Written by top thriller author, Jeremy Robinson, these stories include all of the action, imagination and twists that fans have come to expect, but they also contain experiments into subjects and voices not normally touched on in his novels. INSOMNIA - In a world of super efficiency and equality, sleep is illegal and Feene keeps the masses going. THE EATER - Three children discover a writhing black puddle in the woods of New Hampshire. HARDEN’S TREE - A group of teens visit a tree planted atop the ashes of a mass murderer from late 1800’s. STAR CROSSED KILLERS - Two lovers, both deadly killers, compete for the same target. COUNTING SHEEP - A future terrorist gives an insomniac three minutes to fall asleep. HEARING AID - In the future, a deaf man is healed, but does he like what he hears? DARK SEED OF THE MOON - Vampires live, and kill, in the eternal shadow of the moon’s polar crater. FROM ABOVE - In the future, a detective goes after terrorists who vaporized his city--and his arm--from space. BOUGHT AND PAID FOR (Bonus Story) - A brutal character sketch for Scott Sigler’s THE CRYPT. EXCLUSIVE SAMPLES INCLUDED: -- THE LAST HUNTER by Jeremy Robinson -- CALLSIGN: KING by Jeremy Robinson and Sean Ellis -- THE SENTINEL by Jeremy Bishop -- SECONDWORLD by Jeremy Robinson PRAISE FOR JEREMY ROBINSON "Rocket-boosted action, brilliant speculation, and the recreation of a horror out of the mythologic past, all seamlessly blend into a rollercoaster ride of suspense and adventure." -- James Rollins, New York Times bestselling author of JAKE RANSOM AND THE SKULL KING'S SHADOW "With THRESHOLD Jeremy Robinson goes pedal to the metal into very dark territory. Fast-paced, action-packed and wonderfully creepy! Highly recommended!" --Jonathan Maberry, NY Times bestselling author of ROT & RUIN "Jeremy Robinson is the next James Rollins" -- Chris Kuzneski, NY Times bestselling author of THE SECRET CROWN "If you like thrillers original, unpredictable and chock-full of action, you are going to love Jeremy Robinson..."-- Stephen Coonts, NY Times bestselling author of DEEP BLACK: ARCTIC GOLD "How do you find an original story idea in the crowded action-thriller genre? Two words: Jeremy Robinson." -- Scott Sigler, NY Times Bestselling author of ANCESTOR "There's nothing timid about Robinson as he drops his readers off the cliff without a parachute and somehow manages to catch us an inch or two from doom." -- Jeff Long, New York Times bestselling author of THE DESCENT "Greek myth and biotechnology collide in Robinson's first in a new thriller series to feature the Chess Team... Robinson will have readers turning the pages..." -- Publisher's Weekly "Jeremy Robinson’s THRESHOLD is one hell of a thriller, wildly imaginative and diabolical, which combines ancient legends and modern science into a non-stop action ride that will keep you turning the pages until the wee hours. Relentlessly gripping from start to finish, don’t turn your back on this book!" -- Douglas Preston, NY Times bestselling author of IMPACT and BLASPHEMY "Jeremy Robinson is an original and exciting voice.

    Gillett, Ph.D.• The Efficiency Expert by W. R. Thompson• Second Helpings by George R. R. Martin• Random Sample by Heidi Heyer• On Gaming by Dana Lombardy• Siblings by Larry Powell• Diabetes and Rockets by G. Harry Stine• Béisbol by Ben Bova• The Darkling Plain by P. M. Fergusson• Biolog: P. M. Fergusson by Jay Kay Klein• The Reference Library by Thomas A. Easton •   Review: Artifact by Gregory Benford by Thomas A. Easton •   Review: Cuckoo's Egg by C. J. Cherryh by Thomas A. Easton •   Review: Skinner by Richard S. McEnroe by Thomas A. Easton •   Review: Blood Music by Greg Bear by Thomas A. Easton •   Review: A Coming of Age by Timothy Zahn by Thomas A. Easton •   Review: Trumps of Doom by Roger Zelazny by Thomas A. Easton •   Review: The Fall of Winter by Jack C. Haldeman, II by Thomas A. Easton •   Review: The Time Travelers; A Science Fiction Quartet by Martin H. Greenberg and Robert Silverberg by Thomas A. Easton •   Review: The Hugo Winners, 1976-1979 by Isaac Asimov by Thomas A. Easton •   Review: Young Extraterrestrials by Isaac Asimov and Martin Greenberg and Charles Waugh by Thomas A. Easton •   Review: The Year's Best Science Fiction, Second Annual Collection by Gardner Dozois by Thomas A. Easton •   Review: The Future of Flight by Dean Ing and Leik Myrabo by Thomas A. Easton •   Review: Out of the Cradle: Exploring the Frontiers Beyond Earth by William K. Hartmann and Pamela Lee and Ron Miller by Thomas A. Easton • Brass Tacks by Stanley Schmidt• Analog: A Calendar of Upcoming Events by Anthony R. Lewis

    They can be read in any order with or without prior knowledge of The Foreworld Saga.Sigrid is a Shield-Maiden who yearns to break free of the restrictions of her father’s home and join the Sworn Men in an actual raiding expedition. When a small diplomatic party that includes members of the Shield-Brethren lands at her family’s holding on Göttland, the party’s second in command, Halldor, sees in Sigrid a vision of beauty and power that might challenge—and even destroy—many men.And when bloody chaos ensues at a nearby Viking fishing village, Sigrid proves she has more than mere talent: she has Vor—the fate sight—an astonishing focus in fighting that sets her apart from nearly all who have ever lived and puts her in the rare company of the finest Shield-Brethren.But as Sigrid and her family confront her otherworldly ability, will it prove to be a gift to be celebrated, or an affliction to be cured?

