His talent soon caught the eye of 16th-century rulers, and he moved on to the imperial courts of Ferdinand I, Maximilian II, and Rudolf II in Prague, where he created the scenes for his Seasons. In Arcimboldo's allegorical paintings, Spring appears as a young man composed entirely of flowers, Summer as a composition of fruits, Autumn as a head made of grapes, and Winter as a gnarled old man twined with ivy. Arcimboldo remained true to the allegorical principles informing the artistic and philosophical world view of the 16th century. His paintings are not only full of references to ancient classical gods and goddesses, but above all they reflect the courtly cosmos of the art chambers and wonder cabinets in which countless exotic and bizarre objects were housed. With the decline of this allegorical world vision between the Renaissance and Mannerism, Arcimboldo was forgotten- only to be rediscovered by modern artists.

    But things turned out worse than expected, and in her forties, the gifted artist found herself shoveling coal and cleaning up other people's messes. The House of All Sorts is a collection of forty-one stories of those hard-working days and the parade of tenants -- young couples, widows, sad bachelors and rent evaders. Carr is at her most rueful, but filled with energy and an inextinguishable hope.Carr also ran a small kennel and bred bobtails to help out her meagre income. In an additional twenty-five stories, she lovingly describes the mutual bonds of affection and companionship between her and her dogs.Her writing is vital and direct, aware and poignant, and as well regarded today as when The House of All Sorts was first published in 1944 to critical and popular acclaim.

    Surveys the origins, development, techniques, approaches, principles, motifs, and major paintings of the nineteenth-century British school, relating the painters and their works to their society.

    In 1916, Virginia Woolf wrote to her sister, Vanessa Bell, that though the farmhouse at Charleston in Sussex was primitive, you could make it lovely. Six months later, Bell moved in and, treating the house as a blank canvas, went on to create a treasury of Bloomsbury art.

    Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.

    In the 1850s, Jean Rio was a recently widowed English mother of seven. Rich, well educated, musically gifted, deeply spiritual, and increasingly dismayed by the social injustices she saw around her, she was moved by the promises of Mormon missionaries and set out from England for Utah. On her fifty-six-day Atlantic crossing, she began keeping a diary, and this extraordinary chronicle is the basis of Sally Denton’s book. We follow Jean Rio from New Orleans, where she disembarks, up the Mississippi by riverboat, and, finally, westward by wagon train. We see her family transformed by necessity–mastering frontier skills, surviving storms, finding their own food, overcoming illness and injury–during the five months it takes them to reach Zion. We see her initial enthusiasm turn to disillusionment: She is forced to surrender her money to the church. She realizes she has been lied to about polygamy–Mormons do practice it–which she detests. Acts of Mormon violence against nonbelievers repel her. Her musical skills are buried beneath the daily rigors of farming. Two of her sons flee to California. We witness her seventeen-year struggle to make peace with her situation before she, too, escapes to California–to freedom, a career as a midwife, and a new religion that fulfills her. Dramatic and powerful, Faith and Betrayal is the moving account of one woman’s gamble in an emerging America, and a valuable addition to the history of both the Mormon experience and the long saga of immigrant pioneer women.

    What emerges is both a perspective appraisal of his work and a revealing life history of the man who was arguably the greatest artist of all time.

    Her startling photographic images of dwarfs, twins, transvestites, and freaks seemed from the first to redefine both the normal and the abnormal in our lives and they were already becoming part of the iconography of the age when Arbus committed suicide in 1971. Arbus herself remained an enigma until the publication of this first full biography. Patricia Bosworth examines the life behind the eerie, mesmerizing photographs: Diane's pampered childhood; her passionate marriage to Allan Arbus and their work together as fashion photographers during the fifties; the emotional upheaval surrounding the end of that marriage; and the radically dark, liberating, and ultimately tragic turn Diane's art took during the sixties. Bosworth's engrossing book is a compassionate portrait of the woman behind some of the most powerful photographs of our time.

    In a book that spans the years from the wild speculation of the late 1980s to the recession of the 1990s, Polsky, himself a private dealer, takes his readers on a funny, fast-paced tour through an industry characterized by humor, hypocrisy, greed, and gossip.

    Each artist is represented by a full-page colour plate of a definitive work, accompanied by explanatory and illuminating information on the image and its creator. Glossaries of artistic movements and technical terms are included, making this a valuable work of reference as well as a feast for the eyes. By breaking with traditional classifications, The Art Book presents a fresh and original approach to art: an unparalleled visual sourcebook and a celebration of our rich and multi-faceted culture.

    Rejected by his family, hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. He was only twenty-eight when he died, yet he left behind him a body of work that sustains a huge public reputation--and a myth. This book sets out to examine both. 151 illus., 20 in color.

    There is the triple alliance that is responsible fo the whole thing."These are the first lines of Charlie Chaplin's personal memoir of his visit to Europe. Discover how this triple alliance helps him decide to play hookey after seven years in Hollywood and travel with him to Great Britian, Germany and France.After reading this insightful memoir, you'll be grateful that Mr. Chaplin was devoted to a daily journal and that he was blessed with such a keen memory and observation skills.There are 15 chapters in this personal memoir. No illustrations are included in this Kindle version.Chapters: - I Decide to Play Hookey - Off to Europe - Days on Shipboard - Hello! England - I Arrive in London - The Haunts of my Childhood - A Joke and Still on the Go - A Memorable Night in London - I Meet the Immortals - I Meet Thomas Burke and H.G. Wells - Off to France - My Visit to Germany - I Fly from Paris to London - Fairwells to Paris and London - Bon VoyageThis book was also published under the name, "My Wonderful Visit".

    In the midst of a divorce (in which the custody of his young daughter is at stake) and over the course of a year, the poet Michael White, travels to Amsterdam, The Hague, Delft, London, Washington, and New York to view the paintings of Johannes Vermeer, an artist obsessed with romance and the inner life.  He is astounded by how consoling it is to look closely at Vermeer’s women, at the artist’s relationship to his subjects, and at how composition reflects back to the viewer such deep feeling. Includes the author’s very personal study of Vermeer. Through these travels and his encounters with Vermeer’s radiant vision, White finds grace and personal transformation."White brings [sensitivity] to his luminous readings of the paintings.  An enchanting book about the transformative power of art."  - (Kirkus Reviews) "… Figures it took a poet to get it this beautifully, thrillingly right.” - (Peter Trachtenberg)"A unique dance among genres...clear and powerful descriptions touch on the mysteries of seduction, loss, and the artistic impulse."   - (Clyde Edgerton)

    It has turned Prince Edward Island into a multimillion-dollar tourist destination visited by hundreds of thousands of people each year. In The Landscapes of Anne of Green Gables, Catherine Reid reveals how Lucy Maud Montgomery’s deep connection to the landscape inspired her to write Anne of Green Gables. From the Lake of Shining Waters and the Haunted Wood to Lover’s Lane, readers will be immersed in the real places immortalized in the novel. Using Montgomery’s journals, archives, and scrapbooks, Reid explores the many similarities between Montgomery and her unforgettable heroine, Anne Shirley. The lush package includes Montgomery’s hand-colorized photographs, the illustrations originally used in Anne of Green Gables, and contemporary and historical photography.

    In those days cowboys didn't know they were picturesque, horse rustlers were to be handled as seemed best on the occasion, and young ladies thought nothing of punching cows and hunting grizzlies in between school terms.