Following her mom's death, she's been picking up the pieces in the privacy of her home, dealing with her heartbroken father and her own grief. Now, Libby's ready: for high school, for new friends, for love, and for every possibility life has to offer. In that moment, I know the part I want to play here at MVB High. I want to be the girl who can do anything. Everyone thinks they know Jack Masselin, too. Yes, he's got swagger, but he's also mastered the impossible art of giving people what they want, of fitting in. What no one knows is that Jack has a newly acquired secret: he can't recognize faces. Even his own brothers are strangers to him. He's the guy who can re-engineer and rebuild anything, but he can't understand what's going on with the inner workings of his brain. So he tells himself to play it cool: Be charming. Be hilarious. Don't get too close to anyone.Until he meets Libby. When the two get tangled up in a cruel high school game—which lands them in group counseling and community service—Libby and Jack are both pissed, and then surprised. Because the more time they spend together, the less alone they feel. Because sometimes when you meet someone, it changes the world, theirs and yours.

    Inside, the people dress, eat, and act like it’s the eighteenth century—with the added bonus of technology to make court life lavish, privileged, and frivolous. The palace has every indulgence, but for one pretty young thing, it’s about to become a very beautiful prison.When Danica witnesses an act of murder by the young king, her mother makes a cruel power play . . . blackmailing the king into making Dani his queen. When she turns eighteen, Dani will marry the most ruthless and dangerous man of the court. She has six months to escape her terrifying destiny. Six months to raise enough money to disappear into the real world beyond the palace gates.Her ticket out? Glitter. A drug so powerful that a tiny pinch mixed into a pot of rouge or lip gloss can make the wearer hopelessly addicted. Addicted to a drug Dani can sell for more money than she ever dreamed.But in Versailles, secrets are impossible to keep. And the most dangerous secret—falling for a drug dealer outside the palace walls—is one risk she has to take.

    Jean McClellan is in denial—this can't happen here. Not in America. Not to her.This is just the beginning.Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.But this is not the end.For herself, her daughter, and every woman silenced, Jean will reclaim her voice.

    You have one year. Exactly 365 days--to escape, or you die.Seventeen-year-old Charley doesn’t know the rules. She doesn’t even know where she is. The last thing she remembers is blacking out, and when she wakes up, she’s lying naked in an empty rock field.Lost and alone, Charley finds no sign of other people until she meets Thad, the gorgeous leader of a clan of teenage refugees. Soon Charley learns that leaving the island is harder than she thought . . . and so is falling in love. With Thad’s time running out, Charley realizes that to save their future, Charley must first save him. And on an island rife with dangers, their greatest threat is time.

    But when her headstrong and rebellious younger sister, Nomi, catches the heir's eye, it's Serina who takes the fall for the dangerous secret that Nomi has been hiding.Now trapped in a life she never wanted, Nomi has only one way to save Serina: surrender to her role as a Grace until she can use her position to release her sister. This is easier said than done. A traitor walks the halls of the palace, and deception lurks in every corner. But Serina is running out of time, imprisoned on an island where she must fight to the death to survive and one wrong move could cost her everything.

    In them, quarantined monsters and humans mingle in a decadently bloody mix of predator and prey. The only problem is, once you pass through Coldtown's gates, you can never leave.One morning, after a perfectly ordinary party, Tana wakes up surrounded by corpses. The only other survivors of this massacre are her exasperatingly endearing ex-boyfriend, infected and on the edge, and a mysterious boy burdened with a terrible secret. Shaken and determined, Tana enters a race against the clock to save the three of them the only way she knows how: by going straight to the wicked, opulent heart of Coldtown itself.The Coldest Girl in Coldtown is a wholly original story of rage and revenge, of guilt and horror, and of love and loathing from bestselling and acclaimed author Holly Black.

    If you want to survive, you pay to breathe. But what if you can't? And what if you think everything could be different? Three teens will leave everything they know behind in Sarah Crossan's gripping and original dystopian teen novel of danger, longing, and glimmering hope. Ever since the Switch, when the oxygen levels plummeted and most of humanity died, the survivors have been protected in glass domes full of manufactured air. Protected . . . or trapped? Or controlled? Alina's a revolutionary who believes we can save the environment. Quinn's a Premium who's never had to worry about having enough air. His best friend, Bea, is an Auxiliary who's never worried about anything but having enough air. When the three cross paths, they will change everything.

