A short story written for Halloween

    A deadly pandemic throttles the globe. Democracy has crumbled. Armed gangs of militant protestors stalk the streets. Amidst this waking nightmare, a new horror develops. The virus is mutating.Dan Lewis's wife is sick. When he receives a call from the hospital, he's prepared for the worst. Or so he thought. Because that call plunges Dan into an unending spiral of insanity and depravity. Now, he must fight his way through the battle-scarred streets of New York City to find his wife, unprepared for what awaits him out there...in the shadows.Grim and terrifying, but laced with gallows humor and surprising heart, THE BLOOD BEAST MUTATIONS is an all-too-relatable story of courage and gruesome horror.

    Each writer will explore a different facet of the post-apocalyptic world, so readers will be treated to a wide and variety of action-adventure short stories.

    Army Ranger, until an unfortunate incident forced him out of the service. He is soon hired by the Foundation for Undocumented Biological Investigation and given a new mission, to search for cryptids, creatures whose existence has not been proven by mainstream science. Teaming up with the daring and beautiful wildlife photographer Karen Thatcher, they must stop a sea monster's deadly rampage along the Jersey Shore. But that's not the only danger Rastun faces. A group of murderous animal smugglers also want the creature. Rastun must utilize every skill learned from years of fighting, otherwise, his first mission for the FUBI might very well be his last.

     Human nations have been thrown into competition for the resources of nearby star systems. The Russian Star Federation decides to make a move for one of humanity's most important colonies. Returning home after a training exercise, Captain Jonathan Somerville and his ship HMS Achilles stumble into the middle of the warzone. Stranded behind enemy lines, the crew of Achilles must fight their way through occupied territory if they are to link up with coalition forces and help turn back the invaders. Stand into Danger is a military science fiction novella and introduction to the Empire Rising military sci-fi series.

    Included are: Introduction (The Second Cthulhu Mythos Megapack) • essay by Shawn Garrett Dreams of Yith • (1934) • poem by Duane W. Rimel and H. P. Lovecraft Out of the Aeons • short fiction by Hazel Heald and H. P. Lovecraft (variant of Out of the Eons 1935) Fishhead • (1913) • short story by Irvin S. Cobb When Chaugnar Wakes • (1932) • poem by Frank Belknap Long The Mound • (1940) • novella by H. P. Lovecraft and Zealia Bishop The Thing on the Roof • (1932) • short story by Robert E. Howard The Isle of Dark Magic • (1934) • novelette by Hugh B. Cave The Secret in the Tomb • (1935) • short story by Robert Bloch The Horror from the Hills • (1931) • novella by Frank Belknap Long The Terrible Parchment • (1937) • short story by Manly Wade Wellman The Shambler from the Stars • (1935) • short story by Robert Bloch The Diary of Alonzo Typer • (1938) • short story by H. P. Lovecraft and William Lumley Hydra• (1939) • short story by Henry Kuttner The Suicide in the Study • (1935) • short story by Robert Bloch Marmok • (1940) • poem by Emil Petaja The Intruder • (1940) • short story by Emil Petaja Out of the Jar • (1941) • short story by Charles R. Tanner [as by Charles A. Tanner] Skydrift • (1949) • short story by Emil Petaja Anonymous • (1951) • short story by George T. Wetzel Why Abdul Alhazred Went Mad • (1950) • short story by D. R. Smith (variant of Why Abdul Al Hazred Went Mad) Caer Sidhi • (1954) • short story by George T. Wetzel Dead of Night • (1988) • short story by Lin Carter Death of a Damned Good Man • (1991) • short story by Avram Davidson Medusa's Coil • short fiction by Zealia Bishop and H. P. Lovecraft [as by Howard Phillips Lovecraft and Zealia Bishop] Perchance to Dream • (1988) • short story by Lin Carter The Winfield Heritence • short fiction by Lin Carter (variant of The Winfield Heritance 1981) The Challenge from Beyond • (1935) • short story by C. L. Moore and A. Merritt and H. P. Lovecraft and Robert E. Howard and Frank Belknap Long The Last Horror Out of Arkham • (1977) • short story by Darrell Schweitzer If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

    The skies have gone rogue. Space can't be tamed. And magic is a law unto itself. Transport yourself to new worlds where dark magic clashes with witty witches, diabolic demons, feisty fae, and sexy shifters. Or travel through time and space with cosmic spies, space thieves, and telepathic pirates. Add in a dash of Victorian heroes and inhuman soldiers, and you have a one-of-a-kind science fiction and fantasy collection of intoxicating proportions. Fans of Terry Pratchett, Douglas Adams, Neil Gaiman, Anne McCaffrey, John Scalzi or Sarah J. Maas, Leigh Bardugo, Tamora Pierce, Lois Lowry, and Maria V. Snyder will find themselves transported to weird realms and epic otherworlds in this reality-optional boxset. Rogues and Rebels, Magic and Mayhem, Futures and Fantasy—there's no limit to the excitement that awaits when you turn the pages of this collection of spellbinding adventures from some of today's best-selling Science Fiction and Fantasy authors. 1-click ROGUE SKIES today! With stories by... Missy De Graff Bella Andrews Ashlee Nicole Bye Emma Jane Holloway Candace Sams Melinda Kucsera Jennifer Ellision Mirren Hogan USA Today bestselling author Suzanne Jenkins Brantwijn Serrah USA Today bestselling author Shereen Vedam C.L. Cannon S.A. McClure Karen M. Bryson & Candace Segar Rae Hendricks & Lianne Willowmoon Lee French Tamsin Baker Joynell Schultz Tracy Korn Shannon Pemrick Suzanne Hagelin Nadine Travers Cecilia Dominic Bill Hargenrader Jason J. Nugent

