In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    The invitation to spend some time with his dad - the Baron Malcolm Spoor - comes as a surprise. But what awaits Torrance at his father's windswept estate is far worse than he could ever imagine. Welcome to the world of The Living One, one of the most frightening, clever, and suspenseful novels of the year. In this tour-de-force debut, Lewis Gannett spins a spellbinding story that summons up magic, body thievery, killer dogs, ESP wars, and lusty, genre-defying sex - straight, gay, and forms yet unnamed. The Spoors are the ultimate dysfunctional family. Wealthy, shamelessly extravagant, and impossibly attractive, they are also cursed. The curse has been handed down from father to son for seven hundred years, ever since the Crusades, when a bizarre and mystifying event created a recurring pattern of madness and death. As Baron Malcolm Spoor prepares for his demise, he must pass on the family riches - and its traditions - to his estranged son. But Malcolm and Torrance both have secrets they would rather keep to themselves, secrets that are nearly revealed when a shadowy government scientist picks up psychic readings from the Spoor estate and a bohemian teacher becomes personally involved with Torrance. These two begin an investigation into the extraordinary life of Baron Malcolm Spoor, and their findings are truly horrifying. Updating elements of the epistolary novel popularized in Dracula, Lewis Gannett tells his gothic story through the inventive use of videotape transcripts, diary entries, and historical records. Vivid, scary, mythic, and engrossing, The Living One explores the terrifying dimensions of family guilt, aging, and the murderous tensions between fathers and sons. Lewis Gannett has written a startling and thrilling novel that marks the debut of an original new voice in fiction.

    Although he’s nearly thirty, he’s never settled on a true career, and he has nothing to show for his years with Tom. Depressed and unable to find work, Nicky ends up couch-surfing with friends until he lands a house-sitting gig for a wealthy family.When Nicky’s clients discover that he loves to clean, demand for his services skyrockets. Word of mouth leads him to Spencer Cartwright, a busy computer consultant and a slob. Spencer and his wife divorced when he came out, but he’s never found the time or courage to settle down with a man. As Nicky sets Spencer’s house to rights, the two men find friendship. But Nicky’s past experiences make him wary of risking everything on love.

    Clan Heir, he has fled his people when his beloved was slain by his own father's command, abandoning his training, duty and beliefs to become a thief. A master of his trade, he now dared the odds in Ischia, city of the volcano, where the price of being caught was death.DARVISH. Prince of Ischia, third son of a king who had no intention of giving up his throne. The prince was a drunkard, a lover, and a wastrel, yet was gifted with sword skills and with the ability to charm all around him. But not even his charm could free him from the political marriage now being planned.CHANDRA. Born a princess, she had chosen to become a Wizard of the Nine, that rarest of beings, able to master all the forms that sorcery could take. Now, promised as Darvish's bride, she undertook a desperate journey to Ischia to convince him they must not wed.Aaron, Darvish, Chandra—three strangers whose fates were about to become interwined. For someone had stolen The Stone, the magical talisman which stood between Ischia and the volcano's wrath. And unless the three could learn to work together on a quest to find the Stone, Ischia would drown in a sea of lava.

    It's big money and a major career move, but Alex just can't seem to forget a first love he's left behind in Texas. When Alex is outed by a national tabloid, chaotic complications ensue as his career in daytime drama and his relationship with an acerbic International Male pretty boy/sitcom starlet are jolted by comic aftershocks. Suddenly, all hell breaks loose and he's being bombarded by betrayed fans, stalked by a self-professed warlock, and attacked by homophobes who want him off the show. Torrid, dishy, outrageously romantic, this hilarious first novel is both a deliciously satiric skewering of the glitziest Hollywood has to offer, and a sweetly wicked boy-meets-boy tale of unrequited love.

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    He's stewing in a self-professed constant state of maximum horniness, directed at both Robby and Shann. Ultimately, it's up to Austin to save the world and propagate the species in this sci-fright journey of survival, sex, and the complex realities of the human condition.

    His mother tells him he'll be a star one day. 'Twinkle, twinkle,' she says, giving his hair a ruffle.Not everyone shares Julian's dreams of stardom. Television is too much like hairdressing for his father's tastes. A Tasmanian man wants a son for sporting purposes. 'Boys don't like dolls,' he tells Julian, 'They like Dinky Toys.' Not this boy, thinks Julian, who knows better than to tell the truth.Besides, the family already has a sporting hero, Julian's sister Carmel aka 'The Locomotive'. Julian likes his sister, but knows better than to tangle with her bowling arm. It's the same one she uses for punching.Julian Corkle is a Filthy Liar is the ultimate feel-good novel, a book that will have the reader laughing out loud on the back of a bus as it follows Julian's bumpy journey through adolescence, fibbing his way through school and a series of dead-end jobs, to find his ultimate calling as creator of ‘The Hog.’ It's as if Crocodile Dundee has crashed Muriel's wedding and run off into the desert with Priscilla.

    Now, thirty-six years later, the rift between Nell and her daughter Kate threatens to implode as Kate, now forty-six and a water manager for the Nevada Water Authority, plans to pipe water from a huge aquifer that lies beneath the family ranch to thirsty Las Vegas. Meanwhile, Nell's twenty-one-year-old granddaughter Cassie intends to unearth those old secrets and repair the resentments that grew in their place. Throughout the novel, sparse and beautiful landscapes surround an emotional wilderness of love, loss, and family.

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    Finally free from her overbearing Brooklyn parents, she finds a welcome sense of independence in British college life--and quickly falls for Scarlett Daniels, an aspiring actress and hardheaded protester. Scarlett introduces her to an exciting gender-equality movement, but when their secret love clashes with political uprising, their relationship is one of the casualties. Years later, Lia's only memories of Scarlett are obscured by the glossy billboards she sees advertising the actress's new films. But when a mysterious letter surfaces, she is immediately thrown back into their unsettled romance, and she crosses oceans and continents in her search for her former lover. Lia will stop at nothing to win Scarlett back--but ultimately, spread across time and place, she begins to realize that uncovering lost love might not be attainable after all.

    'There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party . . .' As time passes by and the consequences of this stranger's actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they at first appear.There but for the was hailed as one of the best books of 2011 by Jeanette Winterson, A.S. Byatt, Patrick Ness, Sebastian Barry, Boyd Tonkin, Erica Wagner and Nick Barley. 'Dazzlingly inventive' A.S. Byatt 'Whimsically devastating. Playful, humorous, serious, profoundly clever and profoundly affecting' Guardian 'A real gem' Erica Wagner, The Times 'Eccentric, adventurous, intoxicating, dazzling. This is a novel with serious ambitions that remains huge fun to read' Literary Review 'If you liked Smith's earlier fiction, you will know that she enjoys setting up a situation before chucking in a literary Molotov cocktail then describing what happens' Sunday Express 'Wonderful, word-playful, compelling' Jeanette Winterson 'Smith can make anything happen, which is why she is one of our most exciting writers today' Daily Telegraph 'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard