As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    At the center of these memories is his elusive love, Sarah, a fiercely intelligent French scholar caught in the intricate tension between Europe and the Middle East.With exhilarating prose and sweeping erudition, Mathias Énard pulls astonishing elements from disparate sources—nineteenth-century composers and esoteric orientalists, Balzac and Agatha Christie—and binds them together in a most magical way.

    That is, until life propels them to opposite sides of seedy, splendid, and violent Weimar Berlin. Berni becomes a cigarette girl, a denizen of the cabaret scene alongside her transgender best friend, who is considering a risky gender reassignment surgery. Meanwhile Grete is hired as a maid to a Nazi family, and begins to form a complicated bond with their son. As Germany barrels toward the Third Reich and ruin, one of the sisters must make a devastating choice.SOUTH CAROLINA, 1970: With the recent death of her father, Janeen Moore yearns to know more about her family history, especially the closely guarded story of her mother’s youth in Germany. One day she intercepts a letter intended for her mother: a confession written by a German woman, a plea for forgiveness. What role does Janeen’s mother play in this story, and why does she seem so distressed by recent news that a former SS officer has resurfaced in America?FRÄULEIN M. abounds with hidden identities and family secrets. With its multilayered exploration of family ties, hard choices, and the weight of history in our lives, the novel shines light on a brilliant new voice.

    Anna, a devoutly Catholic teenager, watches as her friend is shot, as her father is dragged off for conscription in the German army.Szymon, the young village priest, stands silently with his parishioners as their church is ransacked and torched. Anna clings to him—her dear friend and confidant—and by some luck, the Germans spare them.Five Septembers later, Anna and Szymon still cling together, now amid the turmoil of war. Though Anna dreads her engagement to a local ruffian and Szymon fears for his father’s life back home, the two find solace in their friendship.But when the Soviet army comes to “liberate” them, Anna endures an unspeakable atrocity and Szymon suffers his own tragedy. Now bound even more tightly by the sorrows they carry, they face a choice: honor the vows they’ve made to others or risk everything for the chance at salvation in each other.

    When she met Ernest Simpson it was as if he was sent to save her from her past. But marriage to him led her to an extraordinary future.

    Living with her single mother in a small apartment, Evelyn Bucknow is a young girl wincing her way through adolescence. With a voice that is as charming as it is recognizable, Evelyn immerses the reader in the dramas of an entire community. The people of Kerrville stuck at once in the middle of nowhere but also at the center of everything, are the source from which Moriarty draws on universal dilemmas of love and belief to render a story that grows in emotional intensity until it lifts the reader to heights achieved only by the finest of fiction.

    With perspectives from American and German pilots alike, this gripping thriller will keep you turning pages until the fateful ending.

    Before long, it becomes apparent that hers is a prodigious talent, and as she progresses to the top of the US chess rankings she is able to forge a new life for herself. But she can never quite overcome her urge to self-destruct. For Beth, there’s more at stake than merely winning and losing.

    Will the adults trying to find and protect them reach them before it’s too late?It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about.One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them.Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement.The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.

    Having lost her family, her home, and her sense of purpose, Zoya struggles to belong, a task made more difficult by the malice her peers heap on scholarship students and her new country’s paranoia about Russian spies. When she meets the visiting writer and fellow Russian émigré Leo Orlov—whose books Zoya has privately obsessed over for years—her luck seems to have taken a turn for the better. But she soon discovers that Leo is not the solution to her loneliness: he’s committed to his art and bound by the sinister orchestrations of his brilliant wife, Vera. As the reader unravels the mystery of Zoya, Lev, and Vera’s fate, Zoya is faced with mounting pressure to figure out who she is and what kind of life she wants to build. Grappling with class distinctions, national allegiance, and ethical fidelity—not to mention the powerful magnetism of sex—Invitation to a Bonfire investigates how one’s identity is formed, irrevocably, through a series of momentary decisions, including how to survive, who to love, and whether to pay the complicated price of happiness.

    At mealtimes he is seated at the "cat's table" - as far from the Captain's Table as can be - with a ragtag group of "insignificant" adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator's elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself "with a distant eye" for the first time, and to feel the first stirring of desire. Another Cat's Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.As the narrative moves between the decks and holds of the ship and the boy's adult years, it tells a spellbinding story - by turns poignant and electrifying - about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

    In the ninth century B.C., the Phoenician princess Jezebel orders the execution of all the prophets who refuse to seek safety in the land of Zarephath, where the unexpectedly finds true love with a young widow. But this newfound rapture is to be cut short, and Elijah sees all of his hopes and dreams irrevocably erased as he is swept into a whirlwind of events that threatens his very existence. In what is truly a literary milestone, Coelho gives a quietly moving account of a man touched by the hand of God who must triumph over his frustrations in a soul-shattering trail of faith.

    In her diary, along with innocent adolescent longings, she recorded what happened next: the humiliations and terrors, the murder of her beloved family and the startling story of her own survival. Leaving Europe after the war, Sabina forged a new life in Australia, juggling a thriving design business, her family, and an unorthodox love life. But as time wore on, she began asking herself why had she survived when so many died? And what kind of justice fitted such crimes? In May 2005, when Germany opened its controversial Memorial to the Murdered Jews of Europe, in Berlin, Sabina was chosen to speak as the voice of the six million dead. In her speech she noted that although the Holocaust had taken everything she valued, it had also taught her that hatred and discrimination are doomed to fail. Her ability to survive, to love, and to live well, has been her greatest triumph. 'I couldn't put down this engaging, honest story of love, loss and survival.' Diane Armstrong, bestselling author of THE VOYAGER OF THEIR LIFE 'important and wonderfully written' Australian Literary Review

    A bitter winter grips occupied France, where Marc Reece leads a circuit of British agents risking their lives in order to sabotage the German war effort from within.But Reece has a second mission, secret even from his fellow agents - including Charlotte, the woman with whom he has ill-advisedly fallen in love. He must secure a document identifying a German spy at the heart of British intelligence. The fate of the Allied forces on D-Day is in his hands.But when his circuit is ambushed - with fatal consequences - Reece realizes there may be a traitor in its ranks, putting everything they've been fighting for at risk.Then Charlotte goes missing. Is she in danger, or has Reece been betrayed by the only person he thought he could trust?And with the clock ticking towards D-Day, can he find the truth before it's too late?A gripping and atmospheric thriller inspired by true events, this is the story of a deadly game of espionage, destined to change the course of the most crucial battle in the Second World War.

    The guest of honor, an actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the narrator, who begins a silent but frenzied, sometimes maniacal, and often ambivalent tirade against these former friends, most of whom were brought together by the woman whom they had buried that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing a culmination to the evening for which the narrator had not even thought to hope."Mr. Bernhard's portrait of a society in dissolution has a Scandinavian darkness reminiscent of Ibsen and Strindberg, but it is filtered through with a minimalist prose. . . . Woodcutters offers an unusually strange, intense, engrossing literary experience."—Mark Anderson, New York Times Book Review"Musical, dramatic and set in Vienna, Woodcutters. . . .resembles a Strauss operetta with a libretto by Beckett."—Joseph Costes, Chicago Tribune"Thomas Bernhard, the great pessimist-rhapsodist of German literature . . . never compromises, never makes peace with life. . . . Only in the pure, fierce isolation of his art can he get justice."—Michael Feingold, Village Voice"In typical Bernhardian fashion the narrator is moved by hatred and affection for a society that he believes destroys the very artistic genius it purports to glorify. A superb translation."—Library Journal