These poems are allusive and tough. While they celebrate the pleasures of the natural world--mutability, desire, and the flowering of things--they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

    D. A. Powell What is it about the poems in Red Sugar, Jan Beatty's astonishing third collection, that brings to mind the incomparable music of Miles Davis? 'It's just that I can't play like anybody else... I can't do anything like anybody else, ' Davis insisted. These poems go their own sure way, making their own fierce music, charting 'the fluid stages of / empire & slavery' in the human body, yours and mine, as we rehearse our sometimes sorry but always necessary seductions. Jan Beatty is the author of Boneshaker and Mad River, winner of the 1994 Agnes Lynch Starrett Poetry Prize. She is the recipient of the Pablo Neruda Prize for Poetry and two fellowships from the Pennsylvania Council on the Arts

    "[Thomas Lynch's] poems . . . are as stark and graceful as geese lifting off backwater. The poems trace from the rural midwest to London and County Clare, a quiet elegy of loss and testament. But then Lynch is by trade a mortician, and by craft a bard."—Amazon.com "[Lynch] evinces a steady wisdom drawn from years of passionate attention to daily experience."—Seattle Weekly

    Written during the same period as The Glass Bead Game, these poems reflect the book's mysticism and help to illuminate Hesse's physical and metaphysical search for a "sublime alchemy" that would go beyond all images

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    With up-and-coming poets alongside more established names, and original poems alongside the new works they've inspired, Answering Back promises to be a truly unique and insightful anthology.

    The latest installment of the yearly anthology of contemporary American poetry that has achieved brand-name status in the literary world.

    I hope that this book makes everyone feel what I felt while writing it, and that love is a universal thing, and my story is not unique. And I hope that this makes them see that there is a beyond and that they can come out happy and clean. And, that this makes them braver than they already are, and gives them that little extra push and strength that they probably need

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

    He's working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard's report—and with his history, who can blame them?—it's the beginning of the most important case of his life.LAST CHANCE LASSITERPaul LevineIn this prequel to the “Jake Lassiter” series, the linebacker-turned-lawyer faces overwhelming odds. Fired from his job and dumped by his girlfriend, Lassiter rents a grungy law office in a Miami Beach parking garage. What else could go wrong? Well, he could be disbarred for punching out his own client. As for cases, the down-and-out lawyer has only one. Lassiter represents Cadillac Johnson, an aging rhythm and blues musician who claims his greatest song was stolen by a top-of-the-charts hip-hop artist. The evidence is long gone and chances of winning are slim. Except for one thing. “If your cause is just,” Lassiter says, “no case is impossible.”CLIENTParnell HallStanley Hastings couldn't be happier. He had his first paying client, and the assignment was straight out of a forties noir movie, tailing the man's cheating wife and snapping pictures of her at a motel. If only he hadn't fallen asleep on stakeout. When he wakes up the woman is dead, the murder weapon is in his car, and a small town police force straight out of In the Heat of the Night has him cast in the Sidney Poitier role. To clear his name—and get paid—Stanley will have to figure out who his client is, who killed the woman in the upstate motel, and who was the resultant corpse!RADIO ACTIVITYBill FitzhughFM rock deejay Rick Shannon has just been fired from his latest Classic Rock station. He’s thinking it’s time to get out of radio once and for all. But when a famous deejay disappears in Mississippi, Rick gets a job offer to take over the slot. So he packs his bags and moves back to his home state where he comes across a tape of an illegally recorded phone conversation that might explain the fate of the missing deejay. Rick starts looking into the matter, and before you can say “Stairway to Heaven” he’s uncovered a scheme of blackmail, arson, murder, and a major FCC violation. Based on an illegal recording made by the author (and former FM rock deejay), Radio Activity redefines classic rock.CALABAMA Steve BrewerWhen a speeding Corvette flies over his head, leaving him without a scratch, Eric Newlin decides it's an omen and his life is about to change. He's right. Within days, he's broke, homeless, unemployed and getting divorced. He falls so far that he ends up involved in a kidnapping scheme with hillbilly crimelord Rydell Vance. Leavened with dark humor, CALABAMA takes a wry look at California's rural, redneck interior, a bitter, precarious place where it's easy for an outsider's life to spiral out of control.

    The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    It is an epic journey not only affirming that “there is a difference between sadness and suffering;” but that Schomburg is one of the most unusual poets writing today, pushing his work beyond our familiarity. These poems have a thirst for blood, but they don't yet know exactly what to do with their hands. The Book of Joshua calls out in hunger and loneliness, “I didn’t feel like living in anything not shaped like me anymore.”

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    B. Yeats, Tupac Shakur or Sylvia Plath. Slams -- spoken word poetry readings -- are taking place in cities across the country.Slam contains the words of the famous, the infamous, the soon-to-be-famous, as well as the authentic and anonymous voices of real teenagers culled from Alloy.com. From John Ashbury's thoughts on the creative process to Tori Amos' take on rhyme, rhythm, and reason, this book showcases not only these artists' poems, but their inspirations.Brought to life with original artwork, photographs, and unique visual style, Slam speaks to the budding poet in every teen.

    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.