What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    But then he introduces her to his old friend Felix, once a brilliant surgeon, now barred from practising and changed beyond recognition. In the complex triangle that develops, Martin must decide just how far he is prepared to go for Felix. So begins the darkest of journeys for all three of them...

    Aldo, his best friend and muse, is a haplessly criminal entrepreneur with an uncanny knack for disaster. As Aldo's luck worsens, Liam is inspired to base his next book on his best friend's exponential misfortunes and hopeless quest to win back his one great love: his ex-wife, Stella. What begins as an attempt to make sense of Aldo's mishaps spirals into a profound story of faith and friendship.With the same originality and buoyancy that catapulted his first novel, A Fraction of the Whole, onto prize lists around the world—including shortlists for the Man Booker Prize and the Guardian First Book Award—Steve Toltz has created a rousing, hysterically funny but unapologetically dark satire about fate, faith, friendship, and the artist's obligation to his muse. Sharp, witty, kinetic, and utterly engrossing, Quicksand is a subversive portrait of twenty-first-century society in all its hypocrisy and absurdity.

    Wildfires are burning in the hills outside, but inside the theater it is time for the performance to take over.Margot is a successful, flinty professor on the cusp of retirement, distracted by her fraught relationship with her adult son and her ailing husband. After a traumatic past, Ivy is is now a philanthropist with a seemingly perfect life. Summer is a young drama student, an usher at the theater, and frantically worried for her girlfriend whose parents live in the fire zone.While the performance unfolds on stage, so does the compelling trajectory that will bring these three women together, changing them all. Deliciously intimate and yet emotionally wide-ranging, The Performance is a novel that both explores the inner lives of women as it underscores the power of art and memory to transform us.

    He lives with his gran and his uncle Rory. His best friend is Clinton Tull. Adrian loves to draw, and he wants a dog. He’s afraid of quicksand, shopping centers, and self-combustion. But as closely as he watches his suburban world, there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again. . . .In this suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy - unwanted, unloved, and intensely curious - a story as achingly beautiful as it is shattering. As her quiet tale ominously unfolds, we are reminded of how fragile are the threads that hold us secure - and how brave, how precious, is the heart of each child who soldiers on.

    Thomas Keneally's evocative writing gives us searing insight into the sun-parched settlements of hungry transports and corruptive soldiers. But this is not an 'historical' novel in the usual sense. It is the story of a man, Corporal Phelim Halloran, and of the demands made on him - by his girl, his Irish comrades, his superior officers, and, most often, by his conscience. Innocent and lover, poet, soldier-by-accident, scholar by the standards of his day, Halloran attempts to make a world unto himself. through his pity and love for Ann Rush, his 'secret bride'; but many seem pledged to complicate these simple desires. There is the convict-artist, Thomas Ewers, persecuted and compelled to illustrate the officers' journals. There is Halloran's feckless colleague, Terry Byrne. The convict, Quinn, whose term of imprisonment should have been nearly over. Robert Hearne, political prisoner, government clerk and traitor. Halloran comes to disbelieve in any other existence except his own and God's, until, shockingly and irrevocably, he is reunited with Ann."

    Building a fence is not going to keep the world out and won't keep your children in. Life's not that simple."Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into the quiet life of this cosy community.Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. More than just a new home, it's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together.To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden.To Gwen, this as an act of war.Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.PRAISE FOR THE FENCE"There's nothing polite about this white picket fence drama. In this green-thumbed social satire of suburban neighbourly conflict, Meredith Jaffe's wicked sense of humor blooms in the fertile compost of domestic discord. To be enjoyed in all seasons, in full sun or part shade, requiring no watering or weeding. A mischievous treat for anyone who has ever had tricky neighbours. Jaffe is a welcome new talent." Caroline Baum, Booktopia

    Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn.After: The summers have grown even fiercer and the Cormac name doesn't mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn't even know what legacy means now. Not since the ground started sinking beneath her. Meanwhile, a nameless woman has been released from state care. She sticks to her twelve-step program, recites her affirmations, works one day at a time on a humble life devoid of ambition or redemption. How can she have an after when baby Robbie doesn't?

