On the plane ride home he met a beautiful girl named Greta. He's hoping Greta will call--and that she won't call while he's on the phone with his girlfriend, Vigdis. The moment he settles down at home, Havard, a drunken, violent lout from Emil's past, shows up on his doorstep. Spying Havard through a window--and not wanting to have anything to do with him--Emil does the only sensible thing he can think of: he hides under his bed and waits for Havard to go away. A man with sensibilities of his own, Havard, standing ignored on the doorstep, does the only reasonable thing he can think of: he breaks into Emil's place, starts drinking his booze, and ends up hosting a bizarre party for Emil's friends. An alternately dark and hilarious novel, the breezy and straightforward style of The Pets belies its narrative depth, and disguises a complexity that increases with each passing page.

    A Boston ornithologist speeds through the landscape in a four-by-four chasing Arctic Terns; a schoolboy is relocated to the northernmost town of Siglufjördur to compete in a chess tournament; and a husband packs his wife off to visit her aunt in Sweden. Despite the desolation of their surroundings, the characters encounter strange company: ghostly presences in the early hours, enviable neighbors, and fellow writers with remarkably similar ambitions. Plotting a constellation of singular, glittering images that are rendered nonetheless complete, this magnificent compilation intersects the paths of its characters, who are at once isolated in their individual pursuits and yet connected in the vast realm of dreams.

    Alfgrimur dreams only of becoming a fisherman like his adoptive grandfather, until he meets Iceland's biggest celebrity. The opera singer Gardar Holm’s international fame is a source of tremendous pride to tiny, insecure Iceland, though no one there has ever heard him sing. A mysterious man who mostly avoids his homeland and repeatedly fails to perform for his adoring countrymen, Gardar takes a particular interest in Alfgrimur’s budding musical talent and urges him to seek out the world beyond the one he knows and loves. But as Alfgrimur discovers that Gardar is not what he seems, he begins to confront the challenge of finding his own path without turning his back on where he came from.

    More interested in David Bowie and the Beatles than the Nordic sagas that shape the lives of the working-class peoples of Reykjavik, Paul retreats into his own fantastic, schizophrenic, painful world. His madness springs from bits of reality and brighter strikes of insanity. Out-of-work and aimless, tormented by bouts of drinking and ferocious tantrums, Paul walks Reykjavik's streets scaring his family lusting after women, recounting petty humiliations, and imagining the forces that both guide and haunt him. Paul's behaviors lead him to Klepp, a psychiatric hospital outside Reykjavik where he plays out his days in therapy and frantic conversation with its resident patients. Sparsely inhabited, Klepp tends to a variety of disturbed people creating comedic havoc.

    instead, she finds her plans wrecked by her best friend's deaf-mute son, thrust into her reluctant care. But when a shared lottery ticket nets the two of them over 40 million kroner, she and the boy head off on a road trip across iceland, taking in cucumber-farming hotels, dead sheep, and any number of her exes desperate for another chance. Blackly comic and uniquely moving, Butterflies in November is an extraordinary, hilarious tale of motherhood, relationships and the legacy of life's mistakes.

    The stark Icelandic winter landscape is the backdrop. We follow the priest, Skugga-Baldur, on his hunt for the enigmatic blue fox. From there we’re then transported to the world of the naturalist Friðrik B. Friðriksson and his charge, Abba, who suffers from Down’s syndrome, and who came to his rescue when he was on the verge of disaster. Then to a shipwreck off the Icelandic coast in the spring of 1868.The fates of all these characters are intrinsically bound, and gradually, surprisingly, unravelled in this spellbinding fable that is part mystery, part fairy tale.Sjón is a celebrated Icelandic poet and novelist. His novels have been translated into twenty-five languages and include From the Mouth of the Whale and The Whispering Muse (both by Telegram). Sjón won the Nordic Council Literary Prize, the equivalent of the Man Booker Prize, for The Blue Fox and "Best Icelandic Novel" for The Whispering Muse in 2005. Also a songwriter, he has written lyrics for Björk, including for her eight studio album, Biophilia.

    The saga recounts Egil's progression from youthful savagery to mature wisdom as he struggles to avenge his father's exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland. Exploring issues as diverse as the question of loyalty, the power of poetry, and the relationship between two brothers who love the same woman, Egil's Saga is a fascinating depiction of a deeply human character.

