Whether it’s voyeurism, exhibitionism, or your run-of-the-mill foot fetish, we all possess a suite of sexual tastes as unique as our fingerprints—and as secret as the rest of the skeletons we’ve hidden in our closets.Combining cutting-edge studies and critiques of landmark research and conclusions drawn by Sigmund Freud, Alfred Kinsey, and the DSM-5, Bering pulls the curtain back on paraphilias, arguing that sexual deviance is commonplace. Bering confronts hypocrisy, prejudice, and harm as they relate to sexuality on a global scale. Humanizing so-called deviants while at the same time asking serious questions about the differences between thought and action, he presents us with a challenge: to understand that our best hope of solving some of the most troubling problems of our age hinges entirely on the amoral study of sex.

    His Broadway theatre baron father is dead—but by purpose or accident? The question rips him apart.Unable to face alone his mother’s ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn’t seen since their relationship changed forever from platonic to something…other. Loyal to a fault (truly, a fault), Horatio is on the first flight to NYC when he finds himself next to a sly tailor who portends inevitable disaster. And who seems ominously like an architect of mayhem himself.Meanwhile, Ben’s ex-fiancé Lia, sundered her from her loved ones thanks to her addiction recovery and torn from her art, has been drawn into the fold of three florists from New Orleans—seemingly ageless sisters who teach her the language of flowers, and whose magical bouquets hold both curses and cures. For a price.On one explosive night these kinetic forces will collide, and the only possible outcome is death. But in the masterful hands of Lyndsay Faye, the story we all know has abundant surprises in store. Impish, captivating, and achingly romantic, this is Hamlet as you’ve never seen it before.

    Since Hurricane Katrina, his father’s death, and the decision that he and his ex-wife Maddy are far better off friends than lovers, he’s lost interest in almost everything he held dear—parties, people, and pushing limits.All his limits.Then Arianna Barrington checks into his hotel.Twenty-four-year-old Arianna “Rain” Barrington could have been society’s sweetheart. Her family is moneyed, connected press darlings, and make sweeping headlines from coast to coast for reasons both good and bad. But when her mother shoves her at Charles Harwood—the obnoxious, entitled heir of Harwood Corp—to cement a billion-dollar business merger, Rain does the only thing she can think of to escape: she creates a scandal so big Harwood doesn’t want her anymore before fleeing to New Orleans for much-needed rest and relaxation.All she wants is jazz piano, beignets, and to sail the Mississippi. What she gets is Sol DuMont, a whirlwind affair, and a hands-on education in sex, power play, and pushing limits.All her limits.

    And he’s having a midlife crisis.Charley gets suspended by the Agency after forgetting to pay his taxes. Only days earlier, yet another marriage proposal has been spurned. In his grief and confusion, Charley befriends Electra, a high-powered Manhattan socialite-turned-dominatrix rebuilding her life in San Francisco. Then he meets Frankie, a disgruntled lesbian police sergeant who has been demoted by the SFPD for being a whistle blower.Together they uncover a Christian fundamentalist’s lethal plot to destroy the ‘hedonists’ of San Francisco. Yet, neither the SFPD nor the CIA will take the threat seriously due to the trio’s outsider status. Can they get anyone to listen to them? Or are they on their own? Find out in this funny thriller filled with San Francisco’s spectacular scenery and inimitable, quirky characters.

    Using the language and techniqus of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals--"the only minority against whose existence there are laws."

    With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<

    Aside from this, though, if there's one area that I'm 100% anecdotally and personally qualified to tackle, it's sexuality. If there is a 'sexuality spectrum', then I've probably existed at every point on it at some stage in my life. This book is my attempt to demystify sexuality by narrating my own, often humiliating adventures in sex, dating, gender identity, etc. and to get everyone to Just. Calm. Down. We'll talk about the pros and cons of labels, and why history contains no stories of gay people living long, happy, successful lives. Also included: sexual fluidity, gay genes, Lady Gaga and bisexual monkeys. My dream is that we get to a point where we don't even need to discuss sexuality at all. Where it's a total non-issue, and everyone's falling in love with everyone all over the place. Seeing as we're not there yet, however, I think it is incredibly important to talk about it. Openly, and without embarrassment. I hope this book is a step in that direction. ENJOY.

    Aided by the unclaimed, destructive power of the murdered, forgotten Winter Court, they ready their numbers for complete domination of the human realm.All until Robin Vale reveals himself to be the last Icethorn heir. A hope for the humans he has grown up amongst, but to the detriment of many who would see him dead before ruining their years of preparation.Robin finds allies during his discovery of a realm he has long since feared. Gideon, a fey warrior who aids as a distraction during the long nights. Althea, a stern princess hellbent on stopping the human hunters from killing her kind.Thrust into a world of betrayal, murder and lies he must survive long enough to have the choice; listen to fate and claim his families power, or let it wreak havoc on a realm that turned its back on him for becoming who he was truly meant to be.But a dark evil is brewing, monsters have returned and the scales of power are being forced by a hand who longs for revenge.

    Miranda is, too, one who'll find her femme persona as intriguing and fuckable as she is in boy drag. Jack thinks she's hot no matter what she looks like, and after "introducing" her to a few of his friends, decides to keep her on. This is San Francisco's notorious SOMA/South of Market, a neighborhood colonized by leatherfolk long before the dot-commers and ravers arrived. From dark alleys to tastefully-appointed dungeons, from hotel penthouses to tranny bars, Randy/Miranda embraces her heart's, mind's, and body's desires with an assortment of sexes, genders, and sexual orientations. With Jack and others--all denizens of San Francisco's sexual fringes--she creates her own queer version of family. Mistress of sexual storytelling Carol Queen offers a fresh look at sexual lifestyles and choices that are misinterpreted and repudiated by the mainstream. Her perceptive and knowledgeable treatment inserts a new viewpoint into the carefully developed relationships of power play, destroying stereotypes and modeling open communication. A 1999 Firecracker Alternative Book Award-winner in the original edition (Cleis Press, 1998).

