since the 1940s in Lily, Arkansas. His rediscovery of the so-called Lazarus Woodpecker sparks a flurry of press and woodpecker-mania. Soon all the kids are getting woodpecker haircuts and everyone's eating "Lazarus burgers." But as absurd as the town's carnival atmosphere has become, nothing is more startling than the realization that Cullen’s sensitive, gifted fifteen-year-old brother Gabriel has suddenly and inexplicably disappeared. While Cullen navigates his way through a summer of finding and losing love, holding his fragile family together, and muddling his way into adulthood, a young missionary in Africa, who has lost his faith, is searching for any semblance of meaning wherever he can find it. As distant as the two stories seem at the start, they are thoughtfully woven ever closer together and through masterful plotting, brought face to face in a surprising and harrowing climax. Complex but truly extraordinary, tinged with melancholy and regret, comedy and absurdity, this novel finds wonder in the ordinary and emerges as ultimately hopeful. It's about a lot more than what Cullen calls, “that damn bird.” It’s about the dream of second chances.

    Instantly, he knows: Miguel, his cousin and best friend, is dead. Everyone in Jaime’s small town in Guatemala knows someone who has been killed by the Alphas, a powerful gang that’s known for violence and drug trafficking. Anyone who refuses to work for them is hurt or killed—like Miguel. With Miguel gone, Jaime fears that he is next. There’s only one choice: accompanied by his cousin Ángela, Jaime must flee his home to live with his older brother in New Mexico. Inspired by true events, The Only Road is an individual story of a boy who feels that leaving his home and risking everything is his only chance for a better life. It is a story of fear and bravery, love and loss, strangers becoming family, and one boy’s treacherous and life-changing journey.

    Sandry has avoided the invitation for as long as it was possible. Now Sandry has agreed to pay that overdue visit. Sandry's uncle promises guards to accompany her. But they're hardly a group of warriors! They're her old friends from Winding Circle: Daja, Tris, and Briar. Sandry hardly knows them now. They've grown up and grown apart. Sandry isn't sure they'll ever find their old connection again - or if she even wants them to. When they arrive at the pala

    Twelve-year-old Joan is sure that she is going to be miserable when her family moves from Connecticut to California. Then she meets a most unusual girl. Sarah prefers to be called "Fox" and lives with her author dad in a rundown house in the middle of the woods. The two girls start writing their own stories together, and when one wins first place in a student contest, they find themselves recruited for a summer writing class taught by the equally unusual Verla Volante. The Wild Girls is about friendship, the power of story, and how coming of age means finding your own answers, rather than simply taking adults on faith.