It is set in the harsh dead of winter, just as the soldiers set up camp in a forest in Galicia near the Romanian front line. Due to a lull in fighting, their days are taken up with the mundane tasks of trying to scratch together what food and comforts they can find, all the time while talking, smoking, and waiting. Waiting specifically for spring to come. Waiting for their battalion to move on. Waiting for the inevitable resumption of violence.Recalling great works like Isaac Babel’s Red Cavalry, Ernest Hemingway’s A Farewell to Arms, and Stephen Crane’s The Red Badge of Courage, Four Soldiers is a timeless and tender story of young male friendships and the small, idyllic moments of happiness that can illuminate the darkness of war.

    In a painfully sentimental journey, Louise, a sophisticated eighteen-year-old Parisian student, sits in a café awaiting the arrival of her long-absent mother, an aging hippie and former fashion model. As the hours pass and Louise waits, she reaches deeper and deeper into her store of memory, recalling the early failure of her parents' marriage. Louise remembers how brief and unfulfilling meetings with her mother have punctuated her safe and secure life with her father, a world-renowned conductor. Carefully walking the balance between anticipation and fear, Louise meditates upon the chaos of her mother's life, a life of decadence, drugs, and irresponsibility. Coming face-to-face with the powerful love she feels for her mother, Louise wryly acknowledges the complexity of a relationship filled with countless letdowns and unwavering devotion. Written with a wisdom that transcends age and the wit and savvy of a true survivor, The Rendezvous is a poignant examination of the transition to young adulthood and the often startling awareness of a parent's fallibility.

    It's something of an underground classic, rediscovered by each new generation. Most recently, the Icelandic pop singer Björk Guðdmundsdóttir cites Story of the Eye as a major inspiration: she made a music video that alludes to Bataille's erotic uses of eggs, and she plans to read an excerpt for an album.Warning: Story of the Eye is graphically sexual, and is only suited for adults who are not easily offended.

    Drawn into a complex triangle with two boys, she distracts herself from the onslaught of adulthood by playing the game of go with strangers in a public square--and yet the force of desire, like the occupation, proves inevitable. Unbeknownst to the girl who plays go, her most worthy and frequent opponent is a Japanese soldier in disguise. Captivated by her beauty as much as by her bold, unpredictable approach to the strategy game, the soldier finds his loyalties challenged. Is there room on the path to war for that most revolutionary of acts: falling in love?

    Mosheen's dream of becoming a diplomat has been shattered and Zunaira can no longer even appear on the streets of Kabul unveiled. Atiq is a jailer who guards those who have been condemned to death; the darkness of prison and the wretchedness of his job have seeped into his soul. Atiq's wife, Musarrat, is suffering from an illness no doctor can cure. Yet, the lives of these four people are about to become inexplicably intertwined, through death and imprisonment to passion and extraordinary self-sacrifice.The Swallows of Kabul is an astounding and elegiac novel of four people struggling to hold on to their humanity in a place where pleasure is a deadly sin and death has become routine.

    Painter Erich Krueger — whose exquisite landscapes are making him a huge success — is handsome, sensitive...and utterly in love with her. They marry quickly and Jenny plans a loving home on Erich's vast Minnesota farm. But lonely days and eerie nights strain her nerves to the breaking point and test her sanity. Caught in a whirlpool of shattering events, Jenny soon unearths a past more terrifying than she dares imagine...tragic secrets that threaten her marriage, her children, her life.

    When one is finally offered to her, she realizes with alarm that the libretto is based on a hidden piece of her past. Only four could have betrayed her: one is dead, one loves her, one wants to own her. And one, she hopes, never thinks of her at all.  As she mines her memories for clues, she recalls her life as an orphan who left the American frontier for Europe and was swept up into the glitzy, gritty world of Second Empire Paris. In order to survive, she transformed herself from hippodrome rider to courtesan, from empress’s maid to debut singer, all the while weaving a complicated web of romance, obligation, and political intrigue.   Featuring a cast of characters drawn from history, The Queen of the Night follows Lilliet as she moves ever closer to the truth behind the mysterious opera and the role that could secure her reputation -- or destroy her with the secrets it reveals.