    Situated in the North Atlantic Ocean, on the edge of the inhabitable world, the nation was both isolated and abjectly poor. Centuries of colonisation translated into oppression and subjugation from the colonial overlords, and a hostile climate and repeated natural disasters meant that mere survival was a challenge to even the hardiest of souls. In these 50 miniature essays, Alda Sigmundsdottir writes about the Icelanders in centuries past in a light and humourous way, yet never without admiration and respect for the resilience and strength they showed in coping with conditions of adversity that are barely imaginable today. Their ways of interacting with the natural world are described, as are their sometimes tragic, sometimes ingenious, means of dealing with maltreatment and injustice from the church and other rulers. These forms of oppression include a trade monopoly imposed by Denmark that lasted nearly two centuries, a ban on dancing that lasted for a similar length of time, the forced dissolution of households when the breadwinner of the family died, the tyranny of merchants granted exclusive right to trade with the Icelanders, and the dreaded decrees of the Grand Judgement - a court of law that was set up to punish various offenses, real or imagined. Yet it is not only the “big picture” that is described in this book, but also the various smaller aspects that shed light on the daily life of the Icelanders of old. These include their ingenious ways of coping with lack, of preserving food, of finding shelter, of creating or admitting light into their homes, as well as the innumerable and sometimes wacky superstitions attached to various life events, big and small. The hilarious customs of hospitality and visiting are also described, as are some of the sexual activates of Icelanders in the past, their belief in elves and hidden people, sexual interactions with hidden people (!), ways of dealing with grief, interactions with foreigners, and much, much more. Today’s Iceland is a modern, cosmopolitan place, with one of the highest standards of living in the world. Yet less than a century ago, this paragon of equality and peace was the poorest society in Europe. The conditions of life described in this book are therefore not very distant from the Icelanders today, and many of the aspects described are still very much reflected in Iceland’s unique culture. For example, the harsh climate and isolation of the past meant that there was a serious lack of grains for food. Consequently the Icelanders devised ways to make breads and cakes that used very little flour. The Icelandic “pancake”, similar to a French crepe, is still very much a part of traditional Icelandic celebrations, as is the “laufabraud” - a wafer-thin, deep-fried bread that is traditionally eaten at Christmas. The Icelandic language is also rich with throwbacks to the past - for instance the Icelandic word for “windfall” is “hvalreki” which literally means “beached whale” - this because a single beached whale in the old days was usually enough to feed an entire district, or one household for a full year, something that was immensely welcome in a country where food was in short supply. In short, The Little Book of the Icelanders in the Old Days is not only a funny, witty and wise expose on the Icelanders’ daily life in the past, it is also essential to understanding the Icelandic national character today.

    Written in Iceland a century after the close of the Viking Age, it tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. It also preserves the oral memory of heroes, warrior kings and queens. In clear prose interspersed with powerful verse, the Edda provides unparalleled insight into the gods' tragic realisation that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales from the pagan era have proved to be among the most influential of all myths and legends, inspiring modern works as diverse as Wagner's Ring Cycle and Tolkien's The Lord of the Rings.This new translation by Jesse Byock captures the strength and subtlety of the original, while his introduction sets the tales fully in the context of Norse mythology. This edition also includes detailed notes and appendices.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    Selected by Gwyn Jones--the eminent Celtic scholar--for their excellence and variety, these nine Icelandic sagas include Hen-Thorir, The Vapnfjord Men, Thorstein Staff-Struck, Hrafnkel the Priest of Frey, Thidrandi whom the Goddesses Slew, Authun and the Bear, Gunnlaug Wormtongue, King Hrolf and his Champions, and the title piece.

    An unforgettable journey. A beautiful and bloody history. This is Iceland as you've never read it before... Broadcaster Richard Fidler and author Kári Gíslason are good friends. They share a deep attachment to the sagas of Iceland - the true stories of the first Viking families who settled on that remote island in the Middle Ages. These are tales of blood feuds, of dangerous women, and people who are compelled to kill the ones they love the most. The sagas are among the greatest stories ever written, but the identity of their authors is largely unknown. Together, Richard and Kári travel across Iceland, to the places where the sagas unfolded a thousand years ago. They cross fields, streams and fjords to immerse themselves in the folklore of this fiercely beautiful island. And there is another mission: to resolve a longstanding family mystery - a gift from Kari's Icelandic father that might connect him to the greatest of the saga authors. Praise For Fidler & Gíslason.'We already know Fidler is an interviewer of great empathy, now we know he mirrors that skill on the page, too.' Andrew McMillan, The Australian'Kári's descriptions of Iceland are so beautiful that one is tempted to pack up and go there.' Bev Blaauw, Cairns Post

    It relates the tale of Grettir, an eleventh-century warrior struggling to hold on to the values of a heroic age becoming eclipsed by Christianity and a more pastoral lifestyle. Unable to settle into a community of farmers, Grettir becomes the aggressive scourge of both honest men and evil monsters - until, following a battle with the sinister ghost Glam, he is cursed to endure a life of tortured loneliness away from civilisation, fighting giants, trolls and berserks. A mesmerising combination of pagan ideals and Christian faith, this is a profoundly moving conclusion to the Golden Age of the saga writing.

    That is, until he kills the wrong guy and is forced to flee the States, leaving behind the life he knows and loves. Suddenly, he finds himself on a plane hurtling toward Reykjavík, Iceland, disguised as an American televangelist named Father Friendly. With no means of escape from this island devoid of gun shops, this island with absolutely no tradition for contract killing, he is forced to come to terms with his bloody past and reevaluate his future, to tragicomic effect. The Hitman's Guide to Housecleaning is a story of mistaken identity, human destiny, and the forces of good and evil present within us all.

    An artist, Karitas has a powerful calling and is determined to never let go of her true being, one unsuited for the conventional. But she is powerless against the fateful turns of real life and all its expectations of women. Pulled back time and again by design and by chance to the Icelandic countryside—as dutiful daughter, loving mother, and fisherman’s wife—she struggles to thrive, to be what she was meant to be.Spanning decades and set against a breathtaking historical canvas, Karitas Untitled, an award-winning classic of Icelandic literature, is a complex and immersive portrait of an artist’s conflict with love, family, nature, and a country unaccustomed to an untraditional woman—but most of all, with herself and the creative instincts she has no choice but to follow.