This naturally brings him in contact with the house full of students and layabouts next door, including a young woman who, in a moment of stress, reveals to him that she has wings--wings, moreover, which grow back after each attempt to cut them off. Alan understands. He himself has a secret or two. His father is a mountain; his mother is a washing machine; and among his brothers are a set of Russian nesting dolls. Now two of the three nesting dolls, Edward and Frederick, are on his doorstep--well on their way to starvation, because their innermost member, George, has vanished. It appears that yet another brother, Davey, who Alan and his other siblings killed years ago, may have returned...bent on revenge.Under such circumstances it seems only reasonable for Alan to involve himself with a visionary scheme to blanket Toronto with free wireless Internet connectivity, a conspiracy spearheaded by a brilliant technopunk who builds miracles of hardware from parts scavenged from the city's dumpsters. But Alan's past won't leave him alone--and Davey is only one of the powers gunning for him and all his friends.

    He's no knight in shining armor. He's a hradani, a race known for their uncontrollable rages, bloodthirsty tendencies, and inability to maintain civilized conduct. None of the other Five Races of man like the hradani. Besides his ethnic burden, Bahzell has problems of his own to deal with: a violated hostage bond, a vengeful prince, a price on his head. He doesn't want to mess with anybody else's problems, let alone a god's. Let alone the War God's! So how does he end up a thousand leagues from home, neck-deep in political intrigue, assassins, demons, psionicists, evil sorcery, white sorcery, dark gods, good gods, bad poets, greedy landlords, and most of Bortalik Bay? Well, it's all the War God's fault.

     Humanity is not alone in the cosmos. The aliens have given a precious relic to the people of Earth: star-stone. But the harmony of the galaxy is endangered when they discover that the star-stone has disappeared. Likeable Fred Cassidy is an eternal undergraduate. All he thinks he knows about the star-stone is that it came to Earth in an interplanetary trade for the Mona Lisa and the British Crown jewels. When Fred is accused of stealing the cosmic artefact, he is pursued from Australia to Greenwich Village and beyond, by telepathic psychologists, extra-terrestrial hoodlums and galactic police in disguise. Follow him on his adventures as he enters multiple realities, flipping in and out of alien perspectives, through doorways in the sand.

    Their charter was for a Class III uninhabited planet, which Zarathustra was, and it meant they owned the planet lock stock and barrel. They exploited it, developed it and reaped the huge profits from it without interference from the Colonial Government. Then Jack Holloway, a sunstone prospector, appeared on the scene with his family of Fuzzies and the passionate conviction that they were not cute animals but little people.

    But the last two women betrothed to this prince were murdered, and a sorcerer-assassin is bent on making Isabelle the third. Aided and defended by her loyal musketeer, Jean-Claude, Isabelle plunges into a great maze of prophecy, intrigue, and betrayal, where everyone wears masks of glamour and lies. Step by dangerous step, she unravels the lies of her enemies and discovers a truth more perilous than any deception.

    They are a mixture of nobility and criminal conspirators whose power to walk between their world and ours makes them rich in both.Miriam, a hip tech journalist from Boston, discovers her alternate-world relatives with explosive results that shake three worlds. Now, as the prodigal Countess Helge Thorold-Hjorth, she finds herself ensnared in schemes and plots centuries in the making. She is surrounded by unlikely allies, lethal contraband, and—most dangerous of all—her family.To avoid a slippery slope down to an unmarked grave, Miriam must build a power base of her own—with unexpected consequences for three different time lines, including the quasi-Victorian one exploited by the hidden family.