    When a French entomologist obtains a few of these beans, he worries that the world has entered a critical phase of its history.

    if indeed there were crimes.The youngest of forty - a child with no name and no past - she survives for some purpose long forgotten in a world ravaged and wasted. In this reality where intimacy is forbidden - in the unrelenting sameness of the artificial days and nights - she knows nothing of books and time, of needs and feelings.Then everything changes... and nothing changes.A young woman who has never known men - a child who knows of no history before the bars and restraints - must now reinvent herself, piece by piece, in a place she has never been... and in the face of the most challenging and terrifying of unknowns: freedom.

    The turbulent marriage of Scott and Zelda Fitzgerald from Zelda's perspective.

     Remarkably, the astounding protagonist of Gabrielle Wittkop’s lyrical 1972 novella, The Necrophiliac, has never appeared in English until now.   This new translation introduces readers to a masterpiece of French literature, striking not only for its astonishing subject matter but for the poetic beauty of the late author’s subtle, intricate writing.   Like the best writings of Edgar Allan Poe or Baudelaire, Wittkop’s prose goes far beyond mere gothic horror to explore the melancholy in the loneliest depths of the human condition, forcing readers to confront their own mortality with an unprecedented intimacy.

    If human beings are determined by their genes and their environment, how can they claim to be free to want or do anything? Where are Jacques and his Master going? Are they simply occupying space, living mechanically until they die, believing erroneously that they are in charge of their Destiny? Diderot intervenes to cheat our expectations of what fiction should be and do, and behaves like a provocative, ironic and unfailingly entertaining master of revels who finally show why Fate is not to be equated with doom. In the introduction to this brilliant new translation, David Coward explains the philosophical basis of Diderot's fascination with Fate and shows why Jacques the Fatalist pioneers techniques of fiction which, two centuries on, novelists still regard as experimental.

    Brought up in a household of learning and privilege, she is unaware of her difference until she overhears a conversation that makes her suddenly conscious of her race - and of the prejudice it arouses. From this point on, Ourika lives her life not as a French woman but as a black woman "cut off from the entire human race." As the Reign of Terror threatens her and her adoptive family, Ourika struggles with her unusual position as an educated African woman in eighteenth-century Europe. A best-seller in the 1820s, Ourika captured the attention of Duras's peers, including Stendhal, and became the subject of four contemporary plays. The work represents a number of firsts: the first novel set in Europe to have a black heroine, the first French literary work narrated by a black female protagonist, and, as John Fowles points out in the foreword to his translation, "the first serious attempt by a white novelist to enter a black mind." An inspiration for Fowles's acclaimed novel The French Lieutenant's Woman, Ourika will astonish and haunt modern readers.

    It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls in love with her handsome, frivolous neighbor, but discovers too late that his love is quite different from her own. This new translation, the first since 1900, does full justice to the passion and conviction of Sand's writing, and the introduction fully explores the response to Sand in her own time as well as contemporary feminist treatments.

    . . funny and goodhearted, with much incident and expert enthusiasm for sex, food and drink.”—The Literary Review“Much to enjoy in the clash of cultures and superstitions, even a tasty recipe for poisoning your friends with pasta. Detail like this places European crime writing on a par with its American counterpart.”—Belfast IndependentSome favors simply cannot be refused. Tonio agrees to write a love letter for Dario, a low-rent Paris gigolo. When Dario is murdered, a single bullet to the head, Tonio finds he has been left a small vineyard near Naples. The wine is undrinkable, but an elaborate scam has been set up. The smell of easy money attracts the unwanted attentions of the Mafia and the Vatican and the unbridled hatred of the locals. Mafiosi aren’t choir boys, and monsignors can be very much like Mafiosi.Winner of three mystery prizes in one year, including the Grand Prix de la Littérature Policière and the Prix Mystère de la Critique.Tonino Benacquista, born in France of Italian immigrants, dropped out of film studies to finance his writing career. After being in turn a museum watchman, a train guard on the Paris-Rome line and a professional parasite on the Paris cocktail circuit, he is now a highly successful author of fiction and film scripts.