When Simi accidentally sets up her cousin and a soon-to-be lawyer, her family is thrilled that she has the "gift."But Simi is an artist, and she doesn't want to have anything to do with relationships, helicopter parents, and family drama. That is, until she realizes this might be just the thing to improve her and her best friend Noah's social status. Armed with her family's ancient guide to finding love, Simi starts a matchmaking service-via an app, of course.But when she helps connect a wallflower of a girl with the star of the boys' soccer team, she turns the high school hierarchy topsy-turvy, soon making herself public enemy number one.

    It’s her senior year, anyway, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in no time the paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town. From the newly formed Parents Against Revisionist Theater to anonymous threats, long-held prejudices are being laid bare and hostilities are spreading against teachers, parents, and students — especially the cast members at the center of the controversy, including Lou’s little brother, who’s playing the Tin Man. As tensions mount at school, so does a romance between Lou and Joey — but as she’s learned, “dating while Native” can be difficult. In trying to protect her own heart, will Lou break Joey’s?

    He also wants to let his best friend, Danetta, know how he really feels about her. But as he is buying his first suit, an off-duty police officer mistakes a clothes hanger for a gun, and he shoots Alfonso.When Alfonso wakes up in the afterlife, he’s on a ghost train guided by well-known victims of police shootings, who teach him what he needs to know about this subterranean spiritual world. Meanwhile, Alfonso’s family and friends struggle with their grief and seek justice for Alfonso in the streets. As they confront their new realities, both Alfonso and those he loves realize the work that lies ahead in the fight for justice.In the first graphic novel for young readers to focus on police brutality and the Black Lives Matter movement, as in Hamlet, the dead shall speak—and the living yield even more surprises.Foreword by Bryan Stevenson, Executive Director of the Equal Justice Initiative and author of Just Mercy.

    The brutal murder of two teenage girls on the last day of Nora Cunningham's junior year in high school throws Nora into turmoil. Her certainties, friendships, religion, her prudence, her resolve to find a boyfriend taller than she is - are shaken or cast off altogether. Most people in Elmgrove, Maryland, share the comforting conviction that Buddy Novak, who had every reason to want his ex-girlfriend dead, is responsible for the killings. Nora agrees at first, then begins to doubt Buddy's guilt, and finally comes to believe him innocent - the lone dissenting voice in Elmgrove.Told from several different perspectives, including that of the murderer, Mister Death's Blue-Eyed Girls is a suspenseful page-turner with a powerful human drama at its core.

    She knows the exact number because she keeps a list. Like #95: Because her skin is so dark, people call her charcoal and eggplant—even her own family. And #61: Because her family is always being put out of their house, belongings laid out on the sidewalk for the world to see. When Genesis reaches #100 on the list of things she hates about herself, will she continue on, or can she find the strength to begin again?

    With graduation behind her, she’s more than ready for a break from her family—and from Mamma’s inexplicable obsession with her finding the “Ideal Indian Husband.” Ugh. Dimple knows they must respect her principles on some level, though. If they truly believed she needed a husband right now, they wouldn’t have paid for her to attend a summer program for aspiring web developers…right?Rishi Patel is a hopeless romantic. So when his parents tell him that his future wife will be attending the same summer program—wherein he’ll have to woo her—he’s totally on board. Because as silly as it sounds to most people in his life, Rishi wants to be arranged, believes in the power of tradition, stability, and being a part of something much bigger than himself.The Shahs and Patels didn’t mean to start turning the wheels on this “suggested arrangement” so early in their children’s lives, but when they noticed them both gravitating toward the same summer program, they figured, Why not?Dimple and Rishi may think they have each other figured out. But when opposites clash, love works hard to prove itself in the most unexpected ways.

    In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.

    Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous–it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.

    In another life we might have all been friends together. But this was Birchwood. As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients. Ella has joined the seamstresses of Birkenau-Auschwitz. Every dress she makes could be the difference between life and death. And this place is all about survival. Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration wth her captors, or is it a means of staying alive?Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose?One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.

    In the early 1980s Ada and Stefan are young, would-be lovers living on opposite sides of the Berlin Wall--Ada lives with her mother and grandmother and paints graffiti on the Wall, and Stefan lives with his grandmother in the East and dreams of escaping to the West.

    But Scott's dad is the only one in the neighborhood who actually prepares for the worst. As the neighbors scoff, he builds a bomb shelter to hold his family and stocks it with just enough supplies to keep the four of them alive for two critical weeks. In the middle of the night in late October, when the unthinkable happens, those same neighbors force their way into the shelter before Scott's dad can shut the door. With not enough room, not enough food, and not enough air, life inside the shelter is filthy, physically draining, and emotionally fraught. But even worse is the question of what will—and won't—remain when the door is opened again. Internationally best-selling author Todd Strasser has written his most impressive and personal novel to date, ruthlessly yet sensitively exploring the terrifying what-ifs of one of the most explosive moments in human history.

    In this new nation, safety for all depends on the work of a few, and laws like the Native and Negro Reeducation Act require certain children attend combat schools to learn to put down the dead. But there are also opportunities—and Jane is studying to become an Attendant, trained in both weaponry and etiquette to protect the well-to-do. It’s a chance for a better life for Negro girls like Jane. After all, not even being the daughter of a wealthy white Southern woman could save her from society’s expectations.But that’s not a life Jane wants. Almost finished with her education at Miss Preston’s School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn’t pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose. But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems.

    But as the vengeful Friar Lucien hunts down his heretic, the two girls find themselves putting an entire village at the mercy of murderers.

    One problem: Wells's father is Jack Henderson, America's most famous conservative shock jock...and Allie hasn't told Wells that her family is Muslim. It's not like Allie's religion is a secret, exactly. It's just that her parents don't practice and raised her to keep her Islamic heritage to herself. But as Allie witnesses ever-growing Islamophobia in her small town and across the nation, she begins to embrace her faith—studying it, practicing it, and facing hatred and misunderstanding for it. Who is Allie, if she sheds the façade of the "perfect" all-American girl? What does it mean to be a "Good Muslim?" And can a Muslim girl in America ever truly fit in? ALL-AMERICAN MUSLIM GIRL is a relevant, relatable story of being caught between two worlds, and the struggles and hard-won joys of finding your place.

    Now there’s just the cramped place he shares with his alcoholic grandpa, a new school, and the dreaded routine of school. But that’s before Travis meets Mr. McQueen, who doesn’t take "pass" for an answer—a rare teacher whose savvy persistence has Travis slowly unlocking a book on the natural world. And it’s before Travis is noticed by Velveeta, a girl whose wry banter and colorful scarves belie some hard secrets of her own. With sympathy, humor, and disarming honesty, Pat Schmatz brings to life a cast of utterly believable characters—and captures the moments of trust and connection that make all the difference.