Laird Fergus Brodie has just suffered a terrible and unexpected defeat, but even so, he can not leave a poor lass helpless.Fergus takes Moire, who is half-conscious, with his ship across the Highlands to the Isle of Skye, where his clan resides. When they settle in, Fergus feels like he has a scared animal in his room who can trust no one! Fergus is torn by his defeat, and taking care of Moire works as a therapy; If the lass can recover from her horrible past and forget the pain, maybe he can forget the man who caused him so much anger and shame.But as the days go by, the word revenge echoes louder and louder in his head, and the name of “Ronald Campbell” burns his soul like hellfire. Trying to focus his thoughts elsewhere, as Moire is getting better, he tries to learn more about her. The girl has lost her parents and does not know where most of her siblings are, but Fergus admires that she is still vigorous. All she has now, Moire says, is her uncle and protector, Ronald Campbell...As soon as Fergus hears that Moire is one of the Campbells, he makes unholy thoughts. The lass deserves nothing but rest and safety, but what if he can use her to get close to Laird Campbell and get his revenge? This will be a huge risk, but Fergus is prepared to die rather than disappoint his people and live his life in shame. He only promises not to harm Moire in the process.The two begin the journey back to Moire’s home, but Fergus is not prepared for what he will encounter. The Campbell clan is suffering under the rule of Ronald, and Fergus feels that he must take this man down not only for his clan but also to save the Campbells too. The only problem is that he is now caring for the lass too much, and fate will make him decide between completing his plan and saving Moire.

    Michener’s masterly chronicle of South Africa is an epic tale of adventurers, scoundrels, and ministers, the best and worst of two continents who carve an empire out of a vast wilderness. From the Java-born Van Doorn family tree springs two great branches: one nurtures lush vineyards, the other settles the interior to become the first Trekboers and Afrikaners. The Nxumalos, inhabitants of a peaceful village unchanged for centuries, unite warrior tribes into the powerful Zulu nation. And the wealthy Saltwoods are missionaries and settlers who join the masses to influence the wars and politics that ravage a nation. Rivalries and passions spill across the land of The Covenant, a story of courage and heroism, love and loyalty, and cruelty and betrayal, as generations fight to forge a new world.

    It was there that she saw the clowns, with their large red noses, floppy shoes--and deadly grins. A hellish nightmare was about to begin. For these clowns craved terrified screams--not gleeful laughter--and were hungry for death!

    The book is a prelude to the Rwandan genocide and unfolds behind the closed doors of the school, in the interminable rainy season. Friendships, desires, hatred, political fights, incitation to racial violence, persecutions... The school soon becomes a fascinating existential microcosm of the true 1970s Rwanda.

    Houston. Dr. Wale Olufunmi, lunar rock geologist, has a life most Nigerian immigrants would kill for, but then most Nigerians aren’t Wale—-a great scientific mind in exile with galactic ambitions. Then comes an outlandish order: steal a piece of the moon. With both personal and national glory at stake, Wale manages to pull off the near impossible, setting out on a journey back to Nigeria that leads anywhere but home. Compelled by Wale’s impulsive act, Nigerians traces arcs in time and space from Houston to Stockholm, from Cape Town to Bulawayo, picking up on the intersecting lives of a South African abalone smuggler, a freedom fighter’s young daughter, and Wale’s own ambitious son. Deji Bryce Olukotun’s debut novel defies categorization—-a story of international intrigue that tackles deeper questions about exile, identity, and the need to answer an elusive question: what exactly is brain gain?PRAISE FOR NIGERIANS IN SPACE "Fast-paced, well-written and packed with insight and humor. Olukotun is a very talented storyteller. "—-Charles Yu, National Book Award 5-Under-35 winner and author of How to Live Safely in a Science Fictional Universe"A deft mingling of satirical humor, Noirish twists…and a keen-eyed yet accessible take on cultural displacement in contemporary times. "—-Olufemi Terry, winner of the Caine Prize for African Writing"You can taste Cape Town, you can hear it in the dialogue, see its beauty in the descriptions. Deji Olukotun has my city's number: especially its nasty underbelly, the dangerous dealing of abalone poachers. "—-Mike Nicol, author of the Revenge Trilogy