     Sandy McLeod has been perfectly happy in her D/s relationship with her husband Zane for the last ten years. Until his old army buddy re-enters their life. Sean Manson is altogether too handsome, too virile, far too much of anything. The man oozes dominance, danger, and leashed aggression, and Sandy can’t help but respond to him. Neither can Zane. He walked away from Sean once. Now, he’s back, long suppressed feelings bubble to the surface and cannot be denied. When Sandy agrees to a threesome, happiness seems within their grasp. Sean’s demons, however, threaten to destroy everything they hold dear. Sean never meant to come between husband and wife, let alone hurt either one of them. Surely, the only solution is to walk away from them both. When you’re the missing piece, however, walking is simply not an option.

    As far as she can tell, they’re overrated, overpaid, and underperforming – in every area of life. But a girl has needs, and the smoking-hot stranger she just met at the office seems like the perfect one-night stand…Prince Ruben of Helgmøre is reckless, dominant, and famously filthy. The outcast royal is rebuilding his reputation – all for a good cause – but he can’t resist a pretty face. And bossy whirlwind Cherry’s got the face, the body, and the attitude to make Ruben’s convictions crumble. Even better, when she propositions him, she has no idea who he really is.But when paparazzi catch the pair, erm, kissing in an alleyway, Ruben’s anonymity disappears faster than Cherry’s knickers. Now the press is in uproar, the palace is outraged, and Ruben’s reputation is back in the gutter. There’s only one way to turn this disaster around – and it involves Cherry, some big fat lies, and a flashy diamond ring. On her left hand.Unfortunately, Cherry isn’t pleased with Ruben’s ‘fake engagement’ scheme… and neither is the king.The Princess Trap is a steamy, diverse royal romance featuring a take-no-sh*t heroine and a misunderstood hero fighting to survive life at the palace. There’s fake relationship fluff, a healthy dose of angst, and a guaranteed happily-ever-after. Please be aware: this story contains scenes of abuse that could trigger certain audiences.

    To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents' debts and buy your children's future.Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug that took his mother from him. Too bad his contract has been purchased by Alexander Bishop III, whose ultra-rich family is the brains (and money) behind Dociline and the entire Office of Debt Resolution. When Elisha refuses Dociline, Alex refuses to believe that his family’s crowning achievement could have any negative side effects—and is determined to turn Elisha into the perfect Docile without it.

    Times Two is about two women meeting, falling madly in love, and realizing that they are so crazy about each other that they want to have a family together. The fact that they both get pregnant at the exact same time is where things start to get interesting. Sarah Kate Ellis, a high-powered magazine executive, and Kristen Henderson, a laid-back rock star, decide it’s time to start their family. After determining that Sarah should get pregnant first while Kristen works on her band’s new CD, they head to a fertility doctor to start the process. But after months of drug treatments, miscarriages, and heartbreak, Kristen decides to start trying, too. That’s when the utterly improbable happens: Sarah and Kristen find out that they are both pregnant—and are due three days apart. Overjoyed by the news that they are both expecting, Sarah and Kristen are also overwhelmed by all that lies ahead. Both have successful, demanding careers. Both have large, close-knit families nearby, including two strongly opinionated mothers who immediately want to be involved with everything. And both are completely clueless about the challenges they’re about to face. They soon realize that none of their previous accomplishments has prepared them for the highs and lows of impending motherhood: not Kristen’s stint touring with The Rolling Stones, nor Sarah’s march up the corporate ladder in the world of women’s magazines. They go through everything first-time parents-to-be experience—but twice over. They’re producing double the hormones, double the morning sickness, double the cravings, and have double the ups and downs. From the start, Sarah and Kristen think of their babies as twins, each woman carrying half of a set. But for two women who’ve always finished each other’s sentences, they suddenly find themselves on opposite ends of the mothers-to-be spectrum, with different opinions on almost everything. One wants a drug-free birth, while the other wants an epidural at the first sign of a contraction. One is dying to know the baby’s gender, but the other refuses to find out until she hears the baby’s first cry in the delivery room. The difficulties of having two pregnant women under the same roof are multiplied by the legal and social obstacles of being a gay couple. Told from Kristen and Sarah’s insightful and hilarious she said/she said perspective, this touching, modern family adventure will entertain, enlighten, and resonate with readers of all stripes.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    Growing up with a cold, unfeeling father and unstable mother has taught him exactly what he doesn’t want out of life or love. The troubled young man prefers a solitary life and is content to keep it that way until a campus emergency saddles him with an unwanted roommate.Popular, wholesome, straight Nick Thompson is far more temptation than Eric’s prepared for, but Nick’s warm, easygoing manner gradually cracks through Eric’s prickly protective shell.After Eric suffers a traumatic attack, their friendship gives way to an intense passion. Eric’s no stranger to casual sex, but what he feels for Nick is something deeper, and more fragile.Independent Eric doesn't know the first thing about being in a relationship, much less with a lover who can't even admit he's gay. But conservative Nick can't seem to find his way out of his own personal closet. 'Rock', meet 'Hard-Place'.