     Imagine a perfect society. A world with no racism, sexism, or ageism. A utopia. In Utopia 58, everyone is equal. Everyone must be equal. Too beautiful? A mask will hide that pretty face. Too tall? We'll saw your legs down to size. Too male or female? The surgeon's knife will fix that. Too smart? A buzzer in your skull will drown out all that pesky thinking. You will be equal. Like it or not. Utopia 58, built atop the ruins of North America, created perfect harmony. A society with no race, gender, or age. Pure equality. KB209 was born into this utopia. He has no true name. No past. No future. He is one among millions. The same. One day, at a propaganda rally, KB209 glimpses an act of startling defiance. A citizen with painted toenails. A woman in a genderless society. Color in a black and white world. When KB209 confronts her, he is drawn into an underground rebellion. A movement that dares to dream. That dares to say: "We are unique. We are individuals. We will be free!" "1984 for the 21st century." - Richard Fox, bestselling author of The Ember War

    To address concerns that the moon’s barren rock may not hold long-term allure for an uber-wealthy clientele, the company’s charismatic owner reveals to the group the ultimate discovery: life on the moon. But what is initially a triumphant and world-changing moment soon gives way to unrelenting terror as the team experiences firsthand that despite their technological prowess, the moon still holds many secrets.

    Entire neighborhoods drown in mud, glass rains from the sky, birds speak gibberish, and parents of young children disappear. Millions starve while others grow coats of mold. But a few are able to survive and find a light in the aftermath, illuminating what we’ve become. In "The Disappeared", a father is arrested for missing free throws, leaving his son to search alone for his lost mother. A boy swells to fill his parents’ ransacked attic in "The Ruined Child". Rendered in a variety of narrative forms, from a psychedelic fable to a skewed insurance claim questionnaire, Blake Butler’s full-length fiction debut paints a gorgeously grotesque version of America, bringing to mind both Kelly Link and William H. Gass, yet imbued with Butler's own vision of the apocalyptic and bizarre.

    Lovecraft, the most-fevered mind of 20th century horror and weirdness! These weird tales blend horror, science-fiction and fantasy to weave stories of darkness and terror that will alternately leave you checking dark spaces for hidden horrors and wondering at the nature of reality itself. From the horror/mystery of The Altar in the Hills to the private confessions and revelations of one of mankind's most brilliant minds in Through the Ether, these seven stories bring with them Old Gods, strange twists and interesting characters that will both surprise and delight fans of horror fiction.

    Three soldiers.One Farm.Thousands of stenches.This won't end well...

    Here are 25 stories (plus a bonus interview with best-selling author George R.R. Martin) by some of the field's greatest authors. Included are:THE TRUE DARKNESS, by Pamela SargentPERMANENT FATAL ERRORS, by Jay LakeADJUSTMENT TEAM, by Philip K. DickROBOTS DON’T CRY, by Mike ResnickNO GREAT MAGIC, by Fritz LeiberESCAPE HATCH, by Brenda W. CloughBACKLASH, by Winston K. MarksTHE PICK-UP, by Lawrence Watt-EvansPOPULATION IMPLOSION, by Andrew J. OffuttWAY DOWN EAST, by Tim SullivanTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: 28, by Grendel BriartonTO INVADE NEW YORK, by Irwin LewisTHEY WERE THE WIND, by C.J. HendersonSTOPOVER, by William GerkenCONSEQUENCES OF STEAM, by Michael HemmingsonOUTSIDE LOOKING IN, by Mark E. BurgessDEAD WORLD, by Jack DouglasNEFERTITI'S TENTH LIFE, by Mary A. TurzilloQUICKSILVER, by Lonni LeesAFTER ALL, by Robert ReginaldTHE BARBARIANS, by Algis BudrysEX MACHINA, by Cynthia WardMONKEY ON HIS BACK, by Charles V. De VetTHE SURVIVORS, by Tom GodwinTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: 99, by Grendel BriartonSPEAKING WITH GEORGE R.R. MARTIN: Interview conducted by Darrell SchweitzerAnd don't forget to search this ebook store for "Wildside Megapack" to see more entries in this series, covering classic authors and subjects like mysteries, science fiction, westerns, ghost stories -- and much, much more!

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Season One of This Plague of Days was The Siege. Season Two was The Journey. Season Three is The War. Strap in for the zombie saga finale you won't regret and can't forget.Three plagues spread around the earth. The Apocalypse killed billions as new, deadly species were born. Jaimie Spencer, a strange boy from Kansas City, Missouri, is our unlikely champion. Strap in for the most unusual zombie apocalypse you'll ever read.The Walking Dead+ The Stand+ Stranger in a Strange Land= This Plague of DaysA huge adventure packed with humor, twists and suspense, Chute takes us on strange journeys, from humans versus each other and humans versus infected cannibals to exploring the nature of existence amid a war like you've never seen.˃˃˃ A Note to Readers of Seasons One and TwoThis Plague of Days was originally written as a television serial. Seasons One and Two were made available as novels, but also as episodes. Season Three is one big book, less expensive to purchase (and simpler to download) than buying each episode individually week by week. You asked for it, you got it!This Plague of Days, The Omnibus Edition by Robert Chazz Chute, is also available as an ebook.