Over the course of one long, tense and unbearable hot afternoon, Charlie Decker explains what led him to this drastic sequence of events, while at the same time deconstructing the personalities of his classmates, forcing each one to justify his or her existence.

    It includes learning experiences that provide opportunities for group dynamics as well as activities to challenge students' abilities in critical and creative thinking. Includes: story summary, about the author, preparing to read, cooperative-learning activities, vocabulary skills, chapter-by-chapter critical thinking questions, spotlight literary skills, creative thinking activities, glossary of literary terms, and post-reading activities.

    Told in the voices of various characters and from first and third-person perspectives, Down to the Dirt follows the hard-drinking, hard-living Keith Kavanagh from his sexual initiation with an older woman in the small community of his childhood to his Quixotic quest for meaning in the big city. Kavanagh is one of Canadian literature's most memorable and mesmerizing creations. He may appear hard as nails—a self-destructive hedonist, a dynamo of crackling energy and imminent violence—but at heart, he is (in the words of novelist Michael Crummey) “a troubled Holden Caulfield innocent" desperately searching for his place in a world that doesn't seem to want or need him. Hynes’ great achievement is in maintaining a convincing balance between tenderness and brutality as he guides the seemingly hopeless Kavanagh from one scene of comic chaos into another. Down to the Dirt is a lit fuse burning with anarchic energy. Down to the Dirt on Myspace.com Audio Reviews: "Picture a teenaged outcast in Newfoundland and his two closest friends—they all love to talk dirty, each with a somewhat skewed Irish accent. This is why the audio version of Hynes’s first novel (really linked stories) is more than welcome. Hynes, also an actor, narrates in protagonist Keith Kavanagh’s voice, joined by Sherry White and Johnny Harris. If anyone has ever wondered what’s going through the minds of those eternal bad boys and the girls they hook up with, this sensitive portrait is a good place to begin. Hynes’s clipped style, taking stories to a breaking point, then dropping them cold, before too much emotion sets in, works very well."AudioFile Magazine Book Reviews: "Hynes captures [dialogue] masterfully...Raunchy, humorous and energetic...A gritty, moving portrait of growing up - or trying to, anyway."Publisher's Weekly "Joel Hynes is the best young voice in years"David Adams Richards "...scary, sexy, and funny, sometimes all three at once. It's a hell of a ride."Michael Crummey, author of River Thieves

    At mealtimes he is seated at the "cat's table" - as far from the Captain's Table as can be - with a ragtag group of "insignificant" adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator's elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself "with a distant eye" for the first time, and to feel the first stirring of desire. Another Cat's Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.As the narrative moves between the decks and holds of the ship and the boy's adult years, it tells a spellbinding story - by turns poignant and electrifying - about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

    And all of them are keeping secrets.Pinballing between resentment, abandonment, and loneliness, KB is forced to carve out a different identity for herself and find her own voice. As she examines the jagged pieces of her recently shattered world, she learns that while some truths cut deep, a new life--and a new KB--can be built from the shards.Capturing all the vulnerability, perceptiveness, and inquisitiveness of a young Black girl on the cusp of puberty, Harris's prose perfectly inhabits that hazy space between childhood and adolescence, where everything that was once familiar develops a veneer of strangeness when seen through newer, older eyes. Through KB's disillusionment and subsequent discovery of her own power, What the Fireflies Knew poignantly reveals that heartbreaking but necessary component of growing up--the realization that loved ones can be flawed, sometimes significantly so, and that the perfect family we all dream of looks different up close.

    And he has certainly never gotten to know anyone other than his mother, a fiercely loving yet wildly eccentric agoraphobe who drowns in panic at the thought of opening the front door. Their little world comprises only the rooms in their home, each named for various exotic locales and filled with Will's art projects. Soon the confines of his world close in on Will. Despite his mother's protestations, Will ventures outside clad in a protective helmet and braces himself for danger. He eventually meets and befriends Jonah, a quiet boy who introduces Will to skateboarding. Will welcomes his new world with enthusiasm, his fears fading and his body hardening with each new bump, scrape, and fall. But life quickly gets complicated. When a local boy goes missing, Will and Jonah want to uncover what happened. They embark on an extraordinary adventure that pulls Will far from the confines of his closed-off world and into the throes of early adulthood and the dangers that everyday life offers. If I Fall, if I Die is a remarkable debut full of dazzling prose, unforgettable characters, and a poignant and heartfelt depiction of coming of age.

    They’ve come home to Malagash, on the north shore of Nova Scotia, so he can die where he grew up. Her mother and her brother are both devastated. But devastated isn’t good enough. Devastated doesn’t fix anything. Sunday has a plan.She’s started recording everything her father says. His boring stories. His stupid jokes. Everything. She’s recording every single “I love you” right alongside every “Could we turn the heat up in here?” It’s all important.Because Sunday is writing a computer virus. A computer virus that will live secretly on the hard drives of millions of people all over the world. A computer virus that will think her father’s thoughts and say her father’s words. She has thousands of lines of code to write. Cryptography to understand. Exploits to test. She doesn’t have time to be sad. Her father is going to live forever.

    Fiona was always destined to leave, her effortless beauty burnished by fierce ambition--qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father's sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other's lives, their friendship both a beacon of home and a reminder of all they've lost.In stories told in alternating voices, Jean Chen Ho's debut collection peels back the layers of female friendship--the intensity, resentment, and boundless love--to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back.Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America.