    Tepper came to be recognized as a major science fiction writer. Now the author of Raising the Stones and Grass -- a New York Times Notable Book and Hugo Award finalist -- turns to Beauty, a fantasy with a story that is more, much more than fable.Drawing on the wellspring of much-loved, well-remembered fairy tales, Tepper delivers a thought-provoking and finely crafted novel that thoroughly involves the reader in the life of one of the most captivating heroines in modern fantasy -- Beauty. On her sixteenth birthday Beauty is seemingly able to sidestep her aunt's curse. Instead she is transported to the future. Here begin her adventures as she travels magically back and forth in time to visit places both imaginary and real. Finally she comes to understand what has been her special gift to humanity all along.For in Beauty, there is beauty. And in beauty, magic. Without our enchanted places, humanity is no more than an upstart ape. And this, we realize, is why Beauty must be saved, both in the fantastical world of Tepper's novel and in the actual world in which we live

    Norrell. It is an intimate portrait of a woman, Jane, and her quest for love in a world where the manipulation of glamour is considered an essential skill for a lady of quality.Jane and her sister Melody vie for the attentions of eligible men, and while Jane’s skill with glamour is remarkable, it is her sister who is fair of face. When Jane realizes that one of Melody’s suitors is set on taking advantage of her sister for the sake of her dowry, she pushes her skills to the limit of what her body can withstand in order to set things right—and, in the process, accidentally wanders into a love story of her own.

    There is a buried city beneath it inhabited by ghosts, accessible only through magical passages and long-forgotten doorways. When the Prince of Ombria dies suddenly, his wicked great-aunt Domina Pearl seizes power by becoming regent to the prince's young son, Kyel. Minutes after the prince's death, Domina kicks Lydea, the prince's longtime mistress, out into the streets to die. But she is saved by a strange girl named Mag, a supposed waxling created by a powerful sorceress who lives underneath the city. With the help of Mag and the prince's bastard nephew, a strange, silver-eyed man obsessed with drawing, Lydea tries to save Kyel and somehow defeat Domina.

    Herewiss does have a talent for more mundane sorcery, and (aided by the unearthly creature Sunspark) he uses it to rout the armies besieging Freelorn. But now Herewiss faces a devastating choice.His time to master the blue Fire is running out. Should he join Freelorn in his fight to regain his kingdom? Or should he seek out the ancient keep in the Waste where doors lead into other worlds -- perhaps even the door whose use will teach him to control the Power that he must master or die?...

    He had been sick; now he seemed better than ever before. Through no fault of his own, he had been outcast, unclean, a pariah. Now he was regarded as a reincarnation of the Land's greatest hero--Berek Halfhand--armed with the mystic power of White Gold. That power alone could protect the Lords of the Land from the ancient evil of Despiser, Lord Foul. Only...Covenant had no idea of how the power could be used!Thus begins one of the most remarkable epic fantasies ever written...

    Steerswomen, and a very few Steersmen, are members of an order dedicated to discovering and disseminating knowledge. Although they are foremost navigators of the high seas, Steerswomen are also explorers and cartographers upon land as well as sea. With one exception, they are pledged to always answer any question put to them with as truthful a response as is possible within their own limitations. However, they also require anyone of whom they ask questions to respond in the same manner, upon penalty of the Steerswomen's ban; those under the ban do not receive answers from the steerswomen.In this novel, Rowan is a Steerswoman who is interested in some strange jewels which have been found distributed in an unusual pattern. These jewels are made of strange materials bonded onto metal. Some think that such jewels are magically produced.

    Set in the twenty-second century, the novel tells of a world where women are once again property, denied civil rights and banned from public life. Earth's wealth depends on interplanetary commerce with alien races, and linguists--a small, clannish group of families--have become the ruling elite by controlling all interplanetary communication. Their women are used to breed perfect translators for all the galaxies' languages.Nazareth Chornyak, the most talented linguist of the family, is exhausted by her constant work translating for trade organizations, supervising the children's language education, running the compound, and caring for the elderly men. She longs to retire to the Barren House, where women past childbearing age knit, chat, and wait to die. What Nazareth comes to discover is that a slow revolution is going on in the Barren Houses: there, word by word, women are creating a language of their own to free them from men's control.

    He fears no one until he meets Anyanwu. Anyanwu is a shapeshifter who can absorb bullets and heal with a kiss and savage anyone who threatens her. She fears no one until she meets Doro. Together they weave a pattern of destiny (from Africa to the New World) unimaginable to mortals.

    Every day, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion?Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness." As his mother, Pearl wants nothing more than to help Rhett—but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job—not as happiness technician, and not as mother, either.Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about relationships and the ways that they can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes and technology. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.