Shy country girl, Rosie, only wants one thing ~ which is to be exactly like her well-loved mother. That is until the truth begins to emerge and her dream threatens to become her inescapable destiny. Upon discovering a family secret, Rosie finds herself drawn into a world of deceit and betrayal, and soon faces the decisions of how many morals she is willing to sacrifice, how much cruelty she is willing to tolerate, and how many lies she is willing to tell to prevent her family from being torn apart. Reaching her lowest ebb, whilst training at the local hospital, the confident and brash Teddy Miller falls off the back of a motorbike and into her life. Teddy proves to be the only person who is willing to stand up for Rosie, but being a slave to his emotions it seems he loves her too much to be the saviour she so desperately craves. Rosie's struggles continue as she lives a paradoxical double-life. Domestically she’s a timid mouse under the constant shadow of her tormentors. Yet, in her work life, she excels in whatever she sets her mind to, from a hardworking trainee nurse to a machine operative in a male-only working environment, where she not only defies the gender conventions of the times but turns them on their head. However, as her domestic struggles weigh heavy upon her, they begin to seep into her professional life and threaten to undo everything she was worked so hard to achieve. As she loses her delicate grip on her true identity, she begins to slide down the slope of despair. And so begins a seemingly endless journey to set herself free

    The rugged mountains that lay beyond America’s frontier remained mostly unexplored. In those days, when beaver were plentiful and the buffalo roamed freely, the killing was good. The two young men would also find that life would be hardscrabble in the high frontier. They would face grizzly bears and hostile Indians. And they would risk horse wrecks and mountain storms to trade their furs each year at “rendezvous.” Crossed Arrows is the story of two adventurers who lived hard in the earliest days of the Wild West.

     On this occasion, the men in question are vicious thugs and killers. They don't give in easy. And mostly he brings them in slung over a saddle. But after tracking and killing a group of merciless bandits, he realises the bloodshed is too much for him. He resigns his badge and rides south to Mexico where he hangs up his guns. The peaceful life Joe is seeking is wrecked when the notorious bandit Gomez Farias guns down his friends. The Hammer of God is roused. The blood that flowed in his former life as lawman was but a trickle compared to the flood unleashed when Joe rides out on the vengeance trail… Hammer of God is a thrilling and classic adventure story set in the Wild West. Praise for Philip McCormac 'You can taste the dust and blood of the Old West on every page.' - Tom Kasey, best-selling author of Trade Off. Philip McCormac lives in the East Midlands, England, is married with two grown-up children and five grandchildren. He is the author of fourteen Western novels including Son of a Gun and Vengeance Unbound. He is also the author of detective thriller Tone Death.

    Virgil Rawlins is left without family or friends as he is swept into the maelstrom that encompasses the last years of the American Civil War. Lost in a world of brutality and inhumanity, the teenaged Rawlins matures—as did many of the Wild West’s first outlaws—with revenge and hatred as his only motivations. He heads westward before the war’s end, making his way to the town of Independence and the Oregon Trail, but along the way he meets the remarkably beautiful Sarah McCaskey and learns that the rights and wrongs in his life cannot be defined simply as blue and gray.When Sarah tells Rawlins of her loss to Confederate guerrilla Bloody Bill Anderson, Rawlins begins to question his own assumptions. Joining a wagon train as a hunter/scout, he heads westward into the raging Indian War of 1865. Along the way he earns a reputation as a well-respected fighter, and he must finally decide what kind of man he will be—outlaw, lawman, or perhaps, neither.Rawlins, No Longer Young is guaranteed to stir debate and enlighten readers with the experiences of these turbulent years as seen through the eyes of a young Confederate soldier.

    

    Leave me alone or I will shoot you dead!" 1924. After six months in Hollywood, young British widow Emma Blackstone has come to love her new employer, glamourous movie-star Kitty Flint - even if her late husband's sister is one of the worst actresses she's ever seen. Looking after Kitty and her three adorable Pekinese dogs isn't work Emma dreamed of, but Kitty rescued her when she was all alone in the world. Now, the worst thing academically-minded Emma has to worry about is the shocking historical inaccuracies of the films Kitty stars in.Until, that is, Rex Festraw - Kitty's first husband, to whom she may or may not still be married - turns up dead in her dressing room, a threatening letter seemingly from Kitty in his pocket.Emma's certain her flighty but kind-hearted sister-in-law has been framed. But who by? And why? From spiteful rivals to jealous boyfriends, the suspects are numerous. But as Emma investigates, she begins to untangle a deadly plot - and there's something Kitty's not telling her . . .This gripping first in a brand-new series from NYT-bestselling author Barbara Hambly brings the sights and sounds of Hollywood to life and is a perfect pick for fans of female-fronted historical mysteries set in the roaring twenties.

    Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern Tessio come to terms with death and the harsh truths of growing up in a small factory town that doesn’t offer much in the way of a future. A timeless exploration of the loneliness and isolation of young adulthood, Stephen King’s The Body is an iconic, unforgettable, coming-of-age story.

    Bribery of public officials, class warfare, and international rivalry over oil production are the context for Sinclair's story of a genial independent oil developer and his son, whose sympathy with the oilfield workers and socialist organizers fuels a running debate with his father. Senators, small investors, oil magnates, a Hollywood film star, and a crusading evangelist people the pages of this lively novel.

    Since all journalists and writers were barred from the shooting of the movie Close Encounters of the Third Kind, actor Bob Balaban's diary is a rare on-the-spot account of the making of Steven Spielberg's classic sci-fi film.

    Publisher-Darien House in 1971. Over 600 illustrations

    33 poems, over 70 minutes, very high quality recording on cassette or CD.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    As companion to its volume of Wilder?s collected plays, The Library of America?s edition of his early novels and stories brings together five novels that highlight his wit, erudition, innovative formal structures, and philosophical wisdom. Drawing on the post-collegiate year he spent in Rome, Wilder fashioned in The Cabala a tale of youthful enchantment with the Eternal City in the form of a fictitious memoir of an American student and the enigmatic coterie of noble Romans who draw him into their midst. He followed this debut novel two years later with The Bridge of San Luis Rey, which catapulted him to literary prominence and earned him the first of his three Pulitzer prizes. ?The Bridge,? Wilder later wrote, ?asked the question whether the intention that lies behind love was sufficient to justify the desperation of living.? Set in 18th-century Peru, the book is a kind of theological detective story concerning a friar?s investigations into the lives of five individuals before they were killed in a bridge collapse. An elegantly told parable, with credible historical ambience and psychologically rounded characters, The Bridge of San Luis Rey is primarily a probing inquiry into the nature of destiny and divine intention: Why did God allow these particular people to die?The Woman of Andros, based on the Andria of Roman writer Terence, is a meditation on the ancient world filtered through the sensibility of a meditative courtesan; Heaven?s My Destination, a departure from Wilder?s historical themes, is a picaresque romp through Depression-era America; and The Ides of March takes up the story of Julius Caesar?s assassination by imagining the exchange of letters among such prominent ancient figures as Catullus, Cleopatra, Cicero, and Caesar himself, ?groping in the open seas of his unlimited power for the first principles which should guide him.? The volume concludes with a selection of early short stories?among them ?Précautions Inutiles,? published here for the first time?and a selection of essays that offers Wilder?s insights into the works of Stein and Joyce, as well as a lecture on letter writers that bears on both The Bridge of San Luis Rey and The Ides of March.

    Among filmmakers and film buffs, Cassavetes is revered, almost as a god. A major star of live television and a serious actor, he stumbled into making his first film, Shadows, and created a template for working outside the Hollywood system that would produce some of the most piercing and human films of the last thirty years including A Woman Under the Influence and Husbands. He became the prototypical outsider fighting the system for much of his career. Film critic Marshall Fine had unprecendented access to Cassavetes' wife, Gena Rowlands, and other members of their inner circle, as well as industry insiders who worked with Cassavetes -- some speaking publicly for the first time. Together, they tell his daring, tumultuous, and compelling story.

    Now, with Evening, she gives us her most ambitious novel, a work of surpassing beauty. During a summer weekend on the coast of Maine, at the wedding of her best friend, Ann Grant fell in love. She was twenty-five. Forty years later--after three marriages and five children--Ann Lord finds herself in the dim claustrophobia of illness, careening between lucidity and delirium and only vaguely conscious of the friends and family parading by her bedside, when the memory of that weekend returns to her with the clarity and intensity of a fever-dream. Evening unfolds in the rushlight of that memory, as Ann relives those three vivid days on the New England coast, with motorboats buzzing and bands playing in the night, and the devastating tragedy that followed a spectacular wedding. Here, in the surge of hope and possibility that coursed through her at twenty-five--in a singular time of complete surrender--Ann discovers the highest point of her life. Superbly written and miraculously uplifting, Evening is a stirring exploration of time and memory, of love's transcendence and of its failure to transcend--a rich testament to the depths of grief and passion, and a stunning achievement.