Medallion. While sitting in traffic heading to her great-grandfather's eighty-fourth birthday party, Hayden asks her dad why her great-grandfather speaks the way he does. What follows is a car ride she will never forget as she learns about his difficult childhood. From living in the Lodz ghetto at age ten to surviving the hells of Auschwitz and a death march from Gorlitz concentration camp at fifteen, Teddy Znamirowski faced unfathomable horrors, narrowly escaping death time and time again. Liberated at sixteen, he took on smuggling as a means to survive. It was not until the Bricha approached him and he became a lead operative - smuggling thousands of refugees across country borders - that he was finally able to begin his life again. Teddy's story is one of survival amidst horrific circumstances. The author does not sensationalize the suffering his grandfather and his family endured, but in this work of narrative nonfiction simply recreates this remarkable man's early life during one of the darkest moments of human history.

    A member of Hitler’s cabinet, Oskar is gone most of the time, and Franz begins fighting in the war, so the women of the house are left to their quiet lives in the picturesque village. But life in Blumental isn’t as idyllic as it appears. An egotistical Nazi captain terrorizes the citizens he’s assigned to protect. Neighbors spy on each other. Some mysteriously disappear. Marina has a lover who also has close ties to her family and the government. Thinking none of them share her hatred of the Reich, she joins a Protestant priest smuggling Jewish refugees over the nearby Swiss border. The latest “package” is two Polish girls who’ve lost the rest of their family, and against her better judgment, Marina finds she must hide them in the Eberhardt’s cellar. Everything is set to go smoothly until Oskar comes home with the news that the Führer will be visiting the area for a concert, and he will be making a house call on the Eberhardts. Based on the author’s discoveries about her great-grandfather, this extraordinary debut, full of love, tragedy, and suspense, is a sensitive portrait of a family torn between doing their duty for their country and doing what’s right for their country, and especially for those they love.

    She carries a letter from a man who mysteriously signs himself as “the Old Musician” and claims to have known her father in the Khmer Rouge prison where he disappeared twenty-five years ago.In Phnom Penh, Teera finds a society still in turmoil, where perpetrators and survivors of unfathomable violence live side by side, striving to mend their still beloved country. She meets a young doctor who begins to open her heart, immerses herself in long-buried memories and prepares to learn her father’s fate.Meanwhile, the Old Musician, who earns his modest keep playing ceremonial music at a temple, awaits Teera’s visit with great trepidation. He will have to confess the bonds he shared with her parents, the passion with which they all embraced the Khmer Rouge’s illusory promise of a democratic society, and the truth about her father’s end. A love story for things lost and things restored, a lyrical hymn to the power of forgiveness, Music of the Ghosts is an unforgettable journey through the embattled geography of the heart and its hidden chambers where love can be reborn.

    And so, before each girl leaves the small house on the riverside at the foot of Mount Olympus, Theodora makes sure they know they are always welcome to return.A devoted and resilient mother, Theodora has lived through World War II, through the Nazi occupation of Greece, and through her husband’s death, and now she endures the twenty-year-long silence of her daughters’ absence. Her children have their own lives—they’ve married, traveled the world, and courted romance, fame, and even tragedy. But as they become modern, independent women in pursuit of their dreams, Theodora knows they need her—and each other—more than ever. Have they grown so far apart that they’ve forgotten their childhood house in its tiny village, or will their broken hearts finally lead them home?

    The place is Nazi Germany. Lilly is not Jewish. She is a typical eight-year-old German girl who is too busy playing in the cemetery her pappa runs to worry about what is going on around her. That is until Hitler and his Nazis interrupt her life. Shadow of the Swastika is based on her life until the end of World War II. Even at a young age, Lilly is a hardheaded girl. She wants her freedom, but the tyranny and oppression of the Third Reich thwarts her desire to do and say as she pleases. Though Lilly grows up in a world of war, hunger, fear and death, she is a survivor and faces each day’s challenges with obstinance, humor, spunk and courage.

    But even though this gutsy 14-year-old is seeking vengeance, she is smart enough to figure out she can't go alone after a desperado who's holed up in Indian territory. With some fast-talking, she convinces mean, one-eyed US Marshal "Rooster" Cogburn into going after the despicable outlaw with her.

    After two years at the Russian front, Ernst Graeber finally receives three weeks’ leave. But since leaves have been canceled before, he decides not to write his parents, fearing he would just raise their hopes. Then, when Graeber arrives home, he finds his house bombed to ruin and his parents nowhere in sight. Nobody knows if they are dead or alive. As his leave draws to a close, Graeber reaches out to Elisabeth, a childhood friend. Like him, she is imprisoned in a world she did not create. But in a time of war, love seems a world away. And sometimes, temporary comfort can lead to something unexpected and redeeming. “The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—The New York Times Book Review

    His best-known work tells the tale of Rubashov, a Bolshevik 1917 revolutionary who is cast out, imprisoned and tried for treason by the Soviet government he'd helped create.Darkness at Noon stands as an unequaled fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he relives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance. Almost unbearably vivid in its depiction of one man's solitary agony, it asks questions about ends and means that have relevance not only for the past but for the perilous present. It is —- as the Times Literary Supplement has declared —- "A remarkable book, a grimly fascinating interpretation of the logic of the Russian Revolution, indeed of all revolutionary dictatorships, and at the same time a tense and subtly intellectualized drama."