A seeress with a bond to the spirit world, she has beheld a frightening vision-of a blond man in a black robe, whose coming will bring death and despair to her people.Father Marc Dupre is a French missionary who has come to Quebec to preach Christianity. He is not prepared for his own growing love for Andiora, an attraction she shares with all her heart.But more than a forbidden union threatens them both. A mysterious epidemic is devastating the Hurons, and vengeful shamans blame the "Black Robes" from Europe, crying out for the priests' deaths.Menaced by war and disease, torn between their desires and their sacred callings, Marc and Andiora struggle to find peace and fulfillment.

    The Stoddard girls—responsible Mayme, whip-smart tomboy Jeanine, and bookish Bea—know no life but an itinerant one, trailing their father from town to town as he searches for work on the pipelines and derricks; that is, when he's not spending his meager earnings at gambling joints, race tracks, and dance halls. And in every small town in which the windblown family settles, mother Elizabeth does her level best to make each sparse, temporary house they inhabit a home.But the fall of 1937 ushers in a year of devastating drought and dust storms, and the family's fortunes sink further than they ever anticipated when a questionable "accident" leaves Elizabeth and her girls alone to confront the cruelest hardships of these hardest of times. With no choice left to them, they return to the abandoned family farm.It is Jeanine, proud and stubborn, who single-mindedly devotes herself to rebuilding the farm and their lives. But hard work and good intentions won't make ends meet or pay the back taxes they owe on their land. In desperation, the Stoddard women place their last hopes for salvation in a wildcat oil well that eats up what little they have left . . . and on the back of late patriarch Jack's one true legacy, a dangerous racehorse named Smoky Joe. And Jeanine, the fatherless "daddy's girl," must decide if she will gamble it all . . . on love.

    Destined to lose her heritage and beloved Wideacre estate once she is wed, Beatrice will use any means necessary to protect her ancestral name. Seduction, betrayal, even murder--Beatrice's passion is without apology or conscience. "She is a Lacey of Wideacre," her father warns, "and whatever she does, however she behaves, will always be fitting." Yet even as Beatrice's scheming seems about to yield her dream, she is haunted by the one living person who knows the extent of her plans...and her capacity for evil.Sumptuously set in Georgian England from the "queen of royal fiction" (USA TODAY), Wideacre is intensely gripping, rich in texture, and full of color and authenticity. It is a saga as irresistible in its singular magic as its heroine.

    government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

    Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will’s character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will’s heart. In a voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion.

    Torn between two races, he is propelled across the vast, unexplored Northwest wilderness of the early 1800s in a desperate mission to defend his adopted people from invasion by ruthless white fur traders.

    Her father, Salmon P. Chase, rose to prominence in the antebellum years and was appointed secretary of the treasury in Abraham Lincoln’s cabinet, while aspiring to even greater heights. Beautiful, intelligent, regal, and entrancing, young Kate Chase stepped into the role of establishing her thrice-widowed father in Washington society and as a future presidential candidate. Her efforts were successful enough that The Washington Star declared her "the most brilliant woman of her day. None outshone her." None, that is, but Mary Todd Lincoln. Though Mrs. Lincoln and her young rival held much in common—political acumen, love of country, and a resolute determination to help the men they loved achieve greatness—they could never be friends, for the success of one could come only at the expense of the other. When Kate Chase married William Sprague, the wealthy young governor of Rhode Island, it was widely regarded as the pinnacle of Washington society weddings. President Lincoln was in attendance. The First Lady was not. Jennifer Chiaverini excels at chronicling the lives of extraordinary yet littleknown women through historical fiction. What she did for Elizabeth Keckley in Mrs. Lincoln’s Dressmaker and for Elizabeth Van Lew in The Spymistress she does for Kate Chase Sprague in Mrs. Lincoln’s Rival.

    A beautiful woman born in the American southwest into the long extinct Anasazi tribe, long before Columbus...whose blue eyes marked her as a witch and set her apart from the Indian tribe that raised her.Following her path of destiny in a vanished world of great stone cities and trackless wilderness warring tribes and mysterious trabelers from other lands, Kwani found love with Kokopelli, the Toltec magician, who rescued her from death and took her to the Place of the Eagle Clan. There she was transformed from an outcast to the Chosen of the Gods, where she became She Who Remembers and taught young girls the ancient secrets only women know...secrets that provided her with inner power to overcome and triumph--and change her life forever.