    So when Aza catches a glimpse of a ship in the sky, her family chalks it up to a cruel side effect of her medication. But Aza doesn’t think this is a hallucination. She can hear someone on the ship calling her name.Only her best friend, Jason, listens. Jason, who’s always been there. Jason, for whom she might have more-than-friendly feelings. But before Aza can consider that thrilling idea, something goes terribly wrong. Aza is lost to our world—and found by another. Magonia.Above the clouds, in a land of trading ships, Aza is not the weak and dying thing she was. In Magonia, she can breathe for the first time. Better, she has immense power—but as she navigates her new life, she discovers that war between Magonia and Earth is coming. In Aza’s hands lies the fate of the whole of humanity—including the boy who loves her. Where do her loyalties lie?

    I believed them. That was my mistake.There isn’t anyone else in the world like me.I’m different. I’m an anomaly. I’m a monster. For two years, six months, fourteen days, eleven hours and sixteen minutes, Subject Six-Eight-Four — ‘Jane Doe’ — has been locked away and experimented on, without uttering a single word.As Jane’s resolve begins to crack under the influence of her new — and unexpectedly kind — evaluator, she uncovers the truth about Lengard’s mysterious ‘program’, discovering that her own secret is at the heart of a sinister plot … and one wrong move, one wrong word, could change the world.

    The ruling class visit the circus as an escape from their structured, high-achieving lives - pure entertainment with a bloodthirsty edge. Ben, the teenage son of a draconian government minister, visits the circus for the first time and falls instantly in love with Hoshiko, a young performer. They come from harshly different worlds - but must join together to escape the circus and put an end to its brutal sport.

    With her best friend and her robotic sidekick in tow, she and Ezekiel will trek across deserts of irradiated glass, battle cyborg assassins, and scour abandoned megacities to save the ones she loves and learn the dark secrets of her past.

    . . but very few people have ever seen them together. This is because Frey is Rafi’s double, raised in the shadows of their rich father’s fortress. While Rafi has been taught to charm, Frey has been taught to kill. Frey only exists to protect her sister. There is no other part of her life. Frey has never been out in the world on her own – until her father sends her in Rafi’s place to act as collateral for a dangerous deal. Everyone thinks she’s her sister – but Col, the son of a rival leader, is starting to get close enough to tell the difference. As the stakes grow higher and higher, Frey must decide whether she can trust him – or anyone in her life.

    Part of the first generation to be successfully conceived in deep space, she and her boyfriend Kieran will be pioneers of New Earth. Waverly knows she must marry young in order to have children who can carry on the mission, and Kieran, the handsome captain-to-be, has everything Waverly could want in a husband. Everyone is sure he’s the best choice. Still, there’s a part of Waverly that wants more from life than marriage, and she is secretly intrigued by the shy, darkly brilliant Seth.Suddenly, Waverly’s dreams are interrupted by the inconceivable – a violent betrayal by the Empyrean's sister ship, the New Horizon. The New Horizon’s leaders are desperate to populate the new planet first, and will do anything to get what they need: young girls. In one pivotal moment, Waverly and Kieran are separated, and find themselves at the helm of dangerous missions, where every move has potentially devastating consequences, and decisions of the heart may lead to disaster.Pulse-pounding and addictive, Glow begins Amy Kathleen Ryan's Sky Chasers--the most riveting series since The Hunger Games.

    The contents of Happily Ever After are as follows:-The Prince (with the two bonus chapters), Maxon’s novella-The Guard, Aspen’s novella-The Queen, Amberly’s novella-The Favorite, Marlee’s novella-Three scenes from Celeste’s POV-Lucy’s scene (bonus scene from The One)-The bonus epilogue-Where are they now?-A map-Various illustrations

    Cosplay at the ready, she can't wait to feel part of her favorite fandom: The Gallows Dance, a mega book and movie franchise that she and her friends know EVERY WORD of (canon and fanfic included).But at Comic Con, a freak accident transports Violet and her friends into the story for real. And in just the first five minutes, they cause the death of the heroine, and get taken prisoner by the rebel group she was supposed to lead to victory.It's up to Violet to take her place, and play out the plot the way it was written. But stories have a life of their own, and when you change the script in one place, the rest gets revised too...