When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    It’s November 1948, and the widowed Hanora Sparrow and her teenage daughters, Aria and Rosy, have fallen on tough times; when they move into a housing commission camp on the outskirts of Sydney, their spirits are low and their prospects few. While Hanora copes via various pharmaceutical offerings and Rosy with nothing other than indignity, the spirited Aria rises immediately to the challenge of keeping the family together in such trying circumstances. With her endless curiosity and lively sense of humor, Aria draws the Sparrow women into close friendships with other camp residents and supports her family through her work as a photographic model in the city. Despite the setbacks, Aria strives toward their eventual salvation.

    These were the women who left for war looking for adventure and romance, but were soon confronted with challenges for which their civilian lives could never have prepared them. Their strength and dignity were remarkable. Using diaries and letters Peter Rees takes us into the hospital camps and the wards and the tent surgeries on the edge of some of the most horrific battlefronts of human history. But he also allows the friendships and love of these courageous and compassionate women to enrich their experiences, and ours. Profoundly moving, this is a story of extraordinary courage and humanity shown by a group of woman whose contribution to the Anzac legend has barely been recognized in our history. Peter Rees has changed that understanding forever.

    Unpacking the small towns around where she lives and the communities that keep them going through threat and times of plenty. With half her year spent in Canberra, reporting from Parliament House, and half her year in the sticks, she really does have a unique perspective. The Great Divide between city and country is only one subject that arises. The National Party talks about farmers, but what about those who live in regional towns? Her forensic focus in the nearby towns is on ordinary lives not often seen, and the conversations in this book are broad, national and at times international; immigration, transport, health, the NBN, globalization, and tariffs. Gabrielle also draws on her own observations about community. Newcomers initially face strong distrust based on money or race, but once you are accepted, there is a strong belonging and interaction, much more so than her experience in the city. Middle class people in the city, like Gabrielle, show compassion for poverty or racial difference, but there is little interaction with the "other." That is the gift the country gave her. Gabrielle has spent 30 years covering politics and lived 20 of those years in the country. Her kids were raised in country schools where she did her time on school councils, watching the lives of fellow parents and their kids from the poorest to the richest rural families. Gabrielle served on community groups grappling with loss of population, economic recession and mundane parking issues. She has witnessed fiery town meetings dealing with bank closures and doctor shortages. She has felt parents' extraordinary losses to ordinary causes like car accidents, drugs, and crime in a small town. And all this while documenting the modern Australian political story. This book is both the broad and the narrow, the personal and the public. There is no other book like this in Australia and Gabrielle is the only person to write it.

    Both mother and daughter must make sacrifices, but is the price too high? Most importantly of all, will they ever find each other again?Rich in incident and historical detail, this is a compelling and beautifully written tale about yearning and forgiveness.White Gardenia announces the arrival of a powerful new talent.

    . .Adam Kulakov likes his life. He's on the right side of middle age; the toy company he owns brightens the lives of children around the world; and he has more money than he can ever spend, a wife and child he adores, and as many mistresses as he can reasonably hide from them. And he is not the only one with secrets. In 1944, Adam's grandfather, Arkady, was imprisoned in Auschwitz and given an impossible choice. Now, as he's coming to the end of his life, he has to keep the truth from his family, and hold back the crushing memories of his time with one of history's greatest monsters. As a mistake threatens to bring Adam's world tumbling down around him, the past reaches for Arkady. Everything he's spent a lifetime building will be threatened, as will everything Adam and his family think they know of the world. Bold, dark and compelling, The Toymaker is a novel about privilege, fear and the great harm we can do when we are afraid of losing what we hold dear. 'Pieper writes superbly. The Toymaker gives immediate and absorbing pleasure, and has similarities to J M Coetzee's Disgrace in terms of the main character's wretched search for redemption, both for himself and for humanity.' Books+Publishing

