Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel's twin brother and sister-in-law have been killed in a bombing in Jerusalem, their lives are suddenly, utterly transformed.In dealing with their families and the need to make a decision about who will raise the deceased couple's two children, both Matthew and Daniel are confronted with challenges that strike at the very heart of their relationship. What is Matthew's place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel's questions about his identity as a Jewish man affect his life as a gay American? Tensions only intensify when they learn that the deceased parents wanted Matthew and Daniel to adopt the children-six year old Gal, and baby Noam.The impact this instant new family has on Matthew, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. What kind of parents can these two men really be? How does a family become strong enough to stay together and endure? And are there limits to honesty or commitment-or love?

    I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of GothamA vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spyIt is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring.When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in.Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy.A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the eighties, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn and John Lennon. And at the heart of the spectacle stands the artist himself, willful, lustful, and driven by a never-to-be-met need for perfection.

    This is a novel by the author of Hold Tight.

    She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth–and that she will have to bring her family’s secrets to light in order to change their destiny.With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family’s history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood.

    He and his friends have a crappy band (an excuse to drink cheap beer and rock out to the Lemonheads) and hang out in parking lots doing stupid board tricks. But when Mike's girlfriend Lisa, who knows him better than he does, breaks up with him, he realizes he's about to have a major epiphany that will blow his mind. And worse--he gets elected to homecoming court.It's like the apocalypse came, only instead of nuclear bombs and zombies, Mike gets school participation, gay thoughts, and mother-effin' cheerleaders.With the free spirit of The Perks of Being a Wallflower, the raw voice of Winger, and characters reminiscent of Freaks & Geeks, this debut YA offers a standout voice and a fresh, modern take on the coming-out story.

    In this coming-of-age novel set in the second century AD, Antinous of Bithynia, a Greek youth from Asia Minor, recounts his seven-year affair with Hadrian, fourteenth emperor of Rome. In a partnership more intimate than Hadrian's sanctioned political marriage to Sabina, Antinous captivates the most powerful ruler on earth both in life and after death. This version of the affair between the emperor and his beloved ephebe vindicates the youth scorned by early Christian church fathers as a "shameless and scandalous boy" and "sordid and loathsome instrument of his master's lust." EROMENOS envisions the personal history of the young man who achieved apotheosis as a pagan god of antiquity, whose cult of worship lasted for hundreds of years far longer than the cult of the emperor Hadrian.In EROMENOS, the young man Antinous, whose beautiful image still may be found in works of art in museums around the world, finds a voice of his own at last.

    The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    Decca is in love with Rupert, but he in turn is in love with her brother, Istvan. When Istvan comes to town, louche puppet troupe in tow, the lines of their age-old desires intersect against a backdrop of approaching war. Hearts are broken when old betrayals and new alliances - not just their own - take shape, as the townsmen seek refuge from the onslaught of history by watching the girls of the Poppy cavort onstage with Istvan's naughty puppets . . .Under the Poppy is a vivid, sexy, historical novel that zips along like the best guilty pleasure. Nominated for the IMPAC Award. Winner of the Gaylactic Spectrum Award.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    But her life has turned inside out like a sock. She can't rely on family, her body is letting her down, and friends and colleagues are turning away—they treat her like a victim. She needs to break that narrative: build her own community, learn new strengths, and fight. But what do you do when you find out that the story you’ve been told, the story you’ve told yourself, is not true? How can you fight if you can’t trust your body? Who can you rely on if those around you don’t have your best interests at heart, and the systems designed to help do more harm than good? Mara makes a decision, and acts, but her actions unleash monsters aimed squarely at the heart of her new community.This is fiction from the front lines, incandescent and urgent, a narrative juggernaut that rips through sentiment to expose the savagery of America’s treatment of the disabled and chronically ill. But So Lucky also blazes with hope and a ferocious love of self, of the life that becomes possible when we stop believing lies.

    But her husband Max disagrees - more than that, he wants a divorce. When they separate, there is no mention of the unborn children they created together, still waiting at the clinic.The Zoe falls in love again, out of the blue, and finds herself with an unexpected second chance to have a family.But Max has found a new life too - one with no place in it for people like Zoe. And he will stand up in court to say that her new choice of partner makes her an unfit mother.Jodi Picoult's most powerful novel yet asks who has the right to decide what makes the ideal family?

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    He’s been with his partner, Lloyd, for seven years now, but when Lloyd announces that there’s no passion left between them, Jeff is sent into something of an existential frenzy. Desperate not to end up alone, Jeff haunts the dance floor and roadside rest stops, finding both the sordid and the sublime in anonymous encounters. But it’s love he’s after, so ultimately it’s his bittersweet romance in Provincetown with Eduardo, twenty-two and a vision of gorgeous, wide-eyed youth, that lingers in his mind and seems to hold the answers he seeks. This is a story of a man coming to terms with the accelerating ambiguity of his world, where men die young but old age is actively devalued. It is the story of gay life today, the life being led by thousands of men trying desperately to keep up, and to discover if anything really unites gay men other than desire. It is the story of how the truths of gay life are handed down from gay generation to gay generation. It is the story of what separates the men from the boys.