He has epilepsy.And, as it turns out, he has much bigger issues too.Esther falls. In love.It’s wonderful – but there’s a shadow that she can’t identify and she can’t make go away just by loving Luke.Luke’s experience has taught him to despise himself; Esther’s self-belief is fragile. And love is not as easy as it looks. Will they be still falling at the end of term?A story about the struggle it can be to love someone who doesn’t love themselves – and why it’s worth it.From the winner of Children’s Books Ireland Honour for Fiction, the CBI Children’s Choice Award and CBI Book of the Year Award for her previous novels Taking Flight and Grounded.

    Elizabeth’s mother rang her morning, noon and night. He’s driving me mad with his pepper talk, she said, I’ll crown him if he talks to me about the need for Vietnam to join the International Pepper Community and duties and postmen one more time! The cracks one begins to see in families.Flight is the story of four travellers as their journeys intersect one winter in Dublin.Sandrine, a Zimbabwean woman who has left her husband and son behind in the hope of making a better life for them in Ireland, is alone and secretly pregnant. She finds herself working as a carer for Tom and Clare, a couple whose travels are ending as their minds begin to fail. Meanwhile Elizabeth, their world-weary daughter, carries the weight of her own body’s secret.Set in Ireland in 2004 as a referendum on citizenship approaches, Flight is a magically observed story of a family and belonging, following the gestation of a friendship during a year of crisis. A story of arrival and departure, the newly found and the left behind, Flight is among a new breed of Irish novel – one that recognizes the global nature of Ireland experience in the late 20th century, and one that considers Ireland in the aftermath of the failed Celtic Tiger.

    "Love in the Tall Grass" takes Cordelia down a coastal road on the last day of the twentieth century to keep a date with her lover that has been nine years in the waiting. "Stay Close to the Water's Edge" tells of a young Harvard student who is pitilessly humiliated by his homophobic stepfather on his birthday. Keegan's writing has a clear vision of unaffected truths and boldly explores a world where dreams, memory, and chance have crippling consequences for those involved. The stories are often dark and enveloped in a palpable atmosphere, and the reader feels that something "big" is going on in each of these carefully sculpted tales. The award-winning Antarctica, a Los Angeles Times Best Book of 2001, and recipient of the prestigious Rooney Prize for Irish Literature, the William Trevor Prize, and the Martin Healy Award, is a haunting debut. "These stories are diamonds." -- Emily Robichaud, Esquire "That Keegan has a knack for storytelling is proved many times over...." -- Caitlin Macy, The New York Times Book Review "[These] stories ... show Keegan to be an authentic talent with a gimlet eye and a distinctive voice." -- Amanda Heller, The Boston Globe "Reading these stories is like coming upon work of Ann Beattie or Raymond Carver at the start of their careers." -- Jerry Griswold, Los Angeles Times

    In Danielle McLaughlin’s stories, the world is both beautiful and alien. Men and women negotiate their surroundings as a tourist might navigate a distant country: watchfully, with a mixture of wonder and apprehension. Here are characters living lives in translation, ever at the mercy of distortions and misunderstandings, striving to make sense both of the spaces they inhabit and of the people they share them with.

    In the Event of Contact chronicles characters profoundly affected by physical connection, or its lack.Among them, a scrappy teen vies to be the next Sherlock Holmes; an immigrant daughter must defend her decision to remain childless; a guilt-ridden woman is haunted by the disappearance of her childhood friend; a cantankerous crossing guard celebrates getting run over by a truck; an embattled priest with dementia determines to perform a heroic, redemptive act, if he can only remember how; and an aspirational, angst-ridden mother captains the skies.Amid backgrounds of trespass and absence, the indelible characters of In the Event of Contact seek renewed belief in recovery, humanity, and the remains of wonder.

    Trevor's last collection, A Bit on the Side, was named a New York Times Notable Book and hailed as one of the Best Books of the Year by papers from coast to coast, including The Washington Post and San Francisco Chronicle. And his earlier collection, After Rain, published in 1996, was named one of the eight best books of the year by The New York Times. Trevor's precise and unflinching insights into the hearts and lives of ordinary people are evidenced once again in this stunning new collection. From a chance encounter between two childhood friends to the memories of a newly widowed man to a family grappling with the sale of their ancestral land, Trevor examines with grace and skill the tenuous bonds of our relationships, the strengths that hold us together, and the truths that threaten to separate us. Subtle yet powerful, his stories linger with the reader long after the words have been put away. These twelve exquisitely nuanced tales of regret, deception, adultery, aging, and forgiveness confirm Trevor's reputation as a master of the form and one of literature's preeminent chroniclers of the human condition.

