The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men.But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy.Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.

    Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love.These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

    In lavish, pitch-perfect, and supple, readable prose, Burgess matches his splendid Shakespeare novel, Nothing Like the Sun. The whole world of Elizabethan England—from the intrigues of the courtroom, through the violent streets of London, to the glory of the theater—comes alive in this joyous celebration of the life of Christopher Marlowe, murdered in suspicious circumstances in a tavern brawl in Deptford more than four hundred years ago.

    The book has been banned from many school libraries and publicly burned in Kansas City. Of the author and the book, the Margaret A. Edwards Award committee said, “Using a fluid, readable style, Garden opens a window through which readers can find courage to be true to themselves.”

    Nothing bad happened here. People didn’t disappear.College was supposed to be an escape for Emily Skinner. But after failing out of school, she’s left with no choice but to return to her small hometown in the Ozarks, a place run on gossip and good Christian values.She’s not alone. Emily’s former best friend—and childhood crush—Jody Monroe is back with a baby. Emily can’t resist the opportunity to reconnect, despite the uncomfortable way things ended between them and her mom’s disapproval of their friendship. When Emily stumbles upon a meth lab on Jody’s property, she realizes just how far they’ve both fallen.Emily intends to keep her distance from Jody, but when she’s kicked out of her house with no money and nowhere to go, a paying job as Jody’s live-in babysitter is hard to pass up. As they grow closer, Emily glimpses a future for the first time since coming home. She dismisses her worries; the meth is a means to an end. And besides, for Emily, Jody is the real drug.But when Emily’s role in Jody’s business turns dangerous, her choices reveal grave consequences. As the lies pile up, Emily will learn just how far Jody is willing to go to save her own skin—and how much Emily herself has risked for the love of someone who may never truly love her back.Echoing the work of authors like Daniel Woodrell and Sarah Waters, Cottonmouths is an unflinching story about the ways in which the past pulls us back . . . despite our best efforts to leave it behind.

    However, there are risks. Her scientific knowledge and editorial skills are unparalleled, but her personal life might not withstand government scrutiny.Leaving behind the wreckage of a relationship, Lucybelle finds solace in working for the visionary scientist who is extracting the first-ever polar ice cores. The lucidity of ice is calming and beautiful. But the joyful pangs of a new love clash with the impossible compromises of queer life. If exposed, she could lose everything she holds dear.Based on the hidden life of the author’s aunt and namesake, A Thin Bright Line is a love story set amid Cold War intrigue, the origins of climate research, and the nascent civil rights movement. Poignant, brilliant, and moving, it reminds us to act on what we love, not just wish for it.

    Now one of these characters, Major Lord John Grey, opens the door to his own part of this world — eighteenth-century London, a seething anthill of nobility and rabble peopled by soldiers and spies, whores and dukes. Great Britain is battling France for supremacy on three continents — and life is good for a soldier.The year is 1757. On a clear morning in mid-June, Lord John Grey emerges from London’s Beefsteak Club, his mind in turmoil. A nobleman and a high-ranking officer in His Majesty’s Army, Grey has just witnessed something shocking. But his efforts to avoid a scandal that might destroy his family are interrupted by something still more urgent: the Crown appoints him to investigate the brutal murder of a comrade in arms, who may have been a traitor.Obliged to pursue two inquiries at once, Major Grey finds himself ensnared in a web of treachery and betrayal that touches every stratum of English society — and threatens all he holds dear. From the bawdy houses of London’s night-world to the stately drawing rooms of the nobility, and from the blood of a murdered corpse to the thundering seas ruled by the majestic fleet of the East India Company, Lord John pursues the elusive trails of a vanishing footman and a woman in green velvet, who may hold the key to everything — or nothing.The early days of the Seven Years War come brilliantly to life in this historical mystery by an author whose unique and compelling storytelling has engrossed millions of readers worldwide.

