Growing up after World War I and the collapse of the empire, Rezzori lived in a twilit world suspended between the formalities of the old nineteenth-century order which had shaped his aristocratic parents, and the innovations, uncertainties, and raw terror of the new century. The haunted atmosphere of this dying world is beautifully rendered in the pages of The Snows of Yesteryear. The book is a series of portraits—amused, fond, sometimes appalling—of Rezzori’s family: his hysterical and histrionic mother, disappointed by marriage, destructively obsessed with her children’s health and breeding; his father, a flinty reactionary, whose only real love was hunting; his haughty older sister, fated to die before thirty; his earthy nursemaid, who introduced Rezzori to the power of storytelling and the inevitability of death; and a beloved governess, Bunchy. Telling their stories, Rezzori tells his own, holding his early life to the light like a crystal until it shines for us with a prismatic brilliance

    More men died in the Crimean War than in the American Civil War which followed soon after, but while the Civil War has been the subject of countless books, articles, and movies, the Crimean War has been virtually ignored.Part of the reason for this is that the causes of the Crimean War are not well understood. Just what made four empires go to war in the Black Sea in 1854? The outcome of the war was also partly responsible; it can be argued that the Crimean War changed nothing and that it is not at all clear why and for what half a million men died. Even the name by which this war is now known was not used at the time; until the twentieth century, this war was known in Britain as the Russian War.Yet the Crimean War is important for a number of reasons. Although it did not change the map of Europe and did not directly cause the fall of any of the combatants, it did indirectly shape the second half of the nineteenth century and the early years of the twentieth century in Europe. This war also introduced newspaper reporters and photographers who provided regular dispatches direct from the battlefield, something that became a feature of virtually every war which followed. The presence of these reporters gave the public some idea, almost for the first time, of what war was really like for the men who fought it.Although the Crimean War did not fundamentally change the world, nothing would be quite the same after its conclusion. This is the story of the Crimean War.Discover a plethora of topics such asThe March to WarThe Charge of the Light BrigadeDeath, Disease, and the Lady with the LampInkerman and the Death of the TsarThe Naval WarThe Fall of SevastopolAnd much more!

    A gasp of pleasure. The exquisite danger of nakedness...In Little Deaths some of the most gifted writers inside and outside the horror genre have come together to peer into this realm of desire and dread, love and violence, tenderness and shame in a stunning collection that takes its title from the French phrase for orgasm: le petit mort.The lady of situations / Stephen Dedman --Hungry skin / Lucy Taylor --Becky lives / Harry Crews --The swing / Nicholas Royle --Lover doll / Wayne Allen Sallee --The careful geometry of love / Kathe Koja and Barry N. Malzberg --The pain barrier / Joel Lane --Ménage à trois / Richard Christian Matheson. On Amen's shore / Clive Barker --Fever blisters / Joyce Carol Oates --An outside interest / Ruth Rendell --And Salome danced / Kelley Eskridge --That old school tie / Jack Womack --Ice palace / Douglas Clegg --Serial monogamist / Pat Cadigan --Dying in Bangkok / Dan Simmons

    H. Auden first published in 1952, and the title work of a collection of poems by Auden, published in 1955. It is Auden's response to the detailed description, or ekphrasis, of the shield borne by the hero Achilles in Homer's epic poem the Iliad.The poem is the title work of The Shield of Achilles, a collection of poems in three parts, published in 1955, containing Auden's poems written from around 1951 through 1954. It begins with the sequence "Bucolics", then miscellaneous poems under the heading "In Sunshine and In Shade", then the sequence Horae Canonicae.It won the U.S. National Book Award for Poetry in 1956.

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    England vs. Scotland - winner-takes-all for the Five Nations Grand Slam, the biggest prize in northern hemisphere rugby. Will Carling's England are the very embodiment of Margaret Thatcher's Britain - snarling, brutish and all-conquering. Scotland are the underdogs - second-class citizens from a land that's become the testing ground for the most unpopular tax in living memory: Thatcher's Poll Tax. Fifteen men in blue jerseys are plotting the downfall of the English oppressors. In Edinburgh, nationalism is rising high - what happens in the stadium will resound far beyond the pitch.The Grudge brilliantly recaptures a day that has gone down in history as a great day for Scotland. This is the real story of an extraordinary game, told with astounding insight and almost unprecedented access to key players, coaches and supporters on both sides (Will Carling, Ian McGeechan, Brian Moore and the rest). Tom English has produced a gripping account of a titanic struggle that thrusts the reader right into the heart of the action. Game on.

    In fact, says Ann M. Blair in this intriguing book, the invention of the printing press and the ensuing abundance of books provoked sixteenth- and seventeenth-century European scholars to register complaints very similar to our own. Blair examines methods of information management in ancient and medieval Europe as well as the Islamic world and China, then focuses particular attention on the organization, composition, and reception of Latin reference books in print in early modern Europe. She explores in detail the sophisticated and sometimes idiosyncratic techniques that scholars and readers developed in an era of new technology and exploding information.

    For hundreds of years, Bulgarian Gypsies trained bears to dance, welcoming them into their families and taking them on the road to perform. In the early 2000s, with the fall of Communism, they were forced to release the bears into a wildlife refuge. But even today, whenever the bears see a human, they still get up on their hind legs to dance.In the tradition of Ryszard Kapuściński, award-winning Polish journalist Witold Szablowski uncovers remarkable stories of people throughout Eastern Europe and in Cuba who, like Bulgaria's dancing bears, are now free but who seem nostalgic for the time when they were not. His on-the-ground reporting--of smuggling a car into Ukraine, hitchhiking through Kosovo as it declares independence, arguing with Stalin-adoring tour guides at the Stalin Museum, sleeping in London's Victoria Station alongside a homeless woman from Poland, and giving taxi rides to Cubans fearing for the life of Fidel Castro--provides a fascinating portrait of social and economic upheaval and a lesson in the challenges of freedom and the seductions of authoritarian rule.

    Newly revised in the light of the recent developments in Baltic and Northern medieval research, this authoritative overview provides a balanced and compelling account of a tumultuous era.