In Such Good Girls, R. D. Rosen tells the story of these survivors through the true experiences of three girls.Sophie Turner-Zaretsky, who spent the war years believing she was an anti-Semitic Catholic schoolgirl, eventually became an esteemed radiation oncologist. Flora Hogman, protected by a succession of Christians, emerged from the war a lonely, lost orphan, but became a psychologist who pioneered the study of hidden child survivors. Unlike Anne Frank, Carla Lessing made it through the war concealed with her family in the home of Dutch strangers before becoming a psychotherapist and key player in the creation of an international organization of hidden child survivors.In braiding the stories of three women who defied death by learning to be “such good girls,” Rosen examines a silent and silenced generation—the last living cohort of Holocaust survivors. He provides rich, memorable portraits of a handful of hunted children who, as adults, were determined to deny Hitler any more victories, and he recreates the extraordinary event that lured so many hidden child survivors out of their grown-up “hiding places” and finally brought them together.

    Its survival has been an incredible journey, especially considering how often Jews have tried to kill it themselves. Underlying Neal Karlen's unique, brashly entertaining, yet thoroughly researched telling of the language's story is the notion that Yiddish is a mirror of Jewish history, thought, and practice—for better and worse.Karlen charts the beginning of Yiddish as a minor dialect in medieval Europe that helped peasant Jews live safely apart from the marauders of the First Crusades. Incorporating a large measure of antique German dialects, Yiddish also included little scraps of French, Italian, ancient Hebrew, Aramaic, the Slavic and Romance languages, and a dozen other tongues native to the places where Jews were briefly given shelter. One may speak a dozen languages, all of them Yiddish.By 1939, Yiddish flourished as the lingua franca of 13 million Jews. After the Holocaust, whatever remained of Yiddish, its worldview and vibrant culture, was almost stamped out—by Jews themselves. Yiddish was an old-world embarrassment for Americans anxious to assimilate. In Israel, young, proud Zionists suppressed Yiddish as the symbol of the weak and frightened ghetto-bound Jew—and invented modern Hebrew.Today, a new generation has zealously sought to explore the language and to embrace its soul. This renaissance has spread to millions of non-Jews who now know the subtle difference between a shlemiel and a shlimazel; hundreds of Yiddish words dot the most recent editions of the Oxford English Dictionary.The Story of Yiddish is a delightful tale of a people, their place in the world, and the fascinating language that held them together.

    When Marie-Louise, the eighteen year old daughter of the King of Austria, is told that the Emperor has demanded her hand in marriage, her father presents her with a terrible choice: marry the cruel, capricious Napoleon, leaving the man she loves and her home forever, or say no, and plunge her country into war.Marie-Louise knows what she must do, and she travels to France, determined to be a good wife despite Napoleon’s reputation. But lavish parties greet her in Paris, and at the extravagant French court, she finds many rivals for her husband’s affection, including Napoleon’s first wife, Joséphine, and his sister Pauline, the only woman as ambitious as the emperor himself. Beloved by some and infamous to many, Pauline is fiercely loyal to her brother. She is also convinced that Napoleon is destined to become the modern Pharaoh of Egypt. Indeed, her greatest hope is to rule alongside him as his queen—a brother-sister marriage just as the ancient Egyptian royals practiced. Determined to see this dream come to pass, Pauline embarks on a campaign to undermine the new empress and convince Napoleon to divorce Marie-Louise.As Pauline's insightful Haitian servant, Paul, watches these two women clash, he is torn between his love for Pauline and his sympathy for Marie-Louise. But there are greater concerns than Pauline's jealousy plaguing the court of France. While Napoleon becomes increasingly desperate for an heir, the empire's peace looks increasingly unstable. When war once again sweeps the continent and bloodshed threatens Marie-Louise’s family in Austria, the second Empress is forced to make choices that will determine her place in history—and change the course of her life.Based on primary resources from the time, The Second Empress takes readers back to Napoleon’s empire, where royals and servants alike live at the whim of one man, and two women vie to change their destinies.

