Being born and raised in Los Angeles, California by her movie star mom and ex-child-star father sounds like an ideal childhood, but with a mother who’s always busy and a father who suffers from alcoholism, Lauren’s already parentless childhood and her resulting rebellious streak are made worse when her mother passes away and she’s left alone with her father, who doesn’t care how little school she attends, how much alcohol she drinks, or how many girls she sleeps with.When she puts too many toes out of line and a judge deems her father unfit to be her guardian, she’s shipped across the country to the rural mountains of northern Georgia, where a personal friend of the judge lives with his wife and two kids on a farm. David Marshall is a professional counselor known for “reforming unruly youth”, and as part of David’s program, Lauren will be required to work with farm animals, go to church once a week, attend counseling sessions with David, and go to a new school, all for seven months until her graduation. So naturally, her plan is simple: to have her best friend come pick her up two months early on the day she turns eighteen, and to be as difficult as possible in the meantime.Her plan doesn’t account for David Marshall’s daughter.

    That’s what sixteen-year-old Zel keeps telling herself after moving to Sydney for her dad’s work. She’ll just wait it out until she gets back to New York and Prim, her epic crush/best friend, and the unfinished subway project. Even if Prim hasn’t spoken to her since that day on Coney Island.But Zel soon finds life in Sydney won’t let her hide. There’s her art teacher, who keeps forcing her to dig deeper. There’s the band of sweet, strange misfits her cousin has forced her to join for a Drama project. And then there’s the curiosity that is the always-late Stella.As she waits for Prim to explain her radio silence and she begins to forge new friendships, Zel feels strung between two worlds. Finally, she must figure out how to move on while leaving no one behind.

    Mazie has dreamed of being on Broadway since she could walk. Growing up in her small Nebraska town, that always seemed like an impossible dream. But when Mazie's grandmother dies and leaves her a letter and enough money for a six-week stay in New York City, Mazie jumps at the chance to follow her dream, leaving behind everything--and everyone--she's ever known. Of course, nothing can prepare Mazie for the loudness and chaos of the city. She's homesick for her family and the familiarity of her momma's cooking, and lovesick for Jesse--the boyfriend whose heart she broke when she left. But Mazie is determined to make her time in New York count. She is determined to succeed. With her money running out, and faced with too many rejections to count, Mazie finally lands a role. But there's a catch: the tour is an industrial musical designed to sell farm equipment, bringing Mazie right back to the cornbelt of her hometown she was all too eager to escape.Mazie is the story of a girl caught between two lives--and two loves--as she navigates who she is, what matters most, and the cost of following her dream.

    Joining the punk/indie scene is easier than FTM (female to male) transitioning: from Skye to Finn, from girl to transman. 'f2m;the boy within' was the first YA novel about transitioning co-written by an ftm. It has also inspired a comic graphic novel 'The Boy Within' which is currently being created by two transmen Ryan Kennedy & Sam Orchard. 'F2m;the boy within' will be included in the Australian National Library exhibition on significant YA novels in September 2019.Alchemy has links to where Hazel Edwards' e-books are available.http://ebookalchemy.com.au/ByImprint....

    She is also an Iranian asylum seeker who is only allowed out of detention to attend school. On weekdays, during school hours, she can be a ‘regular Australian girl’.Jono needs the distraction of an infatuation. In the past year his mum has walked out, he’s been dumped and his sister has moved away. Lost and depressed, Jono feels as if he’s been left behind with his Vietnamese single father, Kenny.Kenny is struggling to work out the rules in his new job; he recently started work as a guard at the Wickham Point Detention Centre. He tells Anahita to look out for Jono at school, but quickly comes to regret this, spiraling into suspicion and mistrust. Who is this girl, really? What is her story? Is she a genuine refugee or a queue jumper? As Jono and Anahita grow closer, Kenny starts snooping behind the scenes…

    It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city -- but this time a mysterious boy with a troubled past comes with them. As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret -- a secret he thought he'd locked away for good.

    She’s a grungy introvert who doesn’t want to talk to anyone. He’s a teen fashionista who can’t shut the hell up.But since Lindsay tracked down a runaway kid, word’s got around that she knows how to find people. And Elias is looking for his birth mother. And he has money, and Lindsay’s perpetually broke… So that’s how this oddest of odd couples teams up.But the thing is, Lindsay wasn’t actually trying to find the runaway. It’s just how she looks at the world. Not idly, like most people, but really looking. Scanning every house, every face, every car. That’s because someone is missing in Lindsay’s life: her identical twin Frankie, who disappeared when they were eight. Since then, her parents have kept themselves busy. And angry. And Lindsay has been…looking.In Elias, despite their differences, she might have found someone to look with.

    The book has been banned from many school libraries and publicly burned in Kansas City. Of the author and the book, the Margaret A. Edwards Award committee said, “Using a fluid, readable style, Garden opens a window through which readers can find courage to be true to themselves.”

    She was all warmth and sparking light. When I was with her, my skin sighed that the center of the world was precisely here.Anna is afraid she must be unlovable—until she meets Flynn. Together, the girls swim, eat banana cake, laugh, and love. Some days Flynn is unreachable; other days she's at Anna's door—but when Anna discovers Flynn's secret, she wonders if she knows her at all. This beautifully crafted novel explores the tension between the tender moments that pull people together and the secrets that push them apart.

    Forced to return to town, Kalyn must attend school under a pseudonym . . . or face the lingering anger of Samsboro's citizens, who refuse to forget the crime.Gus Peake has never had the luxury of redefining himself. A Samsboro native, he's either known as the "disabled kid" because of his cerebral palsy, or as the kid whose dad was murdered. Gus just wants to be known as himself.When Gus meets Kalyn, her frankness is refreshing, and they form a deep friendship. Until their families' pasts emerge. And when the accepted version of the truth is questioned, Kalyn and Gus are caught in the center of a national uproar. Can they break free from a legacy of inherited lies and chart their own paths forward?.

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    More than anything, Lopi wants to find someone to really connect with, someone to love—but short of that, she wants to have sex. She’s already figured out how to graduate a year early, but the rest isn’t so easy. For one thing, her mother, Vivian, isn’t just crazy: she’s young, vivacious, and beautiful. No one can resist Viv’s charms, but Lopi knows it’s all just an act. Viv is only pretending to be happy, trying to ignore Lopi and the horrible accident that changed everything between them. Lopi tries to pretend too, as she navigates the murky waters of sex and love and growing up, but she can’t fool herself—Lopi has a secret that sets her apart: the accident was her fault, she is evil . . .

    However there is something wrong with the town, someone is controlling the population. Nat and his new friends feel compelled to oppose the strange power that dominates the place.

    But it’s nothing to do with him. That’s just the way the Aborigines have always been treated. In the summer of 1965 racial tensions in the town are at boiling point, and something headed Walgaree’s way will blow things apart. It’s time for Robbie to take a stand. Nothing will ever be the same.

    His brother, Connor, has already been kicked out of the house for being gay and laying low seems to be his only chance to avoid the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands.Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself.-------------------------------------------------------------------------------------Optioned for screen by Game of Thrones’ Nikolaj Coster-Waldau’s, Ill Kippers Productions, and Pretty Little Liars’ Julian Morris