The harder you struggle, the more you suffer. Your words mean nothing, your actions backfire, and one by one everybody you know is sucked down with you. You are: 1) Nick 2) cursed 3) afraid all the time That's because: a) someone or b) something is after you with a vengeance. Even with the help of other cursed people, you don't stand a chance because you're all, you know, cursed. That means you and everyone you know will: 1) suffer 2) die 3) amuse your tormentor That is, unless you figure out how to manipulate the person behind this and turn their power against them. Check your list a second time because they're probably on it. The only thing left to do is scratch them off.

    A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else.Is this Shakespeare? Well, sort of.But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. Now, Emma Smith - an intellectually, theatrically, and ethically exciting writer - takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex, and the Shakespeare she reveals in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean.

    For seventy years, presidents both Republican and Democratic have shared a dedication to maintaining American power and leadership. President Obama has abandoned this bipartisan tradition, choosing instead to “lead from behind” as he abandons America’s allies, appeases our enemies, and apologizes for this great nation.When the former vice president spoke out on the topic last year, the Wall Street Journal declared, “Dick Cheney is still right,” and the Washington Post lauded his comments, adding that “unless we have a president who understands that proactive, early action and a robust military force are essential to national security, we will forever be racing to catch up to our enemies.”Now the former vice president and his daughter, former deputy assistant secretary of state Liz Cheney, team up to explain how President Obama has drastically broken with the bipartisan foreign policy consensus that enabled America to prevail in World War II, to win the Cold War, and to triumph in the first decade of the War on Terror. The Cheneys reveal the damage done by President Obama’s policies and demonstrate how his unwillingness to defend and protect American power has weakened the nation and diminished the ability of future presidents to defend us.Finally, the Cheneys do what no one before them has done: chart a path forward to restoring American power and strength, explaining what must be done to reverse course, to fight and win the war on terror, to rebuild our military and reassure our allies that they can once again rely on American leadership. A critical, frank, and much-needed touchstone, Exceptional should stand as a guiding principle for the potential presidential candidates in 2016—and for policymakers today and beyond.

    Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    She has won many literary awards, her work has been translated into twenty-two languages, her novel The Handmaid'sTale was adapted for the screen by Harold Pinter, and her most recent book, The Robber Bride, was on the New York Times bestseller list (in cloth and paper) for months. In Strange Things, Atwood turns to the literary imagination of her native land, as she explores the mystique of the Canadian Northand its impact on the work of writers such as Robertson Davies, Alice Munroe, and Michael Ondaatje. Here readers will delight in Atwood's stimulating discussion of stories and storytelling, myths and their recreations, fiction and fact, and the weirdness of nature. In particular, she looks at three legends of the Canadian North. She describes the mystery of the disastrous Franklin expedition inwhich 135 people disappeared into the uncharted North. She examines the Grey Owl syndrome of white writers who turn primitive. And she looks at the terrifying myth of the cannibalistic, ice-hearted Wendigo--the gruesome Canadia snow monster who can spot the ice in your own heart and turn you intoa Wendigo. Atwood shows how these myths have fired the literary imagination of her native Canada and have deeply colored essential components of its literature. And in a moving, final chapter, she discusses how a new generation of Canadian women writers have adapted the imagery of the North toexplore contemporary themes of gender, the family, and sexuality. Written with the delightful style and narrative grace which will be immediately familiar to all of Atwood's fans, this superbly crafted and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstandingliterary presence.

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central motif of the horror genre.In the Dust of This Planet explores these relationships between philosophy and horror. In Thacker’s hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the under-appreciated genre of supernatural horror in fiction, film, comics, and music. This relationship between philosophy and horror does not mean the philosophy of horror, if anything, it means the reverse, the horror of philosophy: those moments when philosophical thinking enigmatically confronts the horizon of its own existence. For Thacker, the genre of supernatural horror is the key site in which this paradoxical thought of the unthinkable takes place.

    Thematic collection of 12 stories based around the theme of urban decay.# From Out of the Angry Ruins • Philip Nutman • introduction# • Godflesh • # • Childhood at the Lost and Found • # • Androgyny • # • In a Roadhouse Far, Past the Edge of Town • # • Naked Lunchmeat •# • Cancer Causes Rats •# • Mostly Cloudy, Chance of Kurt •# • Heartsick • # • Extinctions in Paradise •# • The Meat in the Machine •# • Extract • # • Liturgical Music for Nihilists •# • Endnotes: The Ticking of an Unfriendly Clock

    It seeks to provoke uniquely strong reactions, such as fear, shock, dread or disgust, and yet remains very popular. Horror is most readily associated with the film industry, but horrific short stories and novels have been wildly loved by readers for well over two centuries. Despite its persistent popularity, until now there has been no up-to-date history of horror fiction for the general reader. This book offers a chronological overview of the genre in fiction and explores its development and mutations over the past 250 years. It also challenges the common misjudgement that horror fiction is necessarily frivolous or dispensable. Leading experts on Gothic and horror literature introduce readers to classics of the genre as well as exciting texts they may not have encountered before. The topics examined include: horror’s roots in the Gothic romance and antebellum American fiction; the penny dreadful and sensation novels of Victorian England; fin-de-siècle ghost stories; decadent fiction and the weird; the familial horrors of the Cold War era; the publishing boom of the 1980s; the establishment of contemporary horror auteurs; and the post-millennial zombie trend.