    Her eldest sister Angelica, the “thief of hearts,” is known for her passion and intelligence, while kind, sweet Eliza has a beauty so great, it only outshone by her enormous heart. Though often in the shadows of her beloved sisters, Peggy is talented in her own right—fluent in French, artistically talented, and brave beyond compare. When a flirtatious aide-de-camp to General Washington named Alexander Hamilton writes an eloquent letter to Peggy asking for her help in wooing the earnest Eliza, Peggy is skeptical but finds herself unable to deny such an impassioned plea. Thus begins her own journey into the Revolution! Inspired by the cultural phenomenon of the Broadway musical, “Hamilton.”

    Timothy and The Pale Blue Eye comes Courting Mr. Lincoln, the page-turning and surprising story of a young Abraham Lincoln and the two people who loved him best: a sparky, marriageable Mary Todd and Lincoln’s best friend, Joshua Speed.When Mary Todd meets Abraham Lincoln in Springfield in the winter of 1840, he is on no one's shortlist to be president. Rough and reticent, he’s a country lawyer lacking money and manners, living above a dry goods shop, but with a gift for oratory. Mary, a quick, self-possessed debutante with a tireless interest in debates and elections, at first finds him an enigma. “I can only hope,” she tells his roommate, the handsome, charming Joshua Speed, “that his waters being so very still, they also run deep.”It's not long, though, before she sees the Lincoln that Speed knows: a man who, despite his awkwardness, is amiable and profound, with a gentle wit to match his genius and a respect for her keen political mind. But as her relationship with Lincoln deepens, she must confront his inseparable friendship with Speed, who has taught his roommate how to dance, dress, and navigate the polite society of Springfield.Told in the alternating voices of Mary Todd and Joshua Speed, and rich with historical detail, Courting Mr. Lincoln creates a sympathetic and complex portrait of Mary unlike any that has come before; a moving portrayal of the deep and very real connection between the two men; and most of all, an evocation of the unformed man who would grow into one of the nation’s most beloved presidents.

    Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage. Witty, moving, and brilliantly entertaining, Cora's story marks the debut of a glorious storyteller who brings a fresh new spirit to the world of Edith Wharton and Henry James.

    "I'd rather take a photograph than be one," she declares after she arrives in Paris in 1929, where she soon catches the eye of the famous Surrealist Man Ray. Though he wants to use her only as a model, Lee convinces him to take her on as his assistant and teach her everything he knows. But Man Ray turns out to be an egotistical, charismatic force, and as they work together in the darkroom, their personal and professional lives become intimately entwined, changing the course of Lee's life forever.Lee's journey takes us from the cabarets of bohemian Paris to the battlefields of war-torn Europe during WWII, from discovering radical new photography techniques to documenting the liberation of the concentration camps as one of the first female war correspondents. Through it all, Lee must grapple with the question of whether it's possible to reconcile romantic desire with artistic ambition-and what she will have to sacrifice to do so.Told in interweaving timelines, this sensuous, richly detailed novel brings Lee Miller-a brilliant and pioneering artist-out of the shadows of a man's legacy and into the light.

    Cow Tom, born into slavery in Alabama in 1810 and sold to a Creek Indian chief before his tenth birthday, possessed an extraordinary gift: the ability to master languages. As the new country developed westward, and Indians, settlers, and blacks came into constant contact, Cow Tom became a key translator for his Creek master and was hired out to US military generals. His talent earned him money--but would it also grant him freedom? And what would become of him and his family in the aftermath of the Civil War and the Indian Removal westward? Cow Tom's legacy lives on--especially in the courageous spirit of his granddaughter Rose. She rises to leadership of the family as they struggle against political and societal hostility intent on keeping blacks and Indians oppressed. But through it all, her grandfather's indelible mark of courage inspires her--in mind, in spirit, and in a family legacy that never dies. Written in two parts portraying the parallel lives of Cow Tom and Rose, Citizens Creek is a beautifully rendered novel that takes the reader deep into a little known chapter of American history. It is a breathtaking tale of identity, community, family--and above all, the power of an individual's will to make a difference.

    In the last months of the Nazi occupation of Poland, two children are left by their father and stepmother to find safety in a dense forest. Because their real names will reveal their Jewishness, they are renamed "Hansel" and "Gretel." They wander in the woods until they are taken in by Magda, an eccentric and stubborn old woman called "witch" by the nearby villagers. Magda is determined to save them, even as a German officer arrives in the village with his own plans for the children. Louise Murphy's haunting novel of journey and survival, of redemption and memory, powerfully depicts how war is experienced by families and especially by children."Lyrical, haunting, unforgettable." --Kirkus Reviews"No reader who picks up this inspiring novel will put it down until the final pages, in which redemption is not a fairy tale ending but a heartening message of hope." --Publishers Weekly

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.