    Jo's greatest fear is that her illegitimate baby might be mentally deficient like her own father. To soothe, clean and cook for her is Geof, an effeminate art student, with whom she makes a temporary home. Bruised by insensitivity and rejection, the boy and girl find a very real comfort in each other.

    Chris has just started the teen dream job: working at Vinyl Mayhem, the local record store. She's prepared to deal with anything—misogynistic metalheads, grunge wannabes, even a crush on her wicked cute co-worker, Maggie. But when Rory Gory, the staff's favorite singer, mysteriously vanishes the night before her band’s show in town, Chris finds out her co-workers are doing more than just sorting vinyl...her local indie record store is also a front for a teen girl vigilante fight club!

    She is consumed—both by a craving for human blood, and by an obsession to find her attacker and bring him to justice. Alexa is determined to be everything that Valentine needs, but when Val's appetite outstrips Alexa's ability to nourish her, Alexa risks her life to save her lover. Will Valentine be able to control her thirst—for blood and for vengeance? And can Valentine and Alexa's relationship endure against seemingly impossible odds?

    It tells the story of very private lives caught up in the heartrendering ordeal of suffering and doom - an ordeal that was largely ignored for reasons of politics and majority morality.Filled with power, anger, and intelligence, Larry Kramer's riveting play dramatizes what actualy happened from the time of the disease's discovery to the present, and points a moral j'accuse in many directions. His passionate indictment of government, the media, and the public for refusing to deal with a national plague is electrifying theater - a play that finally breaks through the conspiracy of silence with a shout of stunning impact. As Douglas Watt summed it up in his review for the New York Daily News,THE NORMAL HEART is "an angry, unremitting and gripping piece of political theater. You are bound to come away moved."

    It chronicles her youth, her marriage, her eventual decision to come out as a lesbian, and her life with transgender activist and author Leslie Feinberg.

    She does her best to hide behind her dyed hair and black wardrobe, but it's hard to ignore the bullying of Pip Weston and Principal Pinn. It's even harder to ignore the allure of other girls. As Triinu tumbles headlong into first love and teenage independence, she realizes that the differences that make her a target are also the differences that can set her free. With everyone in town taking sides in the battle for equal rights in Oregon, Triinu must stand up for herself, learn what it is to love and have her heart broken, and become her own woman.

    When her men ambush a girl on the road with hair pale as death and a raven perched on her shoulder, Helvig cannot resist bringing home a truly unique prize: a genuine witch. Drawn irresistibly into the other woman’s web, Helvig soon learns of Gerda’s reason for walking the icy border roads alone: to find the Queen who lives at the top of the world and kill her. Anyone else would be smart enough not to believe a children’s story, but Helvig is plagued by enchantments of her own, and she struggles to guard the sins of her past while growing closer to Gerda.As Christmastide gives way to the thin-veiled days when ghosts are at their most vengeful, the two women find themselves on a journey to a final confrontation that will either redeem them or destroy them entirely.It's DEATHLESS meets OF FIRE AND STARS in this coming of age fable.

    Fist of the Spider Woman is a revelatory anthology of horror stories by queer and transgressive women and others that disrupts reality as queer women know it, instilling both fear and arousal while turning traditional horror iconography on its head.In this collection, horror (including gothic, noir, and speculative writing) is defined as that which both titillates and terrorizes, forcing readers to confront who they are. Kristya Dunnion's "Homeland" reveals the horrors that lurk on your average night in a lesbian bar; Elizabeth Bachinsky’s “Postulation on the Violent Works of the Marquis de Sade” is a response to Sade from a feminist (yet kinky) perspective; and Amber Dawn’s “Here Lies the Last Lesbian Rental” is a paranormal fantasia about urban gentrification, set in a house rented by lesbians on the eve that it is sold to new owners.Subversive, witty, sexy—and scary—Fist of the Spider Woman poses two questions: “What do queer women fear the most?” and “What do queer women desire the most?”Amber Dawn is a writer, performance artist, and radical sex/gender activist who co-edited With a Rough Tongue: Femmes Write Porn.