    But after her marriage to Andrew fell apart, she ceded most of the raising of the baby to her mother-in-law, the very opinionated Edith Vale, a woman as formidable and steely as her stiff blond bouffant, the veritable helmet that helps her soldier through life. Now, after letting Henry drift away, Susan is determined to make things right, but just as mother and son seem to make headway after embarking on a cross-country road-trip, things take a darker turn. When the family reconvenes in California, everybody must fight to find humor and courage in the face of a situation that threatens to change them all forever.

    collection of an extraordinary new voice in Irish drama.

    “If there is a bleaker, funnier or more desperate play in Edinburgh this year, I’ll eat my hat.”—GuardianA brilliant new play by the author of Disco Pigs and this year’s winner of the Edinburgh First Fringe Award for Outstanding New Writing.

    Pete is an exchange student from Italy with a chronic case of poverty. She needs a baby-daddy, he needs a place to live, so they decide to help each other out by engaging in the time-honored device used by people in need the world over: a marriage of convenience. She’s beautiful and smart, he’s a gorgeous and talented musician, surely they can live together as husband and wife for one academic year? In a one-bedroom on the Upper West Side? With her old-fashioned granny living on the first floor, Pete and Daisy move into a tiny, rooftop apartment, ready to be roommates, husband and wife in name only, for nine months. Real life has a way of getting in the way, though, of messing with the best laid plans... Come along for the journey of Pete Santangelo and Daisy White and their turbulent and very sexy romance, and see how two strangers can become best friends and fall in love. See how a modern American family is born.

     Second Chances follows a single mother deserted by her adulterous ex-husband, a socialite who abandoned her family and fled to the Caribbean, a high-powered executive with a disconcerting fear of commitment and a questionable sense of judgment, and a privileged teenager plagued with a lecherous father and absentee mother while bewildered by an unforeseen opportunity with the most sought after boy in school. Although the women are each dealt cards they never expected, they find friendship, family and love in the least likely of places, and with those, they find hope.

     The cold needle in his warm vein was a welcome comfort to my son at first. But then it became the monster that kept us apart. Heroin lied, and my son believed. It took him to a world where the last year didn’t happen, to a place where his father was still alive. What Beck didn’t understand was that it couldn’t bring his father back from the dead. It couldn’t take away his pain, not permanently. You think it can’t happen to you, that your kids, your family, will never be in this situation. I thought that too. But you’re wrong. Step into our world, and see for yourself. Watch my golden boy become a slave to this raging epidemic. Watch me try and save him. Drug addiction comes with a price. Trust me, you’re not equipped to pay it. Don’t miss this heartwrenching, evocative, yet hopeful novel—it will leave you forever changed.

    But this soon changes. Every day a new dilemma arises, pulling her into the chaos, and as she gets to know her neighbors she discovers comedy, cruelty, and even tragedy. Do you know what’s going on in your neighborhood?

    A masseuse breaks her rich client's wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. From one of our most acclaimed writers, Honored Guest is a rich examination of our capacity for transformation and salvation.

     The most common word in Chinese, perhaps, a ubiquitous syllable people utter and hear all the time, which is supposed to mean good. But what is hao in this world, where good books are burned, good people condemned, meanness considered a good trait, violence good conduct? People say hao when their eyes are marred with suspicion and dread. They say hao when they are tattered inside.By turns reflective and visceral, the stories in Hao examine the ways in which women can be silenced as they grapple with sexism and racism, and how they find their own language to define their experience.In "Gold Mountain," a young mother hides above a ransacked store during the San Francisco anti-Chinese riot of 1877. In "A Drawer," an illiterate mother invents a language through drawing. And in "Stars," a graduate student loses her ability to speak after a stroke. Together, these twelve stories create an unsettling, hypnotic collection spanning centuries, in which language and children act simultaneously as tethers and casting lines, the reasons and the tools for moving forward after trauma. "You'll come away from this beautiful book changed" (Julia Fine, author of The Upstairs House).