When he returns to Britain, having found that life as a tax exile gives him writer's block, temptation comes in the form of Sally, Richard's step-daughter.

    They have perfected the art of turning over a new leaf tomorrow. Meet the vague women in this delightful first novel that doesn't star a woman looking for the right man - because she's already found him! At twenty-two, Sharmila Chatterjee has just married her sweetheart of a few years, Abhimanyu Mishra, a somewhat eccentric if handsome twenty-three-and-a-half year old with obscure academic interests and a small fellowship that never arrives on time. They start a household in a tiny rented flat, learning to fend for themselves in the big, bad and snotty world of south Delhi, with penny-pinching landlords, some romance, and a lot of anxiety. At fifty-two, Indira Sen is not sure just how she meandered to where she finds herself now. A senior government officer and single mother, she lives with her daughter and three opinionated old people in a rambling house, drives a battered car, and has a history of credit-card induced shopaholism. The Vague Woman's Handbook is a story told with equal parts of humour, hysteria and tenderness, about the sparkling friendship between two women as they hurtle through life and its mini-crises while trading secrets in the art of survival.

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.

    For Edwin, it was where hewas going to chase his dreams, but for Charlie, it was just another place tobe with his only friend. However, when he meets Aster, who was silentlywalking through instabilities of her own destiny, he was in for anabsolute unthoughtful phase of profoundness that was going to lastforever.

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

    Their accounts of the struggles and hardships which they have at times overcome, and at other times been overwhelmed by, are put together in this book.There are stories about people’s generosity—and selfishness—in times of natural disasters like the tsunami; women struggling to speak out in a world that refuses to listen to them; and tales of young professionals trying to find their feet as they climb up the corporate ladder.Told simply and directly from the heart, The Old Man and His God is a collection of snapshots of the varied facets of human nature and a mirror to the souls of the people of India.

    After a whirlwind of innocent encounters, their teenage romance blossoms but the two never confess their love for each other. Friends and even a few teachers approve of their relationship which is no secret to anyone thanks to Rahul's flaunting nature.Seema, on the other hand, finds it difficult to handle the unnecessary attention she gets due to Rahul's ostentatiousness. What follows is a series of misunderstandings and ego clashes causing them to drift apart.Rahul loses his popularity, his numero uno status, his sanity and ultimately his love. By the time he realizes what he has lost, it's too late. He takes desperate measures to woo her back and win back her love. But will Rahul ever get back Seema? And will Seema ever realize how much Rahul loved her and all the misunderstandings that transpired between them? Is there really any room for misunderstandings in love? In today's world, can a person's first love ever be his last?This teenage love story seeks answers to all these and more as it alternates between the past and the present events in the life of Rahul and makes you wonder; do all love stories have a happy ending? Or do all love stories end, ever?TRULY, MADLY, DEEPLY promises to be a heart-warming and emotion filled tale that will captivate the reader's heart and fascinate his mind and leave him pondering—DOES LOVE TRULY CONQUER ALL ODDS?

    

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    She doesn’t know how to tell her parents the truth about her marriage and return to India. But then her brother’s wedding leaves her no choice.Entrepreneur Chef Niraj (Niru) Karthik is in charge of catering for his best friend's wedding. He isn't looking forward to meeting his childhood crush—the one that got away—but he finds himself drawn to her again.Shweta has only thought of Niru as her older brother's best friend, but now she’s falling head over heels in love with him. As both try to come to terms with their true feelings, they realize that a lot more than friendship is at stake.And then, there’s Shweta’s family, mixed up in a dilemma: an overbearing father, an over-anxious mother, and three very disparate yet close siblings.Will Shweta get the love and acceptance she yearns for? Or will upholding the family honour be more important?

    I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that.Zara and I broke up four years ago. She moved on in life. I didn’t. I drank every night to forget her. I called, messaged, and stalked her on social media. She just ignored me.However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105. I shouldn’t have gone, but I did… and my life changed forever.This is not a love story. It is an unlove story.

    At twenty-nine, he is already a billionaire jewellery designer. When his parents go looking for a suitable bride for him, Ram goes along with their plan-he has no reason to refuse.A beauty with brains, Sapna Purohit is a bridal mehndi designer, and her work is all the rage in Pushkar. She doesn't come from money, but she is feisty and assertive. A romantic at heart, Sapna dreams of a prince charming who will one day breeze into her life and sweep her off her feet.When renowned astrologer Vidyasagar proposes an alliance between the two, he sets the wheels of fate in motion. One look into Sapna's stormy-grey eyes, and Ram is lost. Only, Sapna does not see her prince charming in him. But when the Maheshwaris offer to bear all the wedding expenses, Sapna is left with no choice except to agree to the match.But what about her dreams? What about love? Steeling herself, Sapna sets a condition to the marriage. Will the smitten husband agree?

    Magical, tantalizing, and sensual, The Mistress of Spices is the story of Tilo, a young woman born in another time, in a faraway place, who is trained in the ancient art of spices and ordained as a mistress charged with special powers.  Once fully initiated in a rite of fire, the now immortal Tilo--in the gnarled and arthritic body of an old woman--travels through time to Oakland, California, where she opens a shop from which she administers spices as curatives to her customers.  An unexpected romance with a handsome stranger eventually forces her to choose between the supernatural life of an immortal and the vicissitudes of modern life.  Spellbinding and hypnotizing, The Mistress of Spices is a tale of joy and sorrow and one special woman's magical powers.

    They are a loving anddoting young married couple, living a life of comfort in posh suburbanGurgaon. Neil's fitness consultant Srinya seems to be stirring sometrouble in their lives, though.Drishti is a TV news anchor and journalist and her husband Somesh, atop cop. They are bored of their mundane busy lives, until a chancemeeting with Neil and his friends in Cuba that changes everything.To add sanity and madness to their lives are the funny and mysteriousset of friends - Tom, Jerry, James, Mehr and Antriksha.The havoc ensues when Drishti gets abducted and Neil is framed for it.Gauri finds out some bitter truths and leaves Neil. But what really is thetruth?When facts finally surface, we will know how much these lives areMessed Up! But All for Love.

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.