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    When she returns to her hometown after years in South America, reeling from a devastating diagnosis, she finds that much has changed. Lotte’s father has remarried, and she feels like an outsider in the house she grew up in. She’s estranged from her former best friend, Eve, who is busy with her own life, and unsure of how to recover the closeness they once shared. Initially, Lotte's return causes disharmony, but then it is the catalyst for a much more devastating event — an event that will change Lotte and Eve's lives forever.If families are like solar systems — bodies that orbit in time with one another, sometimes close and sometimes far away — what is the force that drives them? And what are the consequences when the weight of one planet tugs others off course?The long-awaited second novel from the award-winning Melanie Joosten, 'Gravity Well' is a striking and tender tale of friendship and family: both the family we are born to, and the family we choose. Deeply compassionate and profoundly moving, it is a heartrending portrait of how we rebuild when the worst has happened.

    Botts and her sexy, twentyish daughter, Leila, arrive. Since they're locked out of their house, Edwin invites them in-and then can't get them to leave. He becomes obsessed with Leila and convinces himself that she is a perfect surrogate mother for the childless Cecilia. "Wickedly amusing . . . subversive" (New York Times Book Review), The Sugar Mother undoes the institution of marriage.

    Nic is a forty-five-year-old trivia buff, amateur nail artist and fairy godmother to the neighbourhood's stray cats. She's also the owner of a decade's worth of daily newspapers, enough clothes and shoes to fill Big W three times over and a pen collection which, if laid end-to-end, would probably circle her house twice. She'd put her theory to the test, if only the pen buckets weren't currently blocked in by the crates of Happy Meal toys and the towers of Vegemite jars, take-away containers and cat food tins.Nic's closest relationship is with her niece Lena. The two of them meet for lunch every Sunday to gossip about the rest of the family and bitch about work (they're both checkout chicks: Lena just for now, Nic until they prise her staff discount card from her cold, dead hands).One Sunday, Nic fails to turn up to lunch and when Lena calls she gets a disconnection message. Arriving at the house she hasn't visited in years ('Too far for you to come, hon. Let's meet in the middle.') she finds her aunt unconscious under an avalanche of stuff.Lena is devastated that her beloved aunt has been living in such squalor all this time. While Nic is in hospital, she gets to work cleaning things up for her. Her first impulse is to call in the bulldozers and start searching Gumtree for a roomy caravan. But with the help of her reluctantly recruited brother, Will, she gets the job done.This heroic effort is not appreciated by the plastered up, crutch-wielding Nic. She returns to an empty, alien place unrecognisable as her home and the unbearable pity of her family who have no idea what they've destroyed. How can she live in this place without safety and peace? And how can she ever forgive the niece who has betrayed her?

    Haunted by the assault, she hides from the world, finding solace in her mathematical theories. A few years later, her intellectual brilliance is discovered and she leaves conflict-stricken Pakistan for a better education in Melbourne, where she finds herself placed with Kate—a successful plastic surgeon facing emotional insecurities of her own.   Malika and Kate’s lives slowly intertwine as they find within each other what each has lacked alone. At first, Kate’s skills appear to offer a simple solution to Malika’s anguish, but when tragedy strikes, the price of beauty is found to be much higher than either of them could have known.  As Swallows Fly is a poignant portrayal of survival, identity and empowerment in a culture dominated by the pursuit of perfection. In a captivating and unforgettable debut, McMahon asks what might be possible if we have the courage to be flawed.

    In a split second, Aida disappears and a frantic Anne scrambles for help. Some of the emergency trackers who search for Aida already doubt Anne's story.Nearly two years later and still tormented by remorse and grief, Anne is charged with her daughter's murder. Witnesses have come forward, offering evidence which points to her guilt. She is stalked by the media and shunned by friends, former colleagues and neighbours.On bail and awaiting trial, Anne works to reconstruct her last hours with Aida. She remembers the sun high in the sky, the bush noisy with insects, and her own anxiety, as oppressive as the heat haze.A superbly written and conceived literary work about the best and the worst aspects of family life, this story asks difficult questions about society, the media, and our rush to judgement. This is a thoughtful, provocative and unflinching novel in the tradition of Helen Garner, Joan London and Charlotte Wood.