    The Second World War has gone on too long. Shops are closed ‘for the duration’. Trains run a restricted service ‘for the duration’. Life has paused, for the duration. A little girl, Pamela, is growing up fast. A young Englishman, Rupert Blundell, vows there’ll be no more wars. Both are waiting for their lives to begin.Then comes Hiroshima. Finally, devastatingly, the war is over.1962. Rupert is now strategic advisor to Lord Mountbatten, and his close confidant. Pamela is eighteen and has moved to London, eager for love and experience of every kind. There’ll be parties at Cliveden, Christine Keeler, Stephen Ward, the Astors. Life is a whirlwind.But beneath the glamour lies quiet, desperate terror, as the Cuban missile crisis unfolds and the world spins ever closer to nuclear war.Reckless is a gripping novel set against the world in crisis, by a superb novelist at the height of his powers.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    Carolly Erickson takes the reader deep into the psyche of France's doomed queen: her love affair with handsome Swedish diplomat Count Axel Fersen, who risked his life to save her; her fears on the terrifying night the Parisian mob broke into her palace bedroom intent on murdering her and her family; her harrowing attempted flight from France in disguise; her recapture and the grim months of harsh captivity; her agony when her beloved husband was guillotined and her young son was torn from her arms, never to be seen again.Erickson brilliantly captures the queen's voice, her hopes, her dreads, and her suffering. We follow, mesmerized, as she reveals every detail of her remarkable, eventful life—from her teenage years when she began keeping a diary to her final days when she awaited her own bloody appointment with the guillotine.

    But a girl on her own who doesn't speak English is an easy target and Nehama is forced into prostitution. Yet with only the whispers of her deceased grandmother to guide her, she manages to escape into the narrow alleys of the respectable East End, where bustling marketstalls and penny seats at the theatre are just a hand's breadth away from the criminal warrens.Emilia, arrives in London ill-prepared, and pregnant and Nehama takes her in. But Emilia refuses a hardscrabble life and finds refuge in the privileged classes of the West End at the expense of her identity and even her baby, Gittel, who Nehama adopts. As the two women walk their own separate paths, Gittel becomes their nexus; and Nehama and Emilia find the true meaning of their lives in the narrowest of London's alleys.Lilian Nattel masterfully brings to life a vanished world, embracing the dilemmas of class, gender, culture and history with an imaginative and fearless voice.

    With a large hump on his back, a mysterious past, and a tendency to talk to animals, he is often mocked and abused by the other kids in his town. Until the arrival of a shadowy pilgrim named Secondus. Impressed with Boy’s climbing and jumping abilities, Secondus engages Boy as his servant, pulling him into an expedition across Europe to gather the seven precious relics of Saint Peter. Boy quickly realizes this journey is not an innocent one. They are stealing the relics, and gaining dangerous enemies in the process. But Boy is determined to see this pilgrimage through until the end—for what if St. Peter can make Boy’s hump go away?This compelling, action-packed tale is full of bravery and daring, stars a terrific cast of secondary characters, and features an unlikely multigenerational friendship at its heart. Memorable and haunting, Catherine Gilbert Murdock’s epic medieval adventure is just right for readers of Sara Pennypacker’s Pax, Adam Gidwitz’s The Inquisitor’s Tale, and Pam Muñoz Ryan’s Echo.Features a map and black-and-white art throughout.

    France is under siege, English soldiers tear through the countryside destroying all who cross their path, and Charles VII, the uncrowned king, has neither the strength nor the will to rally his army. And in the quiet of her parents’ garden in Lorraine, a peasant girl sees a spangle of light and hears a powerful voice speak her name. Jehanne.The story of Jehanne d'Arc, the visionary and saint who believed she had been chosen by God, who led an army and saved her country, has captivated our imagination for centuries. But the story of Jeanne - the girl - whose sister was murdered by the English, who sought an escape from a violent father and a forced marriage, who taught herself to ride and fight, and who somehow found the courage and tenacity to convince first one, then two, then thousands to follow her, is at once thrilling, unexpected and heart-breaking. Rich with unspoken love and battlefield valor, The Maid is a novel about the power and uncertainty of faith, and the exhilarating and devastating consequences of fame.