    In 2040, the South African National Space Agency receives a mysterious package containing a memoir and a set of digital recordings from an unnamed woman who claims the world will end in ten years. Assigned to the case, Dr Naomi Buthelezi, a retired professor and science fiction writer, is hired to investigate the veracity of the materials, and whether or not the woman's claim to have heard from a "force more powerful than humankind" is genuine. Thus begins TRIANGULUM, a found manuscript composed of the mysterious woman's memoir and her recordings. Haunted by visions of a mysterious machine, the narrator is a seemingly adrift 17-year-old girl, whose sick father never recovered from the shock of losing his wife. She struggles to navigate school, sexual experimentation, and friendship across racial barriers in post-apartheid South Africa.When three girls go missing from their town, on her mother's birthday, the narrator is convinced that it has something to do with "the machine" and how her mother also went missing in the '90s. Along with her friends, Litha and Part, she discovers a puzzling book on UFOs at the library, the references and similarities in which lead the friends to believe that the text holds clues to the narrators's mother's abduction. Drawing upon suggestions in the text, she and her friends set out on an epic journey that takes them from their small town to an underground lab, a criminal network, and finally, a mysterious, dense forest, in search of clues as to what happened to the narrator's mother. With extraordinary aplomb and breathtaking prose, Ntshanga has crafted an inventive and marvelous artistic accomplishment.s crafted an inventive and marvelous artistic accomplishment.

    500 to 1700, the medieval kingdoms of Ghana, Mali, and Songhay grew rich on the gold, salt, and slave trade that stretched across Africa. Scraping away hundreds of years of ignorance, prejudice, and mythology, award-winnnig authors Patricia and Fredrick McKissack reveal the glory of these forgotten empires while inviting us to share in the inspiring process of historical recovery that is taking place today.

    But after leaving the boring village and foster home for the excitement of London, Raya finds out she’s a witch, with this annoying habit of time-travelling – by accident. And this sarcastic witch’s cat Oscar tags along for the ride. But why would she fling herself into the midst of the Essex Witch Trials in 1645 England? After being arrested by Matthew Hopkins, one of history’s most notorious witch hunters, her social worker and witch mentor Bryony goes back to try to save them from the gallows. But returning to present day London remains out of reach with Raya’s powers still out of control when they find themselves in 1645 Istanbul/Constantinople. There, life is more amazing than she ever dreamed. Can she stay? And at what cost?

    He develops an unlikely friendship with rowdy class mate James, who gets him into a string of sticky situations; fights, theft, and more. At home, his parents, Mami and Papa, who fled political violence in Congo under the dictatorial regime of Le Marechal, to seek asylum as refugees – which Jean and his star-student little sister, Marie, have no knowledge of – pressure him to focus on school and sort his act out. Jean is then suspended, and Marie, who usually gets on his nerves, helps him keep his secret, which draws them closer together.As the family attempts to integrate and navigate modern British society, as well as hold on to their roots and culture, they meet Tonton, a sapeur, womaniser, alcohol-loving, party enthusiast, who, much to Papa’s dislike, after losing his job, moves in with them. Tonton introduces the family – via his church where colourful characters such as Pastor Kaddi, Patricia and Nadege congregate – to a familiar community of fellow country-people, making them feel slightly less alone. They begin to settle, but the reality of their situation unravels a threat to their future, whilst the fear of uncertainty remains.With colourful characters and luminous prose, No Place To Call Home is a tale of belonging, identity and immigration, of hope and hopelessness, of loss –not by death, but by distance– and, by no means the least, of love.