    But when the handsome John Beck-a former Methodist preacher turned novice whaler with a mysterious past-arrives at the Davidson's door pleading to join her father's crews, suddenly Mary's world is upended.As her family struggles to survive the scarcity of whales and the vagaries of weather, and as she navigates sibling rivalries and an all-consuming first love for the newcomer John, nineteen-year-old Mary will soon discover a darker side to these men who hunt the seas, and the truth of her place among them. Swinging from Mary's own hopes and disappointments to the challenges that have beset her family's whaling operation, RUSH OH! is an enchanting blend of fact and fiction that's as much the story of its gutsy narrator's coming-of-age as it is the celebration of an extraordinary episode in history.

    I didn't understand what it meant, and I didn't know how it was done. This worried me. Days after his ex-girlfriend's suicide, Wayne, a recent film school grad, flies to San Francisco for her funeral. When he learns that she aborted their child, Wayne embarks on a search for meaning that takes him to unusual places and through some of the most influential events of the past ten years. Wayne's journey becomes a series of meditations on modern life, and he draws on everything from the ancient philosophy of Siddhartha Gautama, the warrior-aristocrat who exacted the Four Noble Truths, to a visit with Gregorio Fuentes, Hemingway's fishing guide and inspiration for the protagonist in The Old Man and the Sea. Haunted by regret and wonder about what could have been, Wayne's quest for connection leads him up and down the East Coast on foot and across the American West in an RV, and finally to the Costco Soulmate Trading Outpost in the middle of the Black Rock Desert. Listi weaves innovative flashes of nonfiction throughout the story -- lists, quotations, and strange facts -- and creates a deeply emotional exploration of love, death, escape, and maturation. Highly original and effortlessly readable, Attention. Deficit. Disorder. exhibits an unforgettable voice that is Listi's alone.

    As Emily becomes closer to her closeted Uncle Tyler, she begins to challenge her upbringing. Her questions about the Jehovah’s Witnesses’ insular lifestyle, rigid codes of conduct, and tenets of their faith haunt her older sister Lenora too. When Lenora disappears, everything changes and Emily becomes obsessed with taking on her sister’s identity, believing that Lenora is controlling her actions. Ultimately, Emily finds release through self-mutilation. The narrative offers a haunting, cutting exploration of the Jehovah’s Witness practice and practical impact of “disfellowshipping,” proselytization, and cultural abstinence, as well as their attitude toward the “worldlings” outside of their faith. Sparse, vivid, menacingly suspenseful, and darkly humorous, Watch How We Walk simultaneously engages on emotional, visceral, and intellectual levels.

    Her noble line ended. And the King’s Reaper has come to reclaim her land and her home. In the marches of Aedaron, only one thing is for certain. All keeps of the old world must fall. Elinor struggles to find her place in the new world. She once dreamed of great things. Of becoming a hero in the ways of the old world. But now she is a Reaper. And her duty is clear. Destroy the old. Herald the new.

    Taut and powerful, it is a keen reimagining of a whodunit in which everyone is implicated and no one is safe. It’s the summer of 1976 on the South Shore of Massachusetts. The Bicentennial is a season-long celebration, and flags are everywhere, snapping in the seaside winds, ironed onto T-shirts, tattooed into biceps. Tim O’Connor works the Cigarette Game booth at Funland—toss a quarter placed on an eight-sided ball into the right slot and you win two packs of smokes or maybe, if you’re lucky, a carton. If asked his age, he’d say he’s seventeen, but in truth he’s fourteen. Yet the kids in blue-collar Grantham—a town first imagined by Haigh in her devastating bestseller "Faith"—grow up fast, are known for being wild, and more often than not drop out of school to punch the clock at the nearby Raytheon plant. When Tim disappears after the park’s closing one night, no one makes much of it till late morning. It’s not the first time his mother, Kay, has forgotten to pick him up. It’s not the first time he has stayed out all night. By the time local cops begin their investigation, there is little trace of the boy, only witnesses to a complicated set of relationships in a place where surviving isn’t always thriving and where disappointment mixes with the salt in the air. In this superbly crafted story, the search for a missing boy becomes a search for the American dream, laying bare how destructive its promises often are. Recalling Dennis Lehane in setting and subject and masters like Graham Greene and Richard Ford in tone and style, Haigh’s latest work is a testament to all that short fiction can be. It’s a searing portrait of how much a community loses when one of its own is lost.

    On his first day, tensions are clearly on the rise as a picked-upon upperclassmen finally snaps, unleashing a violent attack on both the students who tormented him for so long, and the corrupt, petty faculty that let it happen. But within this desperate place, Peter befriends fellow freshmen Noah Stein, a volatile classmate whose face bears the scars of a hard-fighting past, and the beautiful but lonely Lorelei Paskal —so eager to become popular, she makes only enemies.To even stand a chance at surviving their freshmen year, the trio must join forces as they navigate a bullying culture dominated by administrators like the once popular Ms. Bromine, their embittered guidance counselor, and Father Mercedes, the parish priest who plans to scapegoat the students as he makes off with church finances. A coming-of-age tale reversed, Brutal Youth follows these students as they discover that instead of growing older and wiser, going bad may be the only way to survive.

    She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart.With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.