This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.

    Black Elk's searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable.Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk's experiences in this powerful and inspirational message for all humankind.

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    Ellis focuses on six discrete moments that exemplify the most crucial issues facing the fragile new nation: Burr and Hamilton's deadly duel, and what may have really happened; Hamilton, Jefferson, and Madison's secret dinner, during which the seat of the permanent capital was determined in exchange for passage of Hamilton's financial plan; Franklin's petition to end the "peculiar institution" of slavery--his last public act--and Madison's efforts to quash it; Washington's precedent-setting Farewell Address, announcing his retirement from public office and offering his country some final advice; Adams's difficult term as Washington's successor and his alleged scheme to pass the presidency on to his son; and finally, Adams and Jefferson's renewed correspondence at the end of their lives, in which they compared their different views of the Revolution and its legacy.In a lively and engaging narrative, Ellis recounts the sometimes collaborative, sometimes archly antagonistic interactions between these men, and shows us the private characters behind the public personas: Adams, the ever-combative iconoclast, whose closest political collaborator was his wife, Abigail; Burr, crafty, smooth, and one of the most despised public figures of his time; Hamilton, whose audacious manner and deep economic savvy masked his humble origins; Jefferson, renowned for his eloquence, but so reclusive and taciturn that he rarely spoke more than a few sentences in public; Madison, small, sickly, and paralyzingly shy, yet one of the most effective debaters of his generation; and the stiffly formal Washington, the ultimate realist, larger-than-life, and America's only truly indispensable figure.Ellis argues that the checks and balances that permitted the infant American republic to endure were not primarily legal, constitutional, or institutional, but intensely personal, rooted in the dynamic interaction of leaders with quite different visions and values. Revisiting the old-fashioned idea that character matters, Founding Brothers informs our understanding of American politics--then and now--and gives us a new perspective on the unpredictable forces that shape history.

    The energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.

    Arranged chronologically, it contains almost 200 documents written between 1772, the year after Madison's graduation from Princeton, and his death in 1836. Included are all 29 of Madison's contributions to The Federalist as well as speeches and letters that illuminate his role in framing and ratifying the Constitution. Also represented are early writings on religious freedom; correspondence with figures such as Washington, Jefferson, Hamilton, and Monroe; writings from his terms as secretary of state and president; and letters and essays written during retirement.

    Johnson have been unsealed. They are examined in Michael R. Beschloss's Taking Charge: The Johnson White House Tapes, 1963-1964.The only president to record his private conversations from his first day in office, LBJ ordered the tapes to be locked in a vault until at least the year 2023. But that request has been preempted and the tapes unsealed, providing a close-up look at a president taking power in a way we have never seen before, beginning with John F. Kennedy's murder in November 1963 and continuing through Johnson's campaign for a landslide victory. In Taking Charge, Beschloss, whom Newsweek has called "America's leading presidential historian," has transcribed and annotated the secretly recorded tapes, providing historical commentary that allows us to understand fully the people, crises, and controversies that appear on them. Significant events and revelations chronicled in Taking Charge include the aftermath of the Kennedy assassination, including Johnson's conversations with FBI director J. Edgar Hoover about the killing. Although he publicly endorsed the Warren Commission's lone-gunman findings, LBJ privately suspected that President Kennedy was killed by a conspiracy, probably backed by Fidel Castro. As early as the spring of 1964, while he prepared for possible military action in Southeast Asia, LBJ privately expressed doubts that the United States could ever win a land war in Vietnam. Johnson feared, after signing the Civil Rights Act, that blacks, inspired by Communists and the man he called "Muslim X" (Malcolm X), might riot and bring about a national white backlash against civil rights. The Johnson White House tapes provide us with an intimate look at Johnson's complex, changing relationships with Lady Bird and the rest of his family, Jacqueline Kennedy, ex-Presidents Truman and Eisenhower, and members of the White House staff. Taking Charge is not only a unique exploration of a momentous presidency but also a highly personal look at the private man who took office after an American tragedy and led the nation into some of its most tumultuous years.

    He joined the Department of State in 1941 as Assistant Secretary of State for Economic Affairs and, with brief intermissions, was continuously involved until 1953, when he left office as Secretary of State at the end of the Truman years.Throughout that time Acheson's was one of the most influential minds and strongest wills at work. It was a period that included World War II, the reconstruction of Europe, the Korean War, the development of nuclear power, the formation of the United Nations and NATO. It involved him at close quarters with a cast that starred Truman, Roosevelt, Churchill, de Gaulle, Marshall, MacArthur, Eisenhower, Attlee, Eden Bevin, Schuman, Dulles, de Gasperi, Adenauer, Yoshida, Vishinsky, and Molotov.

    He interweaves the careers of his characters and the events of their time with a narrative verve and breathtaking technical skill that make U.S.A. among the most compulsively readable of modern classics.A startling range of experimental devices captures the textures and background noises of 20th-century life: "Newsreels" with blaring headlines; autobiographical "Camera Eye" sections with poetic stream-of-consciousness; "biographies" evoking emblematic historical figures like J.P. Morgan, Henry Ford, John Reed, Frank Lloyd Wright, Thorstein Veblen, and the Unknown Soldier. Holding everything together is sheer storytelling power, tracing dozens of characters from the Spanish-American War to the onset of the Depression.The U.S.A. trilogy is filled with American speech: labor radicals and advertising executives, sailors and stenographers, interior decorators and movie stars. Their crisscrossing destinies take in wars and revolutions, desperate love affairs and harrowing family crises, corrupt public triumphs and private catastrophes, in settings that include the trenches of World War I, insurgent Mexico, Hollywood studios in the silent era, Wall Street boardrooms, and the tumultuous streets of Boston just before the execution of Sacco and Vanzetti.