Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    The stories explore the lives of Lebanese migrants who have settled in the area, circling around themes of isolation, family and community, and nostalgia for the home country. In particular, House of Youssef is about relationships, and the customs which complicate them: between parents and children, the dark secrets of marriage, the breakable bonds between friends. The stories are told with extreme minimalism — some are only two pages long — which heightens their emotional intensity.The collection is framed by two soliloquies. The first expresses the longing of an old man for the homeland he will never return to. The second is the monologue of a woman, who could be his wife, addressed to her daughter, about life and its disappointments. The two central sequences are composed of vignettes which focus on moments of domestic crisis, and which combine, in the title sequence, to chart the demise of a single family. Kassab portrays the lives of ordinary people — simple, unglamorous, down-to-earth. Her understated style isolates small details and the anxieties that lurk within them. The tiny shifts in a normal day are an entire world to the people at the centre of her stories.

    Parker (Seafire), and many more. Edited by Dhonielle Clayton (The Belles).In the fourth collaboration with We Need Diverse Books, fifteen award-winning and celebrated diverse authors deliver stories about a princess without need of a prince, a monster long misunderstood, memories that vanish with a spell, and voices that refuse to stay silent in the face of injustice. This powerful and inclusive collection contains a universe of wishes for a braver and more beautiful world.AUTHORS INCLUDE: Samira Ahmed, Libba Bray, Dhonielle Clayton, Zoraida Córdova, Tessa Gratton, Kwame Mbalia, Anna-Marie McLemore, Tochi Onyebuchi, Mark Oshiro, Natalie C. Parker, Rebecca Roanhorse, Victoria Schwab, Tara Sim, Nic Stone, and a to-be-announced debut author/short-story contest winner

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    On exclusive yachts sailing the Mediterranean, on private jets streaming towards Jamaica, on Yucatán beaches in secluded bays, they gossiped about sex, power, money, love and fame. They never imagined he would betray them so absolutely.In the autumn of 1975, after two decades of intimate friendships, Truman Capote detonated a literary grenade, forever rupturing the elite circle he’d worked so hard to infiltrate. Why did he do it, knowing what he stood to lose? Was it to punish them? To make them pay for their manners, money and celebrated names? Or did he simply refuse to believe that they could ever stop loving him? Whatever the motive, one thing remains indisputable: nine years after achieving wild success with In Cold Blood, Capote committed an act of professional and social suicide with his most lethal of weapons . . . Words.A dazzling debut about the line between gossip and slander, self-creation and self-preservation, Swan Song is the tragic story of the literary icon of his age and the beautiful, wealthy, vulnerable women he called his Swans.‘Writers write. And one can’t be surprised if they write what they know.’

    In"Bog Girl", a revelatory story about first love, a young man falls in love with a two thousand year old girl that he's extracted from a mass of peat in a Northern European bog. In "The Prospectors," two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant's safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void--yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.

    Once a charming underachiever, he's now such a loser that he can't even commit suicide properly. Waking up in hospital after falling the wrong way on a rooftop, he comes to a decision. He shouldn't waste perfectly good organs just because they're attached to his head. After a life of regrets, Sully wants to do one useful thing: he wants to donate a kidney to a stranger. As he scrambles over the hurdles to become a donor, Sully almost accidentally forges a new life for himself. Sober and employed, he makes new friends, not least radio producer Natalie and her son Louis, and begins to patch things up with old ones, like his ex-best mate Tim. Suddenly, everyone wants a piece of him. But altruism is not as easy as it seems. Just when he thinks he's got himself together, Sully discovers that he's most at risk of falling apart.

    It tracks their individual journeys during that first crucial year—and the group’s collective one—as they navigate motherhood and the shifting ground of their relationships with their partners. Each woman struggles in her own way to become the mother she wants to be, and finds herself becoming increasingly reliant on the friendship and support of the mother’s group members. Until one day, when an unthinkably shocking event changes everything.The Mother’s Group is an unflinching and compelling portrait of love, sex, marriage and parenting in an increasingly complicated world. Moving, provocative, tender and utterly gripping, it will draw you in and never let you go.

    She was hoping the girl would not ask.Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap’s debut collection jumps right off the page, from the joy in her new novella, 'A Spell for Foolish Hearts' to the terrifying tension of the urban legend 'Have You Heard the One About Anamaria Marquez'.

    The teens are a diverse group who come from all walks of life, and they were all sent to Zeppelin Bend as a last chance to get them to turn their lives around. They’ve just spent nearly two weeks learning to survive in the wilderness, and now their instructors have dropped them off eighteen miles from camp with no food, no water, and only their packs, and they’ll have to struggle to overcome their vast differences if they hope to survive.Inspired by The Canterbury Tales, Feral Youth features characters, each complex and damaged in their own ways, who are enticed to tell a story (or two) with the promise of a cash prize. The stories range from noir-inspired revenge tales to mythological stories of fierce heroines and angry gods. And while few of the stories are claimed to be based in truth, they ultimately reveal more about the teller than the truth ever could.

    call is the first time Lexie Vidler has heard her sister’s voice in years. Annie is a drug addict, a thief, a liar—and in trouble, again. Lexie has always bailed Annie out, given her money, a place to sleep, sent her to every kind of rehab. But this time, she’s not just strung out—she’s pregnant and in premature labor. If she goes to the hospital, she’ll lose custody of her baby—maybe even go to prison. But the alternative is unthinkable.As weeks unfold, Lexie finds herself caring for her fragile newborn niece while her carefully ordered life is collapsing around her. She’s in danger of losing her job, and her fiancé only has so much patience for Annie’s drama. In court-ordered rehab, Annie attempts to halt her downward spiral by confronting long-buried secrets from the sisters’ childhood, ghosts that Lexie doesn’t want to face. But will the journey heal Annie, or lead her down a darker path?Both candid and compassionate, Before I Let You Go explores a hotly divisive topic and asks how far the ties of family love can be stretched before they finally break.

    Lona kills her days by sneaking into the dark room at her old art school to develop photographs. She kills her nights DJ-ing the roller disco at Planet Skate. She is in inexplicably, debilitatingly love with a bespectacled Doctor Who-obsessed former classmate, and in comfortable, platonic love with her best friend Tab. Lona works hard to portray a permanent attitude of cynicism and ennui but will her carefully constructed persona be enough to protect her from the inevitable sorrows and unexpected joys of adult life? Loner re-examines notions of social isolation experienced by young people, suggesting sometimes our own company can be a choice and not a failing.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    A young girl sees ghosts from her third eye, located where her belly button should be. A corporate lawyer feels increasingly disconnected from his job in a soulless 1200-storey skyscraper. And a one-dimensional yellow man steps out from a cinema screen in the hope of leading a three-dimensional life, but everyone around him is fixated only on the color of his skin. Welcome to Portable Curiosities. In these dark and often fantastical stories, Julie Koh combines absurd humour with searing critiques on modern society, proving herself to be one of Australia’s most original and daring young writers.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.