Except it wasn't flu, and death gave them back.Seventeen-year-old Ella copes the best she can; caring for her war-injured father, scrubbing the floors, and slaying the undead that attack the locals. Vermin they're called, like rats they spread pestilence with their bite. Ella's world collides with another when she nearly decapitates a handsome stranger, who is very much alive.Seth deMage, the new Duke of Leithfield, has returned to his ancestral home with a mission from the War Office -- to control the plague of vermin in rural Somerset. He needs help; he just didn't expect to find it in a katana-wielding scullery maid.Working alongside Seth blurs the line between their positions, and Ella glimpses a future she never dreamed was possible. But in overstepping society's boundaries, Ella could lose everything - home, head and her heart...

    But they don’t die, and we do. Equilibrium.The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out — he just doesn’t particularly care what happens to the person.Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.

    . .Dominic Lancaster hoped to prove himself to his family by excelling in the Navy during World War II. Instead he is wounded while serving as a gunner, and loses his leg. Still recovering from his wounds and the trauma of his amputation when the Blitz begins, Dominic finds himself shuffled off to the countryside by his family, along with his partially deaf sister, Octavia. The crumbling family estate on the shores of Ullswater is an old, much-neglected place that doesn’t seem to promise much in the way of happiness or recovery.Something more than a friendship begins to flourish between Dominic and his nurse Rose in the late autumn of that English countryside, as he struggles to come to terms with his new life as an amputee. Another thing that seems to be flourishing is Octavia’s hearing.As winter descends, sinister forces seem to be materializing around Octavia, who is hearing voices of children. After seeing things that no one else can see and hearing things that no one else can hear, Octavia is afflicted with a sickness that cannot be explained. With Octavia’s help, Dominic sets out to find the truth behind the voices that have haunted his sister. In doing so, he uncovers an even older, darker evil that threatens not only Octavia, but Rose and himself.Jonathan Aycliffe delivers a disturbingly tense ghost story set in the middle of World War II during England’s darkest hour, demonstrating that some fears are timeless . . .

    Wrapped in the woman’s arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda — and he begins to move.The family hides the child — whom they name Stony — rather than turn him over to authorities that would destroy him. Against all scientific reason, the undead boy begins to grow. For years his adoptive mother and sisters manage to keep his existence a secret — until one terrifying night when Stony is forced to run and he learns that he is not the only living dead boy left in the world.

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    A bereaved father. Alone with his loss, Ian Colmes has driven away everyone he loves. But when he begins to see his dead son again, is it because the boy is reaching out from beyond? Or has Ian's anguish finally given way to dementia?With a masterful hand, suspense newcomer Adam J Nicolai paints a picture of grief, madness, and the furious strength of a father's love for his son.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    A little girl called Mirror and her shape-shifting guardian Goliath Honeyflower are washed up on the shores of Victorian England. Something has been wrong with Mirror since the day her grandfather locked her inside a mysterious clock that was painted all over with ladybirds. Mirror does not know what she is, but she knows she is no longer human. John Loveheart, meanwhile, was not born wicked. But after the sinister death of his parents, he was taken by Mr. Fingers, the demon lord of the underworld. Some say he is mad. John would be inclined to agree. Now Mr Fingers is determined to find the little girl called Mirror, whose flesh he intends to eat, and whose soul is the key to his eternal reign. And John Loveheart has been called by his otherworldly father to help him track Mirror down...

    She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they're not alone after all.There's something in the woods that wasn't there before, something that makes strange cries in the night, something with sharp teeth and claws.When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.

    Through its doors came the weak and the weary, the disabled and the discarded, the frail and the forgotten. But an open door is an invitation, and some visitors, once invited, are loath to leave. The hospital abruptly closed in 1958 under a cloud of mystery. It has remained empty and silent, save for the memories trapped both within its walls and far below the surface of the nearby lake that bears its name. At the bottom of Asylum Lake, the unremembered are growing restless. Brady Tanner is trying to outrun memories of his own. After the sudden death of his wife, Brady retreats to the small town where he spent the summers of his youth. But he soon learns small towns can be stained by memories... and secrets, too. As Brady is drawn into unearthing these secrets, as he discovers a new love in an old friend, he is also drawn into the mystery of Asylum Lake and the evil that lies submerged beneath its sparkling surface. What is the source of this evil - and what does it want with Brady Tanner?

    It's not a place many would choose to live - yet the Governor of Dartmoor Prison did just that. When Herbert Russell retired, he bought All Hallow's Hall - a rambling Tudor mansion on the edge of the moor, and lived there all his life.Now he's dead, and his estranged family are set to inherit his estate. But when the dead man's family come to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo, and wind whistles in the house's famous priest hole. And then, on the morning the family decide to leave All Hallow's Hall once and for all, their young son Timmy goes missing.

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    Others take a more literal view... Kate Bennett, presenter of paranormal investigation cable TV show, Where the Dead Walk, isn't sure what she believes, other than she seems cursed to lose all those closest to her. After investigating a neglected cliff-top house, empty for a decade because its "haunted", Kate is left convinced a spirit within holds the answers to a childhood she can't remember and an unimaginable crime. What she can't know is that the house's owner, Sebastian Dahl, is searching for something too, and he intends to get it, whatever the cost.

    A town, built on sacred land. A secret, cloaked in tradition and lore. Welcome to White Pines.Don't get too comfortable.This is the new cosmic-folk-Celtic-cult-horror novel from Gemma Amor, the Bram Stoker Award nominated author of Dear Laura, Cruel Works of Nature and Till the Score is Paid.