In the summer of 1968, after travelling from Brooklyn to Oakland, California, to spend a month with the mother they barely know, eleven-year-old Delphine and her two younger sisters arrive to a cold welcome as they discover that their mother, a dedicated poet and printer, is resentful of the intrusion of their visit and wants them to attend a nearby Black Panther summer camp.In a humorous and breakout book by Williams-Garcia, the Penderwicks meet the Black Panthers.

    Her father left three years ago for the new colony of Jamestown in America, thousands of miles away. But now that her mother has died, Amanda is left to take care of her younger brother and sister all alone back in England.As the new head of the family, Amanda finally decides to take her brother and sister to America to find Father. The ocean crossing is long and hard, and the children don't know whom to trust. But with her father's little brass lion's head to guard them, Amanda knows that somehow everything will work out.

    She dares to find him in the forest, and the hound dares to befriend this cat, this feline, this creature he is supposed to hate. They are an unlikely pair, about to become an unlikely family. Ranger urges the cat to hide underneath the porch, to raise her kittens there because Gar-Face, the man living inside the house, will surely use them as alligator bait should he find them. But they are safe in the Underneath...as long as they stay in the Underneath. Kittens, however, are notoriously curious creatures. And one kitten's one moment of curiosity sets off a chain of events that is astonishing, remarkable, and enormous in its meaning. For everyone who loves Sounder, Shiloh, and The Yearling, for everyone who loves the haunting beauty of writers such as Marjorie Kinnan Rawlings, Flannery O'Connor, and Carson McCullers, Kathi Appelt spins a harrowing yet keenly sweet tale about the power of love — and its opposite, hate — the fragility of happiness and the importance of making good on your promises.

    The hall was large and low, the roof arched, and supported on thick short columns, almost like the crypt of a Cathedral; the walls were thick, and the windows, which had no glass, were very small, set in such a depth of wall that there was a wide deep window seat, upon which the rain might beat, without reaching the interior of the room. And even if it had come in, there was nothing for it to hurt, for the walls were of rough stone, and the floor of tiles. There was a fire at each end of this great dark apartment, but there were no chimneys over the ample hearths, and the smoke curled about in thick white folds in the vaulted roof, adding to the wreaths of soot, which made the hall look still darker.

    Dave Mitchell and his father disagree on almost everything—and every time their fighting sets off his mother’s asthma, Dave ends up storming out of the house. But when Dave meets a big, handsome tomcat, he decides to bring him home, no matter what his father has to say about it.With adventure-loving Cat around, Dave meets lots of new people—like Tom, a young dropout on his own in the city, and Mary, the first girl he can talk to like a real person.And as his eyes open to those around him, Dave starts to understand his father a little better. They still don’t see eye-to-eye on a lot of things, but there is one thing they can both agree on: Having a cat can be very educational—especially when it’s one like Cat.

    Mario, the son of Mama and Papa Bellini, proprietors of the subway-station newsstand, had only heard the sound once. What was this new, strangely musical chirping? None other than the mellifluous leg-rubbing of the somewhat disoriented Chester Cricket from Connecticut. Attracted by the irresistible smell of liverwurst, Chester had foolishly jumped into the picnic basket of some unsuspecting New Yorkers on a junket to the country. Despite the insect's wurst intentions, he ends up in a pile of dirt in Times Square. Mario is elated to find Chester. He begs his parents to let him keep the shiny insect in the newsstand, assuring his bug-fearing mother that crickets are harmless, maybe even good luck. What ensues is an altogether captivating spin on the city mouse/country mouse story, as Chester adjusts to the bustle of the big city. Despite the cricket's comfortable matchbox bed (with Kleenex sheets); the fancy, seven-tiered pagoda cricket cage from Sai Fong's novelty shop; tasty mulberry leaves; the jolly company of Tucker Mouse and Harry Cat; and even his new-found fame as "the most famous musician in New York City," Chester begins to miss his peaceful life in the Connecticut countryside. The Cricket in Times Square--a Newbery Honor Book in 1961--is charmingly illustrated by the well-loved Garth Williams, and the tiniest details of this elegantly spun, vividly told, surprisingly suspenseful tale will stick with children for years and years. Make sure this classic sits on the shelf of your favorite child, right next to The Wind in the Willows. (Ages 9 to 12)

    Which is near impossible when you have a brother with autism and a family that revolves around his disability. She's spent years trying to teach David the rules-from "a peach is not a funny-looking apple" to "keep your pants on in public"-in order to stop his embarrassing behaviors. But the summer Catherine meets Jason, a paraplegic boy, and Kristi, the next-door friend she's always wished for, it's her own shocking behavior that turns everything upside down and forces her to ask: What is normal?

    Weeks after a tragic accident, all that is left are eerie connections between the two girls, former classmates who both kept the same secret without knowing it. Now, even while on vacation at the ocean, Martha can't stop thinking about Olive. Things only get more complicated when Martha begins to like Jimmy Manning, a neighbor boy she used to despise. What is going on? Can life for Martha be the same ever again?

    That's how Katie Takeshima's sister, Lynn, makes everything seem. The sky is kira-kira because its color is deep but see-through at the same time. The sea is kira-kira for the same reason and so are people's eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it's Lynn who explains to her why people stop on the street to stare, and it's Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow, but when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering -- kira-kira -- in the future.

    Vernon Dumehjian Kherdian was born into a loving and prosperous family. Then, in the year 1915, the Turkish government began the systematic destruction of its Armenian population.

    This was true of Miss Hickory until the fateful day that her owner, Ann, moves from her New Hampshire home to attend school in Boston—leaving Miss Hickory behind. For a small doll whose body is an apple-wood twig and whose head is a hickory nut, the prospect of spending a New Hampshire winter alone is frightening indeed. In this classic modern day fairy tale, what’s a doll to do?

    Written in the classic tradition of the Little House and the Rocky Ridge books, and based on diaries, letters, and other historical papers, these books offer a glimpse into America's adventurous past, as seen through the eyes of another girl from America's beloved frontier family.

    Bred to the sea, he signs on with the "Rose of Devon," a dark frigate bound for the quiet shores of Newfoundland.Philip's bold spirit and knowledge of the sea soon win him his captain's regard. But when the "Rose of Devon" is seized in midocean by a devious group of men plucked from a floating wreck, Philip is forced to accompany these "gentlemen of fortune" on their murderous expeditions. Like it or not, Philip Marsham is now a pirate--with only the hangman awaiting his return to England.With its bloody battles, brutal buccaneers, and bold, spirited hero, this rousing tale will enthrall young listeners in search of seafaring adventure.

    You can’t sugarcoat it. You have to take a stand and say, ‘This is not right.’” – Claudette Colvin On March 2, 1955, an impassioned teenager, fed up with the daily injustices of Jim Crow segregation, refused to give her seat to a white woman on a segregated bus in Montgomery, Alabama. Instead of being celebrated as Rosa Parks would be just nine months later, fifteen-year-old Claudette Colvin found herself shunned by her classmates and dismissed by community leaders. Undaunted, a year later she dared to challenge segregation again as a key plaintiff in Browder v. Gayle, the landmark case that struck down the segregation laws of Montgomery and swept away the legal underpinnings of the Jim Crow South. Based on extensive interviews with Claudette Colvin and many others, Phillip Hoose presents the first in-depth account of an important yet largely unknown civil rights figure, skillfully weaving her dramatic story into the fabric of the historic Montgomery bus boycott and court case that would change the course of American history.

    Each message brings her closer to believing that only she can prevent a tragic death. Until the final note makes her think she’s too late.