It is the story of Joe Madden, an anthropologist who has returned to his family's summer home on North Carolina's Outer Banks. Little Roanoke, with its traditions dating back to the time of Sir Walter Raleigh, is an isolated enclave threatened by the ncroachment of modern civilization-and the subject of Joe's study. Here, he meets two people who will alter the course of his future: Ray Barstow, a fisherman and ex-con who, aboard the Father's Price, teaches him more than just the ropes of one of the world's most dangerous professions; and Day Shaughnessey, a Yale-educated Ob-Gyn and ardent feminist whose views on reproductive rights come into conflict with the deeply religious people of Little Roanoke. The events of the story culminate in a savage storm at sea that the crew of the Father's Price-including Joe Madden-may not survive. Gravesend Light assures David Payne's place as one of the most important chroniclers of the contemporary Southern experience.

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    Her poems-which combine extreme concision and formal expertise with broad subjects and deep feeling-could never be mistaken for anyone else's. Her work has the kind of singularity and sustained integrity that are very, very rare…. It's always a dicey business predicting the literary future…[but] for this reader, these poems feel as if there were built to last, and…they have the passion, precision and sheer weirdness to do so."Salon compared the poems in Ryan's last collection to "Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder." The exquisite poems in The Niagara River provide similarly hidden gems. Bafflingly effective, they seem too brief and blithe to pack so much wallop. Intense and relaxed at once, both buoyant and rueful, their singular music appeals to many people. Her poems, products of an immaculately off-kilter mind, have been featured everywhere from the Sunday funnies to New York subways to plaques at the zoo to the pages of The New Yorker.

    Eating the Cheshire Cat lures us into a world of perfectly planned parties and steep social ladders, where traditional rites of passage take unpredictable and horrifying turns as three girls and their overbearing mothers collide.In Tuscaloosa, Alabama, beauty is as beauty does, with axes and knives and killer smiles. Sarina Summers and her mother will stop at nothing to have it all. Nicole Hicks harbors a fierce obsession with Sarina, which repeatedly undermines Mrs. Hicks's ambitious goals. Bitty Jack Carlson, a nice girl from the wrong side of the tracks, is caught in the crossfire but struggles to succeed outside the confines of this outrageous yet eerily familiar Southern community. It's survival of the fittest. Which girl will come out on top? Covering everything from summer camp to the University of Alabama's Homecoming game, this fast-paced and unforgettable novel will keep readers guessing until the bitter end.

    For this collection, James Dickey has selected from his four published books all those poems that reflect his truest interests and his growth as an artist. And thereto he has added more than a score of new poems-in effect, a new book in themselves-that have not been previously published in volume form. Specifically, Poems 1957-1967 contains 15 of the 24 poems that were included in his first book, Into the Stone (1960); 25 of the 36 that made up Drowning With Others (1962); 22 of the 24 in Helmets (1964); the entire 22 in the National Book Award winning Buckdancer's Choice (1965); and, under the titles Sermon and Falling, the exciting new poems mentioned above. Seldom can the word "great" be used of the work of a contemporary in any art. But surely it applies to the poems of James Dickey. To test that statement, read this book. "Dickey has defined the poet as an 'intensified man.' These collected poems of his 44th year are a record of a lot of valid and immediate experience-the testimony of a man intensifying himself honestly and skillfully."-William Meredith, New York Times Book Review "One of the things we should mean when we call a poet 'good' is that his work returns us to the world and not merely to the poet. Dickey gives the moment a natural energy, not the energy of the poet's insistence upon his own personality but the energy of a vast life outside the poet which moves all things through one another and through him."-Michael Goldman, The Nation

    B. White in his essay on Don Marquis and his famous creations, and the undimmed enthusiasm of several generations of fans -- who every year buy thousands of copies of Marquis' earlier collections -- testifies to their appeal. A whimsical and sophisticated sage, archy the cockroach entertained readers with iconoclastic observations on pretensions, politics, and our place in the cosmos during Marquis' career as a New York newspaper columnist in the 1920s and 30s.Allegedly tapping out stories at night by leaping from key to key on Marquis' typewriter, archy couldn't quite manage the shift key for capital letters. Although his tales appeared in lower case, his views achieved a level grand enough to solidify Marquis' reputation as an American humorist in the tradition of Mark Twain, Joel Chandler Harris, and Ring Lardner. archyology brings together selected "lost" tales that were literally rescued from oblivion by Jeff Adams, who found them among papers stored in a steamer trunk since Marquis' death.And so archy emerges from his long silence. Whether reporting on characters like emmet the ghost, sailing to Paris to visit the insects of Europe, being trapped for days in a New York subway train, or hanging out in a Long Island orchard enjoying fermented cherries, archy is always both provocative and inimitable. With illustrations by Ed Frascino, a New Yorker regular, this collection reintroduces a delightful cast of characters who reconfirm archy's view of the world: "the only way to live with it is to laugh at it.

