Verbatim reports of speeches by leaders, and comments of bystanders—set against an idealized backdrop of the proletariat united with soldiers, sailors, and peasants—are balanced by passionate narratives describing the fall of the provisional government, the assault on the Winter Palace, and Lenin's seizure of power.Accompanied by contemporaneous photographs, this gripping record by a western journalist has been acclaimed worldwide since its first publication in 1919. Endorsed by Lenin as a "truthful and most vivid exposition," the work was the basis for the Academy Award-winning 1981 film Reds.

    Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration--a love story that relates the daily struggle to keep both love and art alive in the most desperate of circumstances.

    Alexander Liberman, the ambitious son of a prominent Russian Jew, was a gifted magazine editor and aspiring artist. As part of the progressive artistic Russian emigré community living in Paris in the 1930s, the two were destined to meet. They began a passionate affair, and the year after Paris was occupied in World War II they fled to New York with Tatiana's young daughter, Francine.There they determinedly rose to the top of high society, holding court to a Who's Who list of the midcentury's intellectuals and entertainers. Flamboyant and outrageous, bold and brilliant, they were irresistible to friends like Marlene Dietrich, Salvador Dalí, and the publishing tycoon Condé Nast. But to those who knew them well they were also highly neurotic, narcissistic, and glacially self-promoting, prone to cut out of their lives, with surgical precision, close friends who were no longer of use to them.Tatiana became an icon of New York fashion, and the hats she designed for Saks Fifth Avenue were de rigueur for stylish women everywhere. Alexander Liberman, who devotedly raised Francine as his own child from the time she was nine, eventually came to preside over the entire Condé Nast empire. The glamorous life they shared was both creative and destructive and was marked by an exceptional bond forged out of their highly charged love and raging self-centeredness. Their obsessive adulation of success and elegance was elevated to a kind of worship, and the high drama that characterized their lives followed them to their deaths. Tatiana, increasingly consumed with nostalgia for a long-lost Russia, spent her last years addicted to painkillers. Shortly after her death, Alexander, then age eighty, shocked all who knew him by marrying her nurse.Them: A Portrait of Parents is a beautifully written homage to the extraordinary lives of two fascinating, irrepressible people who were larger than life emblems of a bygone age. Written with honesty and grace by the person who knew them best, this generational saga is a survivor's story. Tatiana and Alexander survived the Russian Revolution, the fall of France, and New York's factory of fame. Their daughter, Francine, survived them.

    Frank Rich in "The New York Times" wrote about "Prelude," "It is rare to find a play so suffused with sorrow that sends one home so high." Also included are "Missing Persons," "a truly intelligent play, one that is literary and heartfelt, beautifully written...a well-crafted, moving story, a dramatic rarity in these or any times "("New York Post"), and "Three Postcards," an offbeat and uniquely imaginative free form musical play. Craig Lucas is also the author of "Reckless and Blue Window" and "What I Mean Was." He lives in Putnam Valley, New York.

    The pieces include: FIGHTING BACK: in 1993, a brutal serial killer terrorized Allentown, PA. On a warm, summer night, he attacked Denise Sam-Cali, raped her and left her for dead. She lived, and she fought back, helping to trap a serial killer. But Sam-Cali’s courageous battle didn’t end when the predatory monster was tried and convicted. THE MOTHER WHO LOVED TOO MUCH: Janet Ward, a teacher and mother, catered to her teenage daughter, Maggie. Yet in a jailhouse interview Maggie confessed to me in shocking detail why and how she raised a gun to her mother’s head and pulled the trigger. Every parent’s nightmare, this is a case that will leave you questioning.A FATHER’S MORTAL SIN: 2-year-old Renee Goode died mysteriously while on a court-ordered visitation with her father. Police said the seemingly healthy child had inexplicably succumbed to illness. Renee’s mother and grandmother mounted their own investigation, pulling together the elements that led to the conclusion that Renee had been murdered.

    The gulag memoirs of a brave woman, a distinguished dissident and poet--Ratushinskaya gives her account of the four years she spent in a "strict regime" labor camp at Barashevo, where she endured several types of abuse.

    Lawrence's inner life and his historically significant actions. Extensive research provides the basis for Mack's sensitive investigation of the psychological dimensions of Lawrence's personality and with the history, sociology, and politics of his time. 27 photos.

    Carpenter’s father, George—a back-to-the-land homesteader and troubled Korean War veteran—has spent decades battling his inner demons while largely absenting himself from his children’s lives. Though George is ultimately found, Carpenter is forced to confront the truth: her time with her dad—now seventy-three years old—is limited, and the moment to restore their relationship is now. Gone Feral is the story of Carpenter’s search for her parents’ broken past in the harsh wilds of Idaho.The story starts in San Miguel de Allende in 1969, where Carpenter’s free-spirited parents meet and fall in love. Their whirlwind romance continues through Europe and ends on 180 acres near Idaho’s Clearwater River. Carpenter and her sister are born into a free, roaming childhood, but soon the harsh reality of living on the land—loneliness, backbreaking labor—tears the family apart. Carpenter’s mother packs the girls and heads for the straight life in Washington State while George remains on the ranch, tied to the land and his vision of freedom.In Gone Feral, Carpenter—now a grown woman leading an untraditional life, not unlike her parents’, raising livestock and growing vegetables in the city—finds herself contemplating a family of her own. Before that can happen, she knows she has to return to Idaho to discover why her father chose this life of solitude. She quickly finds that George is not living the principled, romantic life she imagined, and the truth is more com-plicated—and dangerous—than anything she suspected. As she comes to know the real George, Carpenter looks to her own life and comes to recognize her father’s legacy in their shared love of animals, of nature, and of the written word; their dangerous stubbornness and isolating independence. Finally, Gone Feral sees the birth of Carpenter’s own daughter, an experience that teaches that a parent’s love is itself a wild thing: unknowable, fierce, and ever changing. In reckoning with her past, Carpenter clears the road to her future.Raw, funny, unsentimental, alive with unforgettable characters and pitch-perfect dialogue, Gone Feral marks Carpenter’s transformative passage from daughter to mother, a wry and rough tale of life lived on the margins and redemption between generations.

