Family secrets, a lost sister, forbidden loves, domestic assaults—Mary discovers as she grows up that life is much more complicated than she had ever imagined. Her secret passion for her English teacher is filled with problems and with the arrival of a promising Korean suitor, Joon-Ho, events escalate in ways that she could never have imagined, catching the entire family in a web of deceit and violence.A unique and imaginative debut novel, Kay’s Lucky Coin Variety evocatively portrays the life of a young Korean Canadian girl who will not give up on her dreams or her family.

    Charlie is an anxiety-ridden award-winning writer, burdened by his literary success and familial responsibility, including a bread-winning wife and a child with autism. When the unlikely pair meets, a filmic affair begins on office desks and in Toronto hotel rooms, creating a false reality that offers solace in its secrets. Two very different people, trapped by everyday expectations, take pleasure in destroying those expectations together. Their relationship, with all its differences and failings, with all its pleasure and pain, calls into question our rigid and limiting definitions of right and wrong, and what it means to be a partner, parent, lover, and human being.

    Mira lives alone, and with only the French existentialists as companions, until the day she witnesses a beautiful woman having a seizure in the park. Mira runs to help her but is cautious, for she could have sworn the woman looked around to see if anyone was watching right before the seizure began.Mira is quickly drawn into the lives of this mysterious woman Sara, who suffers a myriad of unexplained illnesses, and her kind, intensely supportive husband Rahil, striking up intimate, volatile and fragile friendships with each of them that quickly become something more. A moving exploration of loss, Mukherjee delivers an intense and unexpected modern love story as Mira reconciles reality with desire.

    And although he felt terribly alone, his suicide changes everyone around him.His parents are devastated. His secret boyfriend's girlfriend is relieved. His unicorn- and virginity-obsessed classmate, Faraday, is shattered; she wishes she had made friends with him that time she sold him an Iced Cappuccino at Tim Hortons. His English teacher, mid-divorce and mid-menopause, wishes she could remember the dead student's name, that she could care more about her students than her ex's new girlfriend. Who happens to be her cousin. The school guidance counselor, Walter, feels guilty—maybe he should have made an effort when the kid asked for help. Max, the principal, is worried about how it will reflect on the school. And Walter, who's secretly been in a relationship with Max for years, thinks that's a little callous. He's also tired of Max's obsession with some sci-fi show on TV. And Max wishes Walter would lose some weight and remember to use a coaster.And then Max meets a drag queen named Crepe Suzette. And everything changes.

    Situated on the edge of the Little Snake sand hills, Juliet and its inhabitants are caught in limbo between a century — old promise of prosperity and whatever lies ahead.But the heart of the town beats in the rich and overlapping stories of its people: the foundling who now owns the farm his adoptive family left him; the pregnant teenager and her mother, planning a fairytale wedding; a shy couple, well beyond middle age, struggling with the recognition of their feelings for one another; a camel named Antoinette; and the ubiquitous wind and sand that forever shift the landscape. Their stories bring the prairie desert and the town of Juliet to vivid and enduring life.This wonderfully entertaining, witty and deeply felt novel brims with forgiveness as its flawed people stumble towards the future.

    I dreamed he came into my room and sat on my bed.” “And!” Tony’s eyes got wider. Wider than usual.“He talked about lawnmowers.”“And!”“That’s it, he just talked.”Actually, it hadn’t been a dream, not totally. It was one of those half-awake ones where I knew what was going on so I let it run just to see what would happen. We’re all curious…“You ever dreamed about a bloke?” I asked him.“No!” Tony’s eyebrows went dead flat. “Never!”With a denial like that, maybe he had, but he sure as hell wasn’t talking about it.

    Spanning more than seven decades, from the turn of the century to the mid-seventies, The Underpainter--in range, in the sheer power of its prose, and in its brilliant depiction of landscape and the geography of imagination--is Jane Urquhart's most accomplished novel to date, with one of the most powerful climaxes in contemporary fiction.

    The first is of Ritwik’s; a story of a young man’s escape from a blighted childhood of squalor and abuse in Calcutta to the edge of what he considers to be a new world, full of possibilities, in England, where he has a chance to start all over again. But his past, especially the scarred, all-consuming relationship with his mother, is a minefield: will Ritwik find the salvation he is looking for? Could it arrive in the form of the second story that comprises the novel, the one he is writing himself, the story of an Englishwoman in the old world of Bengal on the eve of India’s first partition? Or could it be in the figure of the eighty-six-year-old Anne Cameron, fragile and damaged, who gives shelter to Ritwik in London in exchange of the care that she needs? And then one night, in the badlands of King’s Cross, Ritwik meets the suave, unfathomable Zafar bin Hashm. As present and past of several lives collide, Ritwik’s own goes into free fall. Set in India during the 1970s and ’80s, in England in the ’90s and in Raj Bengal in the 1900s, this award-winning first novel from one of India’s most acclaimed new writers is about dislocation and alienation, outsiders and losers, the tenuous and unconscious intersections of lives and histories, and the consolations of storytelling. Unsentimental yet full of compassion, and written with unrelenting honesty, this scalding debut marks a new turning point in writing from and of the Subcontinent.

