Edited by the award-winning, best-selling author Richard Russo, this year’s collection boasts a satisfying “chorus of twenty stories that are by turns playful, ironic, somber, and meditative” (Wall Street Journal). With the masterful Russo picking the best of the best, America’s oldest and best-selling story anthology is sure to be of “enduring quality” (Chicago Tribune) this year.

    It took only twenty-two minutes for Kirby Matheson to exit his car, march onto the school grounds, enter the gymnasium, and open fire, killing six and injuring five others. But this isn’t a story about the shooting itself. This isn’t about recounting that one unforgettable day. This is about one boy—who had friends, enjoyed reading, playing saxophone in the band, and had never been in trouble before—became a monster capable of entering his school with a loaded gun and firing bullets at his classmates. Each chapter is told from a different victim’s viewpoint, giving insight into who Kirby was and who he’d become. Some are sweet, some are dark; some are seemingly unrelated, about fights or first kisses or late-night parties. This is a book told from multiple perspectives—with one character and one event drawing them all together—by some of YA’s most recognizable names.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    Robert Swartwood was inspired by Ernest Hemingway's possibly apocryphal six-word story—"For Sale: baby shoes, never worn"—to foster the writing of these incredibly short-short stories. He termed them "hint fiction" because the few chosen words suggest a larger, more complex chain of events. Spare and evocative, these stories prove that a brilliantly honed narrative can be as startling and powerful as a story of traditional length. The 125 gemlike stories in this collection come from such best-selling and award-winning authors as Joyce Carol Oates, Ha Jin, Peter Straub, and James Frey, as well as emerging writers.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    Epik High leader Tablo's short stories weave together the secrets and anxieties of youth, whispering words of solace to a lost generation.

    Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision.Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.

    Fiona was always destined to leave, her effortless beauty burnished by fierce ambition--qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father's sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other's lives, their friendship both a beacon of home and a reminder of all they've lost.In stories told in alternating voices, Jean Chen Ho's debut collection peels back the layers of female friendship--the intensity, resentment, and boundless love--to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back.Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    Her butter-colored hair and perfect features have helped her attract friends, a boyfriend, and the attention of a modeling scout. But everything changes the night Lexi's face goes through a windshield. Now she's not sure what's worse: the scars she'll have to live with forever, or what she saw going on between her best friend and her boyfriend right before the accident. With the help of her trombone-playing, defiantly uncool older sister and a guy at school recovering from his own recent trauma, Lexi learns she's much more than just a pretty face.

    Tom D'Cruz, the Dashing Athletic Hero. Yeo Chung Kai is Mr Outstandingly Average while Sissy Song and Loo Kok Sean are the Princess of PJC and the Aspiring College Cassanova respectively.Who will melt the Ice Cream Girl?Who or what will sort out this mess? Will it be1. The Teenage Textbook?2. Dr E. Sopramaniam, MA (East Anglia), PhD (Calcutta)?3. Irene Pates, Dear Adam, Paik Choo's Problem Page, the editors of Female Magazine and Mills & Boon?4. Who cares!?The answers to these and many other earth-(or should we say), milk-shaking problems, are here, as the Ice Cream Girl decides to make a clean breast of it."I've Passed Teenhood."

    Each story is less than 55 words long - ideal for the beach, bus , train, anywhere.

    These are but some of the men and women who fill this searingly imaginative and emotionally taut collection of short stories by Mark Haddon, that weaves through time and space to showcase the author's incredible versatility.     Yet the collection achieves a sum that is greater than its parts, proving itself a meditation not only on isolation and loneliness but also on the tenuous and unseen connections that link individuals to each other, often despite themselves. In its titular story, the narrator describes with fluid precision a catastrophe that will collectively define its victims as much as it will disperse them—and brilliantly lays bare the reader's appetite for spectacle alongside its characters'. Cut with lean prose and drawing inventively from history, myth, fairy tales, and, above all, the deep well of empathy that made his three novels so compelling, The Pier Falls reveals a previously unseen side of the celebrated author.

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    Henry, throughout its history this annual collection has consistently offered a remarkable sampling of contemporary short stories. Each year, stories are chosen from large and small literary magazines, and a panel of distinguished writers is enlisted to make the final selection. The result is a superb collection of inventive, full-bodied stories representing the very best in American and Canadian fiction.