    "Something sour to remind me of the sweetness," she tells her, setting the theme for what they must remember to survive. Set during World War II, the novel is the parallel tale of two Jewish girls, cousins, living on separate continents, whose strikingly different lives ultimately converge.Brooklyn-born Mira Kane is the 18-year-old daughter of a well-to-do manufacturer of women's knitwear in New York. Her cousin, eight-year-old Rosha Kaninsky, is the lone survivor of a family in Vilna exterminated by the invading Nazis. But unbeknownst to her American relatives, Rosha did not perish. Desperate to save his only child during a roundup of their ghetto, her father thrusts her into the arms of a Polish Catholic candlemaker, who then hides her in a root cellar - putting her own family at risk. The headstrong and talented Mira, who dreams of escaping Brooklyn for a career as a fashion designer, finds her ambitions abruptly thwarted when, traumatized at the fate of his European relatives, her father becomes intent on safeguarding his loved ones from threats of a brutal world, and all the family must challenge his unuttered but injurious survivor guilt. Though the American Kanes endure the experience of the Jews who got out, they reveal how even in the safety of our lives, we are profoundly affected by the dire circumstances of others.

    Determined to avenge the killing of her father, Francesca Giordano, defying all convention becomes the official poisoner of the head of the most notorious and dangerous family in Italy, Cardinal Rodrigo Borgia, the confidante of Lucrezia and the lover of Cesare while pursuing her father's murderer.

    On a dark night, travelers from across France cross paths at an inn and begin to tell stories of three children. Their adventures take them on a chase through France: they are taken captive by knights, sit alongside a king, and save the land from a farting dragon. On the run to escape prejudice and persecution and save precious and holy texts from being burned, their quest drives them forward to a final showdown at Mont Saint-Michel, where all will come to question if these children can perform the miracles of saints. Join William, an oblate on a mission from his monastery; Jacob, a Jewish boy who has fled his burning village; and Jeanne, a peasant girl who hides her prophetic visions. They are accompanied by Jeanne's loyal greyhound, Gwenforte . . . recently brought back from the dead. Told in multiple voices, in a style reminiscent of The Canterbury Tales, our narrator collects their stories and the saga of these three unlikely allies begins to come together.

    . . but all too well. Confidante of Nostradamus, scheming mother-in-law to Mary, Queen of Scots, and architect of the bloody St. Bartholomew’s Day Massacre, Catherine de Medici is one of the most maligned monarchs in history. In her latest historical fiction, Jeanne Kalogridis tells Catherine’s story—that of a tender young girl, destined to be a pawn in Machiavellian games. Born into one of Florence’s most powerful families, Catherine was soon left a fabulously rich heiress by the early deaths of her parents. Violent conflict rent the city state and she found herself imprisoned and threatened by her family’s enemies before finally being released and married off to the handsome Prince Henry of France. Overshadowed by her husband’s mistress, the gorgeous, conniving Diane de Poitiers, and unable to bear children, Catherine resorted to the dark arts of sorcery to win Henry’s love and enhance her fertility—for which she would pay a price. Against the lavish and decadent backdrop of the French court, and Catherine’s blood-soaked visions of the future, Kalogridis reveals the great love and desire Catherine bore for her husband, Henry, and her stark determination to keep her sons on the throne.

    They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.Paris, 1490.  A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter, servant, and lady-in-waiting—before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries—his finest, most intricate work—on time for his exacting French client. The results change all their lives—lives that have been captured in the tapestries, for those who know where to look.In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry—an extraordinary story exquisitely told.

    In her new hometown, Ruth quickly figures out she can be Jewish or she can be popular, but she can’t be both. Eager to fit in with the blond girls in the “pastel posse,” Ruth decides to hide her religion. Before she knows it, she is falling for the handsome and charming Davis and sipping Cokes with him and his friends at the all-white, all-Christian Club.Does it matter that Ruth’s mother makes her attend services at the local synagogue every week? Not as long as nobody outside her family knows the truth. At temple Ruth meets Max, who is serious and intense about the fight for social justice, and now she is caught between two worlds, two religions, and two boys. But when a violent hate crime brings the different parts of Ruth’s life into sharp conflict, she will have to choose between all she’s come to love about her new life and standing up for what she believes.