    In one of the most miraculous events of the century, the oppressive system of apartheid was dismantled. Repressive laws mandating separation of the races were thrown out. The country, which had been carved into a crazy quilt that reserved the most prosperous areas for whites and the most desolate and backward for blacks, was reunited. The dreaded and dangerous security force, which for years had systematically tortured, spied upon, and harassed people of color and their white supporters, was dismantled. But how could this country--one of spectacular beauty and promise--come to terms with its ugly past? How could its people, whom the oppressive white government had pitted against one another, live side by side as friends and neighbors?To begin the healing process, Nelson Mandela created the Truth and Reconciliation Commission, headed by the renowned cleric Archbishop Desmond Tutu. Established in 1995, the commission faced the awesome task of hearing the testimony of the victims of apartheid as well as the oppressors. Amnesty was granted to those who offered a full confession of any crimes associated with apartheid. Since the commission began its work, it has been the central player in a drama that has riveted the country. In this book, Antjie Krog, a South African journalist and poet who has covered the work of the commission, recounts the drama, the horrors, the wrenching personal stories of the victims and their families. Through the testimonies of victims of abuse and violence, from the appearance of Winnie Mandela to former South African president P. W. Botha's extraordinary courthouse press conference, this award-winning poet leads us on an amazing journey.Country of My Skull captures the complexity of the Truth Commission's work. The narrative is often traumatic, vivid, and provocative. Krog's powerful prose lures the reader actively and inventively through a mosaic of insights, impressions, and secret themes. This compelling tale is Antjie Krog's profound literary account of the mending of a country that was in colossal need of change.

    Her father has insisted she marry a man with a title, but the men her father deems acceptable are either boring or are only interested in increasing their own diminishing coffers. With her future looking dismal, Olivia vows to enjoy the last few months of freedom with her childhood friends, including Emerson Latham. His devilish smile and flirtatious teasing stirs up feelings she knows she cannot entertain.Emerson is struggling to rise to his responsibilities after his father's death. Though he is still learning his place, one thing he knows for certain is that he wants Olivia Wilde to be his wife. Emerson had long ago fallen in love with her quick wit, beauty, and passionate heart. Yet, without a title, he will never be permitted to court Olivia openly. But he has a plan that may give him a chance to court her in secret.As the Season kicks off, Emerson proposes a playful game of tag. Olivia's friends are delighted by the idea, though Olivia is wary. After all, the game must be played in secret as they tag each other at dinners and balls. As the romance builds between Olivia and Emerson, so does the risk of being discovered. Not only are their reputations at stake, so is their safety if they are caught by Olivia's strict father.Can their love find a happily ever after before the game ends?

    Why, then, does being kind feel so dangerous? If we crave kindness with such intensity, why is it a pleasure we often deny ourselves? And why—despite our longing—are we often suspicious when we are on the receiving end of it?In this brilliant book, the eminent psychoanalyst Adam Phillips and the historian Barbara Taylor examine the pleasures and perils of kindness. Modern people have been taught to perceive ourselves as fundamentally antagonistic to one another, our motives self-seeking. Drawing on intellectual history, literature, psychoanalysis, and contemporary social theory, this book explains how and why we have chosen loneliness over connection. On Kindness argues that a life lived in instinctive, sympathetic identification with others is the one we should allow ourselves to live.Bursting with often shocking insight, this brief and essential book will return to its readers what Marcus Aurelius declared was mankind’s “greatest delight”: the intense satisfactions of generosity and compassion.

    

    Focusing on the epic love affair between a former amateur musician—who happens to be a bootlegger, mercenary, and killer—and a shebeen queen, this South African love story traces the couple's lives and loves through the interweaving of history and memory in the tradition of village storytellers.

    But her youngest daughter, 16-year-old Terry, told police another story: one almost too terrible to believe.But accused of imprisoning her children in a house of horrors...According to Terry, Theresa - no longer the petite brunette she once was - had turned insanely jealous of her pretty eldest daughters and enlisted the help of her two teenaged sons in a vicious campaign against their sisters.Of beating, torturing and killing her own flesh and blood...Terry's gruesome tale told how Theresa had drugged, handcuffed and shot 16-year-old Suesan, allowing her wounds to fester, until the day she ordered her sons to burn their sister alive. Next, Terry said Theresa severely beat 20-year-old Sheila and then locked her in a stifling broom closet, so that when the girl finally starved to death, her brothers dumped her body in the same desolate mountain range where they had cremated Suesan.She could be one of the most evil murderesses of our time...It took Terry five agonizing years to convince authorities to investigate her grisly accounts of burning flesh, starvation and torture...of a mother from hell, so sadistic and so deranged, she had become her children's own executioner.