    Tolkien's On Fairy-stories is his most-studied and most-quoted essay, an exemplary personal statement of his own views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in writing The Lord of the Rings .Contained within is an introduction to Tolkien's original 1939 lecture and the history of the writing of On Fairy-stories, with previously unseen material. Here, at last, Flieger and Anderson reveal the extraordinary genesis of this seminal work and discuss how the conclusions that Tolkien reached during the composition of the essay would shape his writing for the rest of his life.

    . . and still be healthy and fit into your skinny jeans?Meet Katie: a girl who eats chocolate every day and sometimes even has cake for breakfast! When Katie's sugar habit went too far in college and left her lacking energy, she knew something needed to change. So she began developing her own naturally sweet recipes and posting them online. Soon, Katie's healthy dessert blog had become an Internet sensation, with over six million monthly visitors.Using only real ingredients, without any unnecessary fats, sugars, or empty calories, these desserts prove once and for all that health and happiness can go hand-in-hand-you can have your dessert and eat it, too!

    Examining her roots in rural Kentucky, where she was born in 1940, Mason unravels her family's history and considers its impact on her as a person and a writer. Readers of the New Yorker will recognize a few excerpts, most notably the magical chapter on a local pop group in particular, and the siren song of rock & roll in general. Mason has woven the pieces of her story into a seamless whole limning her ambivalent relationship to her country roots. She was a bookish girl who fled to college and the sophisticated North before realizing that her fictional material and her heart were still down South. But when she bought land in Kentucky, it was "a long way from [home]. I had to keep some distance, keep my options open." Although her immediate family members all get loving, unsentimental treatment, the book is in essence a tribute to Mason's mother, whose free spirit never had a chance to roam as her daughter's did and who grabs center stage in the final chapter. This memoir is quintessential Mason in its strong storytelling, seeming simplicity, and deep mystery. --Wendy Smith

    Twenty-one pieces are here, including "The Gioconda Smile," "Little Mexican," "Young Archimedes," and "Chawdron." Together they offer a complete view of Huxley's work in the genre, in which he established himself as an acknowledged master.

    The Third Edition updates all of the illustrations with new, high quality, computer graphics. Over 100 new pages have been added. Inside, you will find interesting material and lock picking how-to for pin tumblers, warded locks, wafer locks, tubular locks, combination padlocks, and lever locks. This acclaimed guide reveals the secrets of the trade and makes learning the art of picking fun and easy. You don t have to waste time guessing how it s done, reading some amateur s theories, or trying to learn from the movies (they always get it wrong). Now you can get accurate information that the professionals use to give you the edge. What really sets this book apart is the quality of illustrations, which make lock picking easy to understand. The visual approach makes it easy to see how locks really work. Each type is completely dissected, exposing every moving part. Step-by-step instructions are given for picking each kind of lock. You will be lead through the entire process, from introducing the necessary tools, to explaining several techniques that will lead you to that satisfying click as your lock springs open! This book is the premier guide on picking locks. Even if you already know how to pick some locks, this book covers tips and techniques. Exercises are also explained to help you hone your skills. From simple locks, to high security pins, almost all modern lock types are covered; making it the perfect locksmith s companion. Now, you can understand the technology that has kept thieves at bay for centuries. Since the time of antiquity, within the halls of the great pyramids, tomb raiders found their untold treasures behind surprisingly sophisticated locks. Today s locks inherit from these same designs. We give you the keys to their secrets. How many times have you, or someone you know, been locked out? Now you don t have to be helpless in th

    His fascination with myth is evident in pieces on Ovid's Metamorphoses and the separate odysseys that make up Homer's Odyssey. Three intertwined essays on French utopian socialist Fourier present him as a precursor of Women's Lib, a satirist and visionary thinker whose scheme for a society in which each person's desires could be satisfied deserves to be taken seriously. In other pieces, Calvino brings a fresh, unpredictable approach to why we should reread the classics, how cinema and comic strips influence writers, and the cartoon universe of Saul Steinberg. His message is that writers need to establish erotic communion with the humdrum objects of everyday reality.