The Major; "Don't mention the war!;" "He's from Barcelona;" Basil the Rat—everyone has a favorite line, moment, or character. In the first biography of the show, Graham McCann holds up to the light each of the unpredictable elements—the demented brilliance of John Cleese, his creative partnership with Connie Booth—that added up to an immortal sitcom, beloved all over the world, even in Barcelona.

    Each story goes off like a tiny depth charge in the mind, leaving you with the trace memory of some new urban myth - comic, absurd and disturbingly true.

    "Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"—Time Out "There are few stage authors writing more interestingly than Mark Ravenhill … He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism."—Financial Times Shopping and Fucking: "is a darkly humorous play for today's twenty-somethings … a real coup de theatre"—Nicholas de Jongh, Evening Standard Faust: "…an intelligent and witty reappropriation of the legend … alive, pertinent and disturbing"—Michael Coveney, Observer Handbag: "…combines urban grit with sly wit, and reveals Mark Ravenhill as a writer of real daring" —Daily Telegraph Some Explicit Polaroids: "laudably ambitious, pulsates with energy … very funny"—Financial Times

    Laugh with the actors, tap your feet to the music, and turn to your neighbor.

    The province has become synonymous with conflict, terrorism and tortuous efforts to forge peace. But what is life there really like? In this enchanting and highly original book Martin Fletcher presents a portrait of Northern Ireland utterly at odds with its dire international image. He paints a compelling picture of a place caught in a time warp since the 1960s, of a land of mountains, lakes and rivers where customs, traditions and old-world charm survive, of an incredibly resourceful province that has given the world not just bombs and bullets but the Titanic, the tyre and the tractor, a dozen American presidents, two prime ministers of New Zealand and a Hindu god. He meets an intelligent, fun-loving, God-fearing people who may do terrible things to each other but who could not be more welcoming to outsiders. He describes a land of awful beauty, a battleground of good and evil, a province populated by saints and sinners that has yet to be rendered bland by the forces of modernity.

    Wayne and Scout shoot to kill. In a single night they find out the hard way what's real and what's not, who's the hero and who's the villain. The USA watches slack-jawed as Bruce and Wayne together resolve some serious questions. Does Bruce use erection cream? Does art imitate life or does life simply imitate bad art? And most of all, does sugar-pie really love his honeybun?

    easily as funny, as self-deprecating and as wordly-wise as The Moon's a Balloon by David Niven ... it's like Tom and Jerry written by a Cockney Roddy Doyle on Prozac. But funnier' GQ Online on Going Off Alarming 'Rattles along at the same delightful and dizzying pace as its predecessor ... Baker loves a tale told at his own expense and they come thick and fast. He writes like he speaks, with hyperactive garrulity and a rhetorical flourish ... there is something about Baker in full flow that is affirming' Daily Telegraph on Going Off Alarming Danny Baker is a national treasure with a well-documented - thanks to the recent eight-part BBC TV adaptation - and colourful life. For over a quarter of a century he has amused and entertained audiences on both radio and television. Beginning his career at the age of 15 in a small record shop in the London's West End, Danny went on to become an acclaimed music journalist, and started his radio career on BBC GLR in 1989. With a unique take on life and a lot to say, Danny's latest book is full of his trademark warmth, wit and insight.

    Whether flying actresses to Italy, cricketers to the Sahara, or a cat to Abu Dhabi, no job is too small, but many, many jobs are too difficult. Carolyn Knapp-Shappey, MJN Air's formidable boss, has employed two of the very cheapest pilots money can buy: Captain Martin Crieff, who's always wanted to fly and won't let a little thing like lack of ability stop him, and First Officer Douglas Richardson, smooth-voiced old sky god and eternal schemer. Passenger service is provided by the relentlessly cheery Arthur, proud inventor of both Surprising Rice and his own hat. Written by John Finnemore (John Finnemore's Souvenir Programme, The Now Show), Cabin Pressure stars Stephanie Cole as Carolyn, Benedict Cumberbatch as Martin, Roger Allam as Douglas and John Finnemore as Arthur.

    

    And why, at Christmas, she wrote lengthy letters to Santa (note: letters, plural) begging him not to bring any surprises. Change was the enemy. But, as it turns out, one Stefanie hasn't been able to avoid. And, in spite of herself, one she has sometimes invited into her life.Here, in her first book, Stefanie looks at the ways in which her life has changed. From birthdays, friendships and how she celebrates the festive season, to social media (no FOMO here), the importance of asking WWNSD? (What Would Nicole Scherzinger Do?) when faced with big decisions, and her career as a writer, Why Can't Everything Just Stay the Same? is the hilarious and honest account of one woman's journey to and through adulthood, coping (sort of) with the terror, inevitability and beauty of change. 'It's Stefanie's life, but her struggles are universal. Insecurity? Check. Anger? Check. Weight issues? Big fat check. Stefanie shines a light on human frailty and human strength, proving they are not opposites, but often walk hand-in-hand ... an inspiring, thoroughly enjoyable book.' Nell Scovell, creator of Sabrina the Teenage Witch and author of Just the Funny Parts

    . . In the seedy environs of 1980s Glasgow, Scotland, it takes guts to be a cop. DI Luc Kidston has guts—though he also has a weak spot thanks to his fear of heights. Now he must focus on finding a samurai sword–wielding vigilante—and untangling the case of one of his protégés, who’s been arrested for allegedly putting a woman into a coma.Solving both problems will lead Kidston to take some unorthodox steps, including hiring a forensic hypnotist. It will also bring him into conflict with his own colleagues and lead him to fight for his life in a terrifying showdown . . .

    It's belly-laughing funny but it's also a hymn to the grand and complex game delivered with a narrative pace and ability I'm afraid most Test players don't have. For anyone who ever dreamed of excelling at a sport but never quite made it but still gave it your life, this is the story. A great read!' Tom Keneally'The Grade Cricketer has taken us so far inside a district club dressing room that you feel like a locker. Ligaments could not be closer to the bone than some of his observations.' Kerry O'Keeffe 'The Grade Cricketer is strange and, I suspect, brilliant'. Wisden

    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

    

    Two of them—The School for Scandal and The Rivals—are among the funniest in the English language.The Rivals, brimming with false identities and with romantic entanglements carried on amid a cloud of parental disapproval, satirizes the pretentiousness and sentimentality of the age. It features a cast of memorable characters, among them the lovely Lydia Languish, whose pretty head has been filled with nonsense from romantic novels; Capt. Jack Absolute, a young officer in love with Lydia; Sir Anthony Absolute, Jack's autocratic father; Sir Lucius O'Trigger, a fiery Irishman; and Jack's provincial neighbor, Bob Acres, a bumptious but lovable country squire in love with Lydia.Hoping to win Lydia's affection, Captain Jack woos the pretty miss by pretending to be a penniless ensign named Beverley, an act that nearly incites a duel with Acres. His actions also provoke serious objections from Lydia's aunt, Mrs. Malaprop, a misspeaking matron whose ludicrous misuse of words gave the English language a new term: malapropism. Ultimately, the hilarious complications are resolved in a radiant comic masterpiece that will entertain and delight theater devotees and students of English drama alike.