    These are the portraits of today's tongue-in-cheek masculinity, as conceived by Emmy Award-winning director and photographer Robert Trachtenberg. Red-Blooded American Male presents 100 of his most imaginative, striking, and unconventionally sexy portraits of both celebrities and regular guys going about their thoroughly modern lives. No longer do men have to be serious businessmen or hunky firefighters to be deemed attractive--they can also ride tricycles and get pedicures. Revealing a surprising (and often self-deprecating) side to Mel Brooks, Seth Rogan, Jimmy Fallon, Jerry Seinfeld, Jon Hamm, Conan O'Brien, and more, this gorgeous coffee-table book features an introduction about male images and stereotypes plus pithy captions about each photo's shoot, giving readers a peek behind the curtain of a famed portrait photographer's creative process.

    When Kevin and Jeff die within nine months of one another—Kevin, a student enrolled in the University of Kentucky’s Reserve Officers’ Training Corps program, commits suicide and Jeff, who served in the Army as a second lieutenant, dies as a result of an IED attack in Iraq—Mark and his wife Carol find themselves reeling after the loss of two of their three children. As they begin to gather their bearings and contemplate a life without their sons, they must also come to terms with the terrible stigma that surrounds suicide in the military. This stigma is brought into high relief through the Grahams’ own experience of how their tight-knit military community marked their sons’ very different deaths. The Grahams commit themselves to fighting the military’s suicide epidemic and making sure that the families of troops who take their own lives receive the dignity and compassion that were the hallmarks of both of their sons’ lives. The Invisible Front is the story of their quest to do so. As Mark ascends the military hierarchy and eventually takes command of Fort Carson, Colorado—a sprawling base with one of the highest suicide rates in the armed forces—the Grahams assume a larger platform from which to work to reduce the stigma that surrounds mental health in the military and to develop new ways of keeping troubled troops from killing themselves. Their efforts put them in direct conflict with an entrenched military bureaucracy that considered mental health problems to be a display of weakness and that refused to acknowledge, until far too late, the severity of its suicide problem. The Grahams refuse to back down, using the pain and grief that their sons’ deaths inspired to fight to change the institution that is the cornerstone of their lives.  Yochi Dreazen, an award-winning journalist who has covered the military since 1999, has been granted remarkable access to the Graham family and, as a result, is able to tell the story of Kevin and Jeff’s legacy in the full context of America’s two long wars. The Invisible Front places the Graham family’s story against the backdrop of the military’s suicide spike, caused in part by the military’s own institutional shortcomings and its resistance to change. With great sympathy and deep understanding, The Invisible Front examines America's problematic treatment of its soldiers and offers the Graham family’s work as a new way of understanding how to minimize the risk of suicide, substance abuse and PTSD in the military.

    Enchantingly written and stunningly informed, this "audaciously brilliant romp through the world of romantic love" (Washington Post Book World) is the next best thing to love itself.

    Journalist Victor Sebestyen witnessed much of the 1989 fall of the Soviet empire at first hand, and in this book, he reassesses this decisive moment in modern history.

    It had literally been "a bridge too far". This book consists of interviews, research of British and Polish airborne forces involved in Arnhem, German forces and Dutch civilians caught up in the battle. The book attempts to cover the wider scene of the American airborne landings and the attempt by ground forces to reach Arnhem.

    Today, these brutal events are symbolized by one word, Katyn—a crime that still bitterly divides Poles and Russians. Paul’s richly updated account covers Russian attempts to recant their admission of guilt for the murders in Katyn Forest and includes recently translated documents from Russian military archives, eyewitness accounts of two perpetrators, and secret official minutes published here for the first time that confirm that U.S. government cover-up of the crime continued long after the war ended.Paul’s masterful narrative recreates what daily life was like for three Polish families amid momentous events of World War II—from the treacherous Nazi-Soviet invasion in 1939 to a rigged election in 1947 that sealed Poland’s doom. The patriarch of each family was among the Polish officers personally ordered by Stalin to be shot. One of the families suffered daily repression under the German General Government. Like thousands of other Poles, two of the families were deported to Siberia, where they nearly died from forced labor, starvation, and neglect. Through painstaking research, the author reconstructs the lives of these families including such stories as a miraculous escape on the last transport of Poles leaving Russia and a mother’s daring ski trek over the Carpathian Mountains to rescue a daughter she had not seen in six years. At the heart of the drama is the Poles’ uncommon belief in “victory in defeat”—that their struggles made them strong and that freedom and independence, inevitably, would be regained.

    In this panoramic vision of the Soviet Great Terror, the investigation leads all over the world, netting a whole series of suspects whose only connection is their innocence—at least of the crime of which they stand accused. But The Case of Comrade Tulayev, unquestionably the finest work of fiction ever written about the Stalinist purges, is not just a story of a totalitarian state. Marked by the deep humanity and generous spirit of its author, the legendary anarchist and exile Victor Serge, it is also a classic twentieth-century tale of risk, adventure, and unexpected nobility to sit beside Ernest Hemingway's For Whom the Bell Tolls and André Malraux's Man's Fate.