    I had an operating fridge, I was doing brilliantly, and I had written the memoir to prove it. I even had online haters. I had conquered life at 30 and nothing was ever going to go wrong again!'It was all going so well for Rosie Waterland. Until it wasn't.Until, shockingly, something awful happened and Rosie went into agonising free fall.Until late one evening she found herself in a hospital emergency bed, trembling and hooked to a drip. Over the course of that long, painful night, she kept thinking about how ironic it was, that right in the middle of writing a book about lies, she'd ended up telling the most significant lie of all.A raw, beautiful, sad, shocking - and very, very funny - memoir of all the lies we tell others and the lies we tell ourselves.Praise for The Anti-Cool Girl:'Hilarious, wise, gutsy, clear-eyed, devastating and uplifting. It's a marvel.' Richard Glover'Waterland's writing is ... individual, wounded, brilliant and hilarious' Sydney Morning Herald'If Augusten Burroughs and Lena Dunham abandoned their child in an Australian housing estate, she'd write this heartbreaking, hilarious book.' Dominic Knight, The ChaserThe Anti-Cool Girl was shortlisted for the 2016 Indie Book Awards and for the 2016 ABIA Awards for Biography of the Year, and in addition was the Winner of the 2016 ABIA Awards People's Choice for the Matt Richell Award for New Writer of the Year

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    These are the memoirs of 29 year old John Birmingham, who has shared houses and apartments with 89 people and kept notes on all of them.

    Karratha is a mining town a long way further north. The landscape is extraordinary, being composed of vast heaps of dark red earth and rock poking out of the never-ending bush. I imagine that Mars must have a similar feel to it. I went exploring and discovered the bronze statue to Red Dog outside the town of Dampier. I felt straight away that I had to find out more about this splendid dog. A few months later I returned to Western Australia and spent two glorious weeks driving around collecting Red Dog stories and visiting the places that he knew, writing up the text as I went along. I hope my cat never finds out that I have written a story to celebrate the life of a dog.’ Louis de Bernières.‘If you love Australia it will have you aching for the scent of gums and sight of the Southern Cross, while if you love dogs it is sure to make you highly indulgent towards the one you love’ Observer

    He is the one person that stands between her and the family home that has been left to her. So why then does the man stir her up to such an extent, her body pulses with the need to have him? They do nothing but clash and snap at one another, and he makes no bones about the fact she shouldn't be Quincy's Station's new owner, but back in the city where he thinks she belongs. Having had an unpleasant clash with a "city girl" once before, Nathan does not think Libby has it in her to stick it out. He refuses to give in to his urges. But when Mother Nature brings chaos to Quincy Station and threatens Libby's children, he'll either be proved right in his assumptions or find his barriers taken down by a stubborn woman and her kids.

    As the months pass and her children grow, they cope in different ways, drawn closer and pulled apart by their shared loss. And all Cate can do is watch on helplessly, seeing their grief, how much they miss her and how - heartbreakingly - they begin to heal. Gradually unfolding to reveal Cate's life, her marriage, and the unhappy secret she shared with one of her children, In the Quiet is compelling, simple, tender, true - heartbreaking and uplifting in equal measure.

    By turns hilarious and moving, Amanda Keller takes us on a nostalgia filled journey through her life. From her childhood in sunny Brisbane to her daggy teen years in suburban Sydney. Then onto heady college days in Bathurst, where wine was called 'claret' and came in a box, and finally to establishing a stellar career in TV and radio.Along the way she falls in love with 'a nice Kiwi boy' who becomes her husband and she tells the story of the arrival of their two hard-won sons. But without too many icky bits.Amanda also takes us behind the scenes of her TV career - from the challenge of turning on a typewriter at Simon Townsend's Wonder World! to the fun of travelling the globe for Beyond 2000, despite having no scientific background and absolutely no sense of direction. More recently she was able to officially represent an entire generation on Talkin' 'Bout Your Generation and share a couch with three blokes and the odd snake on The Living Room.Amanda loves 'the wireless' and looks back on twenty years of radio. From sharing a mic with Andrew Denton on Triple M to topping the breakfast show ratings with Jonesy on WSFM.Vivid, funny and hugely entertaining, Natural Born Keller will have you laughing out loud, nodding in recognition and occasionally bawling uncontrollably - in a cathartic sort of way.

    Everyday their dad battles the unpredictable ocean to make a living. He is a hard man, a bitter drinker who harbours a devastating secret that is destroying him. Unlike Joe, Harry and Miles are too young to leave home and so are forced to live under the dark cloud of their father's mood, trying to stay as invisible as possible whenever he is home. Harry, the youngest, is the most vulnerable and it seems he bears the brunt of his father's anger...

    Stephansson Award for PoetryWith a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.