    It contains, besides the long title poem, Homage to Mistress Bradstreet, the major portion of Short Poems; a selection from The Dispossessed, which drew on two earlier collections; some poems from His Thought Made Pockets & The Plane Buckt; and one poem from Sonnets.

    Roxanna Slade is this woman. Roxanna begins her story on her twentieth birthday -- a day that introduces her to the harsh realities of adulthood and changes the course of her life forever. From this day on, Roxanna is quick to share with the reader the intimate details of ninety years of life in North Carolina. Her beguiling tale is one that boldly reflects the high and low moments in the development of the modern South and the nation as well as the inner strength of a woman possessed of a piercingly clear vision, forthright hungers and immense vitality.

    She takes the responsibility of shielding her family’s reputation and raising her younger twin siblings onto her youthful shoulders. If not for the emotional constants of her older brother, Griff, and her old guard Southern grandmother, she would be lost. When betrayal and death arrive hand in hand, she takes to the road, headed to what turns out to be the not-so-promised land of Southern California. The dysfunction of her childhood still echoes throughout her scattered family, sending her brother on a disastrous path and drawing her home again. There she uncovers the secrets and lies that set her family on the road to destruction.

    In the centerpiece story, an eighteenth-century Eno Indian tells of the fiery fate of his adopted father, English explorer John Lawson. In the surrounding stories, the age-old conflicts between newcomer and old-timer play out as twenty-first century retirees, carnies, runaways, heartbroken women, and farmers stumble into new lives and new insights in Ambler County, North Carolina. "Hudson's prose is pure as birdsong," says novelist Doris Betts. "These fine stories of change and discovery are a field guide to the human species in transition."

    Lovecraft...an unnerving literary experience." ~ Kirkus Reviews"Thornhorn, where the hell have you been?" ~ William Peter Blatty (author of The Exorcist) In the long and jagged shadow of Riddle Top lies a darkling mountain world—-a world of unholy mirth and madness, of gods and demons you never knew existed. Hitch a wild-ass ride with two runaway teens—-the runty but tough preacher's girl Tizzy Polk and her punk boyfriend Matthew. They might think they are Bonnie and Clyde, but they might also race headlong into an evil far greater than their own. They may come to see things darkly different and seldom seen on that bewitched mountain known below as Riddle Top. Take care, folks say in story and song. Watch your step. And beware up there where the wind doth howl like the hellhound electric. Up there, where Tizzy and Matthew come knocking on a strange door. For nobody knows what awaits once you've disturbed your disturbing host. Your hands are in his hands now. And the scariest thing of all? He's got all the time in this world. A Tale Untold by a Riddle Top Magpie Stark, poetic, haunting: Wicked Temper unfolds like a waking fever dream, a rockabilly heart of darkness. The kind you can kill but it don't stop beating. Wicked Temper is the premeditated prequel to Randy Thornhorn's The Kestrel Waters. "One of the South's wildest new voices..." ~ The Oxford American Magazine

    Her characters, already marginalized economically and socially, confront what many perceive as an invading outside culture, enduring and at times transcending the loss of their "place," both literally and figuratively. Their stories undermine the assumption that just because people don't articulate what happens inside them, nothing much is happening at all.

    Her writing is gorgeous and cerebral (imagine Anne Carson) but she doesn't skimp on the wit (imagine Anne Carson's ne'er-do-well niece). Poetry-fearers, don't back away from this beautiful book; these might be the pages that bring you back into the form.” --Dave Eggers

    JohnWhen Larry Levis died suddenly in 1996, Philip Levine wrote that he had years earlier recognized Levis as “the most gifted and determined young poet I have ever had the good fortune to have in one of my classes. . . . His early death is a staggering loss for our poetry, but what he left is a major achievement that will enrich our lives.”  Each of his books was published to wide critical acclaim, and David St. John has collected together the best of his work from his first five books: Wrecking Crew (1972), Afterlife (1976), The Dollmaker’s Ghost (1981), Winter Stars (1985) and The Widening Spell of the Leaves (1991). “It is not an exaggeration to say that the death of Larry Levis in 1996—of a heart attack at 49—sent a shock wave through the ranks of American poetry. Not only was Levis a good friend to many poets (not simply of his own generation but of many poets older and younger as well), his poetry had become a kind of touchstone for many of us, a source of special inspiration and awe. With Larry Levis’ death came the sense that an American original had been lost. . . . It is not at all paradoxical that he saw both the most intimate expressions of poetry and the grandest gestures of art, of language, as constituting individual acts of courage. One can only hope that, like such courage, Larry Levis’s remarkable poems will continue to live far into our literature.”—from the Afterword, by David St. John

    In addition to including many more pieces, Tomlinson has organized the whole in chronological order.It isn't what he [the poet] says that counts as a work of art," Williams maintained, "it's what he makes, with such intensity of purpose that it lives with an intrinsic movement of its own to verify its authenticity.