    On the night he decides to strike, his life, and his world, are forever changed. Alien scientists from across the cosmos, abduct and place Kazaka in deep storage for centuries. When they revive him with the intent to subject him to extraterrestrial evisceration, the ninja escapes. The shadow warrior then begins to hunt his captors, one by one, leading up to a battle that will shake the galaxy.The Bear That Fell From the StarsA different kind of alien terror. NOTE: This is a Novella of approx. 20,000 words, or about 60 pages.Science Fiction Fantasy and not hard SciFi.Some scenes of graphic violence.

    The quantum world doesn't play by those rules. Daniel Rice is a government science investigator whose specialty is solving seemingly intractable problems through scientific inquiry.But Daniel's intellectual strength is sorely tested by the bizarre realities he finds in the quantum world. Extra dimensions of space trap the unwary, probability replaces cause and effect, and time isn't what anyone imagined. The other side of the mirror is a place full of dangers, but it's also somewhere a dedicated scientist can uncover secrets that connect humans with something greater. If you liked the authenticity of The Martian, the page-turning pace of Da Vinci Code, and the inspirational world views of Arthur C. Clarke and Carl Sagan, you'll love The Quantum Series. A mind-bending journey from the ultra-small to the vast stage of the Milky Way. Acclaim for The Quantum Series Awarded the indieBRAG Medallion for 2018"Dazzling tale of weird science" - Publisher's Weekly"I can't recall when I last enjoyed a hard science series as much as this one. The concepts were astounding, the characters were easily believable, and the action emotionally driven. Very hard to put down. It kept me reading half the night. You'll be thinking about the far out science ideas promulgated in this series for a long time." - Chuck Juzek"A great story, no hatred, no evil people trying to destroy others, just a wonderful adventure with a fantastic outcome." - Ric Mannen"Fermi's Paradox is finally explained." - PE Gwinn"An exciting plot that kept me glued to my chair instead of mowing the lawn." - PE Gwinn"Probably one of the most entertaining and intellectually stimulating stories I've read in a long time... and I read a LOT!" - Jason Blackford"Great story that proves the universe is indeed full of magic!" - Rand"The protagonists have an almost poetic underpinning that had me rooting for their success." - J. Kareski"BTW, all three books show respect and admiration for women scientists as well as men." - Robin C."Mr. Phillips is the only person who explained quantum physics to me in a way that was not only understandable but entertaining." - Edward L. Heins

    Inside, she discovers a secret place containing a pile of human bones and the young girl makes what could be a fatal mistake.

    The fighting might be finished, but for Dr Bairstow, just now setting up St Mary's, the struggle is only beginning.How will he assemble his team?From where will his funding come?How can he overcome the massed ranks of the Society for the Protection of Historical Buildings?How do stolen furniture, a practical demonstration at the Stirrup Charge at Waterloo, students’ alcohol-ridden urine, a widowed urban guerrilla, a young man wearing exciting knitwear, and four naked security guards all combine to become the St Mary’s of the future?- See more at: http://www.accentpress.co.uk/Book/173...

    Her reputation takes a significant blow after a recent public appearance results in a tragic death. To defend herself against wild accusations and sensational media coverage, Celeste books a recording studio in Manhattan where she aims to take control of her own narrative by recording an episode of a new podcast. As the episode progresses, Celeste divulges details from her past and weaves an intricate tale from which she has difficulty untangling herself, even as the stakes of her confession mount. Playwright Aaron Mark was awarded a commission through the Audible Emerging Playwrights Fund, an initiative dedicated to developing innovative original plays driven by language and voice. As an Audible commissioned playwright, he received funding and creative support to develop Vanishing Negative.Portions of this audiobook contain mature language and themes. Listener discretion is advised.Experience this title in immersive 3D audio by setting your download quality to High within the app. Headphones recommended. For more, browse our entire collection of 3D audio listens.

    This book includes the following stories:The Colour Out of SpaceThe Picture in the HouseThe Call of CthulhuCool AirThe Whisper in DarknessThe Terrible Old ManThe Shadow Out of Time

    Discover a bold new way to raise a child in this unsettling story of the near future by the New York Times bestselling author of A Gentleman in Moscow.When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.Amor Towles’s You Have Arrived at Your Destination is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    The new quantum computer system is foolproof. But someone on the inside is no fool. For once the odds may not favor the house—unless human ingenuity isn’t entirely a thing of the past.Andy Weir’s Randomize is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Take old man Donegal, for example. Most of his adult life was spent in digging a hole through space to learn what was on the other side. Would he go out the same way?Play Duration: 00:38:25 Down load file sizes[mp3@64kbps - 18.4MB][mp3@128kbps - 36.8MB]Public Domain stories from Project Gutenberg, that are read by volunteers. First published in Amazing Stories

    It was the Professor's Wife, always a perceptive hostess, came to her husband's rescue by saying, "Top of the stairs, end of the hall, last door."Oddly enough, it was the start of a puzzling and all but unspeakable misadventure. As it were.

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    After a high society electric-eel party leads to a duel that ends badly, Lord John Grey feels the need to lie low for a while. Conveniently, before starting his new commission in His Majesty’s army, Lord John receives an urgent summons. An old friend from the military, Charlie Carruthers, is facing court-martial in Canada, and has called upon Lord John to serve as his character witness. Grey voyages to the New World—a land rife with savages (many of them on his own side) and cleft by war—where he soon finds that he must defend not only his friend’s life but his own.