White himself, the essays in this volume span a lifetime of writing and a body of work without peer.  "I have chosen the ones that have amused me in the rereading," he writes in the Foreword, "alone with a few that seemed to have the odor of durability clinging to them." These essays are incomparable; this is a volume to treasure and savor at one's leisure.

    In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

    A pleasant romantic tale set in the Victorian era, Under the Greenwood Tree is one of Thomas Hardy's most gentle and pastoral novels.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.

    The notebook containing the novel was rediscovered by her in adult life and sent by a friend to Frank Swinnerton, the English novelist, critic, editor and essayist. Published in 1919 by Chatto and Windus, with its original misspellings and an arch introduction by “Peter Pan” author J. M. Barrie, it was an immediate bestseller. Its child's view of high society (dukes and earls having ‘levies’ and residing in the ‘Crystall Pallace’) and its heavily romantic plot make it an engaging and enduring popular work. Source: jrank.org

    A child spiritually oppressed, a school run on shallow and mercenary principles, a brutish schoolmistress, a quiet observer of the injustice and cruelty--it contained the same preoccupations which elsewhere had called forth her most passionate and dramatic writing. Another Lady has now at last fulfilled the promise of that novel. Her lively powers of invention have worked the unfolding mystery of Charlotte Brontë's two opening chapters into an exciting and poignant story. The characters grow in vitality and complexity while remaining true in spirit, tone and style to the original conception. The wanton havoc wrought by Emma in the life of Mrs Chalfont, the narrator, is not the only proof of her ruthlessness; she plays a part, too, in the sufferings of the abandoned child, Martina. The affection which grows between Mrs Chalfont and Martina out of their mutual distress illumines this story, and Emma herself, with her inexplicable motives, her incomprehensible anger and her darkness of soul, develops into a character of whom Charlotte Brontë would have been proud.

    Fry transforms the adventures of Zeus and the Olympians into emotionally resonant and deeply funny stories, without losing any of their original wonder.This stunning book features classical artwork inspired by the myths, as well as learned notes from the author. Each adventure is infused with Fry's distinctive wit, voice, and writing style. Connoisseurs of the Greek myths will appreciate this fresh-yet-reverential interpretation, while newcomers will feel welcome. Retellings brim with humor and emotion and offer rich cultural contextCelebrating the thrills, grandeur, and unabashed fun of the Greek myths, Mythos breathes life into ancient tales—from Pandora's box to Prometheus's fire.This gorgeous volume invites you to explore a captivating world with the brilliant storyteller Stephen Fry as your guide.

    They had intended to name the baby Lucy, if it were a girl; but they had not expected her on Christmas morning, and a real Christmas baby was not to be lightly named - the whole family agreed in that.

    Lucentio falls in love with Bianca, the apparently ideal younger daughter of the wealthy Baptista Minola. But before they can marry, Bianca's formidable elder sister, Katherine, must be wed. Petruchio, interested only in the huge dowry, arranges to marry Katherine -against her will- and enters into a battle of the sexes that has endured as one of Shakespeare's most enjoyable works.

    With his traveling book wagon named Parnassus, he moves through the New England countryside of 1915 on an itinerant mission of enlightenment. Mifflin's delight in books and authors is infectious--with his singular philosophy and bright eyes, he comes to represent the heart and soul of the book world. But a certain spirited spinster, disgruntled with her life, may have a hand in changing all that. This roaring good adventure yarn is spiced with fiery roadside brawls, heroic escapes from death, the most groaning boards in the history of Yankee cookery, and a rare love story--not to mention a glimpse at a feminist perspective from the early 1900s.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Octavia Bassett arrives from Nevada with her trunks of fancy clothes, diamond jewelry, and gold coins for the poor. She soon becomes friends with Lucia Gaston, the repressed granddaughter of the village matriarch, Lady Theobald.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    To friends and strangers, he’s also the most generous, having given away heirlooms, a watch, and so far, at least one family business. His niece, Edna Earle, has a solution to save the Ponder fortune from Daniel’s mortifying philanthropy: As much as she loves Daniel, she’s decided to have him institutionalized.Foolproof as the plan may seem, it comes with a kink ??—?? one that sets in motion a runaway scheme of mistaken identity, a hapless local widow, a reckless wedding, a dim-witted teenage bride, and a twist of dumb luck that lands this once-respectable Southern family in court to brave an embarrassing trial for murder. It’s become the talk of Clay County. And the loose-tongued Edna Earle will tell you all about it.“The most revered figure in contemporary American letters,” said The New York Times of Eudora Welty, which also hailed The Ponder Heart ??—?? a winner of the William Dean Howells Medal which was adapted into both a Broadway play and a PBS Masterpiece series ??—?? as “Miss Welty at her comic, compassionate best.”