    In the basement, she makes a shocking discovery — two dead girls curled into the bottom of her mother’s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng — troubled, beautiful, and wild teenaged sisters from Vancouver’s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.

    In Douglas Coupland's ingenious new novel--sort of a Clerks meets Who's Afraid of Virginia Woolf--we meet Roger, a divorced, middle-aged aisles associate at Staples, condemned to restocking reams of 20-lb. bond paper for the rest of his life. And Roger's co-worker Bethany, in her early twenties and at the end of her Goth phase, who is looking at fifty more years of sorting the red pens from the blue in aisle 6.One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that this old guy she's never considered as quite human is writing mock diary entries pretending to be her: and, spookily, he is getting her right.These two retail workers then strike up an extraordinary epistolary relationship. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond, a Cheever-era novella gone horribly, horribly wrong. Through a complex layering of narratives, The Gum Thief reveals the comedy, loneliness, and strange comforts of contemporary life.Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death and eternal friendship can all transpire where we least expect them ...and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

    Once loved and respected in their community and in their church, they are ostracized by their neighbors, led by their church leader, and a seventeen-year feud between the Delaneys and the church ensues. Ava and her family are displaced from the community even as they continue to live within it, trapped inside their creaky, shadowy old house.When a mysterious woman arrives unexpectedly for a visit, her presence stirs up the past and ghosts and other restless things begin to emerge. And something is reignited in Ava: the indifferent woman she has become begins to give way to the wild girl, and the passionate artist, she used to be. But not without a struggle that threatens her well-being and, ultimately, her life.Mia McKenzie is a winner of the Astraea Foundation's Writers Fund Award and the Leeway Foundation's Transformation Award. She describes herself as "a black feminist and a freaking queer." Her work has been recommended by The Root, Colorlines, Feministing, Angry Asian Man, and Crunk Feminist Collective, among others. She is the creator of the blog BlackGirlDangerous.org.

    It comes down broad and ale-coloured and joins the Saint Lawrence, the two streams embrace the pan of Montreal Island, the Ottawa merges and loses itself, and the main-stream moves northeastward a thousand miles to sea.”With these words Hugh MacLennan begins his powerful saga of Athanase Tallard, the son of an aristo-cratic French-Canadian tradition, of Kathleen, his beautiful Irish wife, and of their son Paul, who struggles to establish a balance in himself and in the country he calls home.First published in 1945, and set mostly in the time of the First World War, Two Solitudes is a classic novel of individuals working out the latest stage in their embroiled history.

    Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests.As young men, estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen--a wily, shape-shifting trickster--watches over them with a protective eye. For Jeremiah and Gabriel are destined to be artists. Through music and dance they soar.

    On a South Asian-settled university planet, tensions are rising, and as they reach the brink of interstellar war, life (and sex) continues. Humans, aliens, and modified humans gather at the University of All Worlds in search of knowledge... and self-knowledge... but the first bomb has fallen and the fate of this multicultural, multispecies mecca is in question. Some people will seek solace in physical contact, some will look for spiritual answers, while others will find their strength in community, family, and love. Some will rush home to make love to their wife. Or wives. Or husbands. Or indeterminate gender human and/or alien partners. Others will be forced to decide where they stand -- what is worth fighting for, or maybe even worth dying for.In The Stars Change, author Mary Anne Mohanraj presents a multi-layered, thought-provoking, and far-reaching work on sexuality and the connections between people--whether male or female, human or alien. The Stars Change is part space opera, part literary mosaic of story, poem, and art.It is fitting that a book that emphasizes the power of community was funded through Kickstarter. Begun as a project entitled "Demi Monde," The Stars Change is the result of the money raised by supporters that went to pay for not only the art and illustrations in the book, but the author's time, allowing her to focus on writing for that crucial interval.From Smashwords, Publisher Description

    Written in 1913 by a British colonial administrator, the diary captivates Fernandes, who begins to research the coded history he encounters in its terse, laconic entries. What he uncovers is a story of forbidden liaisons and simmering vengeances, family secrets and cultural exiles--a story that leads him on an investigative journey through his own past and Africa's.